Ozzy Osbourne, Music, and Overreaction #PMRC #music #law #suicide #Ozzy #80s cc: @OzzyOsbourne

If you enjoy this post, please retweet it (Twitter/X), boost it (Mastodon), repost it (MeWe), or repost it (BlueSky).

I recently came across an article about 10 songs that wouldn’t work in today’s social climate. Sure, I’m kind of old (56), so for the most part, those songs didn’t bother me, but culture revolves around the young, so my opinions don’t matter. However, I never understood the stupidity of the objections to one song in particular that appeared in the article: Suicide Solution by Ozzy Osbourne.

I post this with no fear any of you will kill yourselves after listening.

Ozzy was famously sued for causing the suicide of one of his fans by releasing the song. (That was the dumbest sentence I’ve ever written.) The article seemed apologetic to those from the 80s and today who objected to the release of the song. The idea is that Ozzy is trying to advertise suicide as the solution to your problems. Moreover, there’s a part of the song where Ozzy stutters over the word suicide, saying, “Su, su, su . . . .” I remember the attorney representing the plaintiffs saying that it sounded too close to “Shoot, shoot, shoot,” which, of course, is how the fan committed suicide. Ozzy fought back saying that the song was about the dangers of alcoholism, which is a sort of slow suicide by way of the chemical solution of alcohol. (I know there’s some disagreement on whether alcoholic beverages are “solutions” or “mixtures,” but that’s not a concern of this post.)

So, who’s right? (I am right.) Well, form your own opinion. (Your opinion will be stupid unless you admit I am right.) Here’s the opening lyric to the song.

Wine is fine, but whiskey’s quicker.
Suicide is slow with liquor.

Do I really need to post the rest of the lyrics for you to understand what this song is about? Well, just in case . . . .

Take a bottle, drown your sorrows.
Then it floods away tomorrows.
. . .
Now you live inside a bottle.
The reaper’s traveling at full throttle.

Seriously, may I stop? While the other lyrics can be interpreted in a multitude of ways, they should be interpreted within the context of what you just read. Clearly, this song is about the dangers of alcohol excess. It’s actually a fucking public service announcement, but because a couple of parents couldn’t accept that the life they provided their child with a life he felt wasn’t worth living, they needed a scapegoat. That’s some serious cognitive dissonance, but their personal failings carried potential consequences for society at large, and ideas like this still swirl around in people’s insecure brains.

Of course, there could be even more to this argument. Suicide requires a complex combination of circumstances and emotions. No song could be causally linked to a suicide. Free fucking speech. But none of that should matter because the song itself is telling you not to commit suicide through irresponsible alcohol use. Ozzy knew something about this, as a fellow musician he knew had recently drank himself to death (so to speak). This song was absolutely the wrong target to attack.

I’m probably preaching to the choir among my few readers, but apparently there are still plenty of people who cling to this incredibly stupid position. Even my YouTube search warned me about what’s coming.

I don’t mind the phone number going viral, but I really don’t need the warning at the very bottom. Duh.

It’s worth reminding society of this.

If anyone’s even reading.

Follow me on Twitter/X @gsllc
Follow me on Mastadon chirp.enworld.org/@gsllc
Follow me on MeWe robertbodine.52
Follow me on Blue Sky @robbodine
Follow Ozzy Osbourne on Twitter @OzzyOsbourne

While we’re on the subject, here are the most important lyrics Rush ever wrote.

Happy Birthday, Keith Richards! @officialKeef #aging #happybirthday #birthday #RollingStones #KeithRichards

If you enjoy this post, please retweet it.

It is claimed that on this day in 1943, Keith Richards was born. However, . . .

. . . we all know the truth.

Follow me on Twitter @gsllc
Follow Keith Richards @officialKeef

My Favorite Album by The Cars #music #album @thecarsband

If you enjoy this post, please boost it via BlueSky, Mastodon, and/or Twitter/X.

A random thought inspired this post, which will likely result in a series of posts. I asked myself which album was my favorite among those produced by the Cars. There are honestly only four candidates for me: The Cars (1978), Candy-O (1979), Shake It Up (1981), and Heartbeat City (1984). All of these albums are good, and all have multiple songs that received substantial airtime, but as near-and-dear to me as Shake It Up is, and as much commercial success as the singles of Heartbeat City enjoyed, I have to go with The Cars.

This album is nearly perfect. Only three songs on the album didn’t substantial airtime, and only one of them absolutely shouldn’t have. 😊 Consider the following data:

So, three of these new wave songs are released as singles, but I could hear six almost every time I went radio station surfing. Most of the songs on this album were all over my radio well into the 80s. I think Benjamin Orr gets the nod over Ric Ocasek as far as the songwriting goes, but this is still a solid album from top to bottom.

Of course, this is just an opinion, and everyone is free to form their own, but besides how I personally feel about the music, that data paints a picture of a good album in the eyes of the masses. It’s their only album that went 6x platinum (in the US), with even Heartbeat City (and Candy-O) trailing at 4x platinum. Moreover, most albums have several weak tracks, but this one has only one that I’d place in that category. Lastly, I’ll add that this album holds 5 positions in the list of the top 15 Cars songs, including #1, according to Billboard Magazine. Rolling Stone places 5 songs from The Cars on their top 17 “essential” list. Not that you should ever take the critics too seriously, but for only the second time, I’m on their side. The Cars takes my top spot for this band.

As always, YMMV.

Follow me on Twitter @gsllc
Follow the Cars @thecarsband

Ending Another Streak @IronMaiden @themandalorian #TV #music #StarWars #IronMaiden #UpTheIrons

If you enjoy this post, please retweet it.

Sundays are lazy days for me. Sometimes I post other people’s work. Sometimes, something silly. Usually both. Well, there’s nothing sillier than this. I post today only because this will become my 200th consecutive daily post. I’ve pulled this shit before, posting just to say that I’m continuing what would become a 374 day streak, but I post this to say my streak is ending. Very meta.

Okay, fine. Because you’re here, I should probably give you a stupid meme. Here’s one.

Nice mashup of two things I love. It’s not as if I had something important to say for most of the 199 before it (short of some of these).

Now it’s time for another break.

Follow me on Twitter @gsllc
Follow Iron Maiden @IronMaiden
Follow the Mandalorian @themandalorian

Some New Music for Me #music #RedHotChiliPipers @chillipipers

If you enjoy this post, please retweet it.

One last post before I take a break from blogging.

This past week in Ft. Wayne, I discovered a new band care of a request made on O’Reilly’s TouchTunes juke box: the Red Hot Chili Pipers. That’s “Pipers,” not “Peppers.” They’re a band that covers other bands’ music, but they do so with a healthy dose of bagpipes, which I love because I love my Scottish roots. Besides the instrumentation, they also mix things up a little bit with the arrangements.

Here’s one example.

Here’s another.

Unfortunately, their only show in the DC area this year is on a Wednesday night and over 45 miles away. That’s 45 DC-area miles, which with traffic will take too long time to get there and get back. I’m too old for that, and it’s not like I go to concerts often. Here’s their current tour schedule in case you’re interested.

There’s always YouTube.

Follow me on Twitter @gsllc
Follow the Red Hot Chili Pipers @chillipipers

The End of “Classic” Fleetwood Mac #music #FleetwoodMac @StevieNicks @LBuckingham @MickFleetwood

If you enjoy this post, please retweet it.

On this day, five years ago, the classic lineup of Fleetwood Mac took their final bow together at Radio City Music Hall.

Despite them being one of my two favorite bands (along with Rush), I never saw them in concert. Of course, it’s certain I never will.

Maybe I’ll see Stevie Nicks in the fall. She’s coming to Baltimore with Billy Joel.

Follow me on Twitter @gsllc
Follow Stevie Nicks @StevieNicks
Follow Lindsey Buckingham @LBuckingham
Follow Mick Fleetwood @MickFleetwood

Listen to International Radio Stations #music #radio

If you enjoy this post, please retweet it.

Here’s a nice little diversion from the heavier shit I’ve been discussing over the past few days (which will return tomorrow).

Over a year ago, I ran across a website where you could pull up a radio station from around the world and listen to them. I started this post on October 11, 2021, then left it in my drafts where it was lost to time. Instead, you got this. With needing a break from the heavy, I decided to finally publish it.

I couldn’t decide which image I liked more (hated the least?), so you get two of them.

So there. Now you know that Ireland listens to the same music we do in the United States of America. In fact, a ton of Europe listens to exactly what we do.

USA! USA!

Follow me on Twitter @gsllc

A Sad Anniversary #music #Motorhead #Lemmy #RIP @myMotorhead

If you enjoy this post, please retweet it.

Ian Fraser “Lemmy” Kilmister was the founder and only continuous member of Motorhead. He was their primary songwriter, lead singer, and bassist. He played bass with a pick, which is untraditional but not unique.

Motorhead had only one hit: Ace of Spades. Here it is.

RIP, Lemmy.

Follow me on Twitter @gsllc
Follow Motorhead @myMotorhead


The Story of Fleetwood Mac #ChristineMcVie #music #FleetwoodMac #RIP @StevieNicks @LBuckingham @MickFleetwood

If you enjoy this post, please retweet it.

Sundays now are lazy days for me. I either post something silly or other people’s work. Usually both. Today, in light of a recent celebrity death, here’s the story of Fleetwood Mac in their own words.

I loved that my analysis of Christine’s role in the band was validated by what her bandmates said.

Creation can be a painful process.

Follow me on Twitter @gsllc
Follow Stevie Nicks @StevieNicks
Follow Lindsey Buckingham @LBuckingham
Follow Mick Fleetwood @MickFleetwood