Is Die Hard *Really* a #Christmas #Movie?

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Today, we ponder one of the great questions in philosophy: Is Die Hard really a Christmas movie?

Yes.

Shut up.

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Classic Watch: The Nightmare Before Christmas @disneyplus #ClassicWatch #DisneyPlus

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My Classic Movies category is reserved for movies like Citizen Kane and Casablanca, but I couldn’t help but include this movie in that series. It’s only 27 years old, but it’s a movie that everyone told me is a “must-watch.” Thought I enjoyed it, and it’s probably as good as any Halloween movie for viewing during that holiday season, I wouldn’t place it in that category. As with many movies, this one may have earned its reputation based on nostalgia rather than filmmaking technique.

Or not. Maybe it simply didn’t trigger things in me that it does in most others.

Even if you also merely like it, it’s short, fun, and thematic, so it’s not a bad watch at all. As always, YMMV.

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Classic Movies: Cassablanca @hbomax @movie #ClassicWatch #QuarantineLife

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I’ve discovered Turner Classic Movies on HBO Max and thought it would be a good idea to watch some of the “classics” I’d never seen. I started with Citizen Kane, and now I’ve moved on to Casablanca.

Of course it suffers from being out of time, but overall this movie stood up well. For example, though 78 years old, it’s actually quotable, and a Nazi gets shot. The story isn’t what you typically see today, so the ending isn’t what you may expect from today’s formula. From what little I know about Gone with the Wind (soon to be viewed), it also avoids the trite ending. Maybe these elements were typical in the late 30s and early 40s — I don’t have enough data points to say — but in any case it helps Casablanca stand out. Dooley Wilson was great as Sam. The primary setting is a crowded bar, and his occasional musical numbers help set those scenes, but the movie smartly moves on from that setting when the story needs to go forward. As Time Goes By remains a classic.

All that said, the best part about watching this movie is that I now understand completely one of the best Saturday Night Live skits I’ve ever seen.

Kate McKinnon is so good that she gets the final word in this post. As always, YMMV.

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Insane Watch: Eraserhead @DAVID_LYNCH @hbomax #Eraserhead #movie #film

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What?

Here’s the tagline from HBO Max:

A printer named Henry Spencer is on vacation when he learns that his ex-girlfriend, Mary X, has given birth to a terribly deformed baby. Henry marries Mary and the two try living together, but it does not work out. So Mary leaves and Henry begins to care for the baby. After this, several bizarre events take place.

Wait, what? After this things get bizarre? Haven’t you been paying attention up to this point?

There are visions of a woman in Henry’s radiator who dances and crushes small, tadpole-like creatures. Henry has a tryst with a woman who lives across the hall, and he has a dream that his head is being used to make pencil erasers.

Did I like it? I don’t know. I saw it three days ago and am still trying to figure out why’d they even let the mother take the baby home. Where did the baby’s poop go. Could all that oatmeal be the poop that was stored under pressure?

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I want to see a sequel called EThead. That baby looked like an human/ET hybrid. As always, YMMV.

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Classic Movies: Citizen Kane @hbomax @movie #ClassicWatch #QuarantineLife

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I’ve discovered Turner Classic Movies on HBO Max and thought it would be a good idea to watch some of the “classics” I’d never seen. I decided to start alphabetically at Citizen Kane. Bad start.

It didn’t age well. The movie is inspired by William Randolph Hearst, who means absolutely nothing to me. I’m a guy born long after Hearst died (1951), and even longer after Citizen Kane was released (1941). I can’t relate specifically, and the general story is just blah. I’m also annoyed at the “twist” that’s been the subject of so much praise. I see it as less a “big deal” and more a “big disappointment.”

Nevertheless, I at least respect what this film means to the evolution of cinema. According to those in the know, it was a necessary step towards the great movies we have now. I also liked that it went out of its way to highlight new actors in the end credits, one of whom, Agnes Moorehead, played Samantha’s mother in Bewitched.

If, like me, you just have to see it, then do so, but don’t expect much. As always, YMMV.

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