Travelling Through the Star Trek Universe, Part VIII. Viewing Notes on Star Trek VIII: First Contact. @SirPatStew @StarTrek @CBSAllAccess #StarTrek #movie

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Still on CBS All Access for this one.

Hey, Locutus. Once a Borg, always a Borg.

New ship; new outfits.

Double dream sequences are stupid.

Finally, some Romulan . . . . Oh. No. It’s just a reference to their existence. No Romulan threats in this one either. When am I going to get my damn Romulans?!?! (In two days, actually.)

If Starfleet sees Picard as a potential ally to the Borg, then why is he still captain of the most important ship in the fleet?

Considering the urgency, Data’s delivery of “to Hell with our orders” was too slow.

Despite not being able to act drunk (neither could Marina Sirtis), James Cromwell played a great version of Zefram Cochrane. Sometimes history forgets the bad parts of a character, remembering only the good parts. Some think that’s a bad thing; I don’t. However, I believe we should remember that these heroes of history were ultimately just humans. They were as flawed as the rest of us.

The Enterprise’s internal sensors suck. How did they not know the Borg transported over?

The song playing in the bar is stupid.

Alfre Woodard can’t play a “tough guy.” It’s just not believable.

And you people, you’re all . . . astronauts. On some kind of star trek.

The idea of a Borg queen completely undoes the meaning of the Borg. It didn’t ruin things for me — not even close — but I didn’t like it.

And now we’re back to not having money in the 24th century. Amazing how that goes back and forth.

Phasers don’t work, but a tommy gun does.

“Taking a leak” has lost all meaning. Nice touch.

I liked how the script had somewhere to go after Data installed the emotion chip, focusing on touch. And the callback to Data’s line to Tasha Yar before bumping uglies was a good bit of nostalgia. However, I didn’t need to see robots making out. Not hot.

Stunning may not hurt, but the fall you take after being stunned probably does. You could also drown if you wind up face first in a creek.

Worf saves the day!

Who the hell has Moby Dick memorized? I’m sure some people do. I know a part of Rime of the Ancient Mariner that’s just as long because I listen to Iron Maiden, but if someone randomly mentioned a book, I wouldn’t be able to quote it. Picard’s knowledge base was always unrealistically broad. He also speaks fluent Latin. I call bullshit.

There we go. Magic Carpet Ride is a better choice of music.

Data and the Borg Queen Totally Had Sex and 6 Other Things We Learned From  Jonathan Frakes' Star Trek: First Contact Commentary - IGN
Data didn’t turn evil? I did not see that coming!

It would have sucked if the Phoenix had just blown up due to faulty design.

I doubt Picard could have torn the queen’s spine in two. It’s probably too durable.

How does the queen’s death matter if she isn’t really dead?

The TV series Enterprise had a better version of the First Contact scene. 😊

According to the Entropy Effect, Vulcans don’t like to shake hands.

Overall, this movie seems to be a bit overrated. It wasn’t bad by any stretch, but it was nothing more than the best of the Next Generation crew’s films. For me, that places it behind most of Kirk’s films. I do like the soundtrack, but I like all the Star Trek soundtracks, so that’s a low bar.

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Why I Love the TV Series, Star Trek: Enterprise

I’ve been revisiting the series Star Trek: Enterprise (“STE“). The episodes are available free on the Star Trek website. In light of last week’s anniversary of the first airing of Star Trek: The Original Series (“TOS“), I thought it would be appropriate to share my thoughts.

STE is a much-maligned series in the Star Trek franchise. Though I can understand why relatively new Star Trek fans didn’t like it, I never quite understood why fans of TOS didn’t. Sure there were problems with the writing; the temporal cold war was annoying and never truly resolved, and they never should have forced the Borg and Ferengi into the storylines. However, for those who’ve been with Star Trek from the beginning, we’ve seen it as a morality play first, and bells and whistles second. The futuristic setting was interesting and important. It was interesting to see where humans were going and important because it told us that somehow, despite the threat of nuclear annihilation, we were going to make it. Nevertheless, the reason we were going to make it was because of our social evolution, not our technological evolution. Greater technology, by itself, simply gives us the means to destroy ourselves. We have to rise above our instincts and insecurities to make it to the 22nd century. Story was what mattered.

So, how did we go from cross burnings to not batting an eyelash when we meet an energy-based being? We can certainly see the first part of that evolution by looking at how our real-world societies have (and haven’t) evolved since the 60s. We can also see how we’ve evolved from the Original Series to the Star Trek: The Next Generation (“TNG“) era, a time at which diversity was so extensive that we threw up our hands and surrendered to it psychologically-speaking. What’s missing is our future. By “our,” I mean those of us living in the 21st century, and those that will live in the 22nd century. What can we and our descendants expect? Star Trek: First Contact gave us a hint. First contact with the Vulcans “unit[ed] humanity in a way that no one ever thought possible, when they realize they’re not alone in the universe.” Deanna Troi, Star Trek: First Contact. That’s great, but it’s also a bit idealistic. Even if humanity no longer hated itself, could we really expect that to mean the end of bigotry instantaneously? STE answered that question, and that’s why I loved it. It told a part of the story we needed to see, both in terms of our social evolution and technical evolution. The jump from TOS to TNG wasn’t nearly as fascinating to me as the jump from right now to TOS, because that’s what will affect people I actually know, including me.

Two of the best episodes in all of Trek history were Demons and Terra Prime, a two-part series starting Peter Weller (a.k.a., Robocop) as a xenophobic human. He united black and white, male and female, gay and straight, and faithful and atheist against a common foe: Anyone who wasn’t human.  It demonstrated that humans are as bigoted as their circumstances dictate. By that, I mean that whoever is most different at the time is the target of our bigotry. Sure, looking at green-blooded, pointy-earned clones of Satan, we’d probably lose focus on how we hate each other, but that focus had to go somewhere, and sure enough it did. Humans developed great resentment towards Vulcans. Of course, there wasn’t much outright hostility, but then again bigotry nowadays doesn’t often result in physical violence, but that doesn’t make the bigotry any less real. Also, humans were getting something out of their relationship with Vulcans, so that helped to mollify that resentment.

Or so my theory goes.

Still there was a story to tell there. You may agree or disagree with my point of view, and you may have preferred a different direction for Star Trek canon. That’s not what’s important. What’s important is that we’re analyzing social issues, which is what made Star Trek one of the most important series in the history of television. That analysis is the mission of the Star Trek franchise. Whatever legitimate concerns you might have for the quality of the writing, with Star Trek: Enterprise, mission accomplished.

Unless, of course, phase cannons weren’t glamorous enough for you.

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