Tag: movie

Travelling Through the #DCEU, Part III @GalGadot @modernwest @HarryJLennix @BenAffleck @realamberheard @thedcuniverse #BirdsOfPrey #JusticeLeague #movie

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I really liked the DCEU, so I’ve decided to rewatch all of the DCEU movies in chronological order as I once did with the MCU. Doing so isn’t as important because the DCEU movies aren’t nearly as dependent on each other, but it’s something to do. 🙂 The order of the movies is Wonder Woman, Man of Steel, Batman v. Superman: Dawn of Justice, Suicide Squad, Birds of Prey, Justice League, Aquaman, and Shazam!

Birds of Prey

I had to rent this movie to stream it. Worth it.

That’s not quite the saying, but close enough.

Hyenas are cute. From a distance.

There isn’t a single major character in this movie that isn’t seriously damaged.

You couldn’t pay me enough money to eat that breakfast sandwich.

That’s a bold enough fashion statement even without being involved in a chase.

As always, physics takes a back seat to drama, but this movie doesn’t even bother to justify it with magic, or alien metal, or anything that makes it easy for me to ignore.

The back and forth through the timeline can be hard to follow, but this movie pulled it off.

“Other pocket.” 🙂

Baseball bats and knees don’t go well together. Nor do beards and lighters.

I saw this in the theater with my friend, Erik, and we were the only two in there. At the moment Harley looks into the camera, Erik and I both spontaneously laughed out loud. Sorry, Deadpool, but that’s how you break the fourth wall. Once. Voice overs are fine, but make the break count so it has an impact.

 

Go to 0:40.

Hyenas are feliforms. She should have fed Bruce cat food. 🙂

I love when popular songs are reimagined; in this case, Hit Me with Your Best Shot. And sometimes, using the original works really well too.

A fitting death for Black Mask. Not just in the sense that he deserved it, but also because it was sufficiently hideous considering the tone of the movie.

I enjoyed this movie, but only as a comedy, and I liked the directing. As an action movie, though, it was substandard, and sometimes the characters overacted. Basically, it wasn’t as good as I remembered it, which means — as always — I’m probably overthinking things. This isn’t the kind of movie where you should do that.

Justice League

Believe it or not, this isn’t a guilty pleasure. The audience score is 71% on Rotten Tomatoes. If you’re one of the squeaky wheels that didn’t like this movie, you’re with the critics. That’s not necessarily a bad place to be.

Based on the explosion, that bomb wouldn’t have blown up 4 city blocks.

I can think of several reasons to be pissed at being turned into a cyborg, but the ability to fly isn’t one of them. Nor is the ability to access whatever information I want.

I really didn’t think an arrow would stop Steppenwolf. Why did they? Well, I know the answer. It made for a great fight scene.

“Keep it moving!” Where to? You’re on an island and on horseback. He can go anywhere you can.

I want more Green Lantern. I hope he’s in the Snyder Cut.

“I need . . . friends.” Yet, the Flash is the only member of the Justice League that isn’t constantly brooding.

Bug spray. I hate bugs, too.

Wasn’t Superman in a suit? Where’d his shirt and shoes go? And why hasn’t anyone cleaned up the rubble from the monument yet?

CGI mustache-free lip aside, the fight scene between Superman and the Justice League was great. It established Superman as a bad ass. I especially loved that he threw everyone off, and before they could hit the ground, beat the Flash at his own game. The look on the Flash’s face when he realizes what’s going to happen is priceless.

The cop pointing a gun at Superman is a dipshit.

Again, Diane Lane is the best Martha Kent.

 

Once again, the physics of comics make no sense. If Superman were holding an apartment building like that, he’d produce a tremendous amount of pressure at a single point that would cause the building to split. I know, I know; I thought it was a cool visual and good joke too.

The only reason to keep the main villain alive at the end of a movie is so that he can be a threat in a sequel. My understanding is that Justice League 2 was supposed to start with Darkseid killing Steppenwolf because of his failure. That makes keeping Steppenwolf alive even dumber. There should have been resolution . . . and a threat of what was to come.

As an attorney that was working with REO properties (think foreclosure) at the time I saw this movie, I thought, “Why would Bruce Wayne buy the bank. Just buy Martha Kent’s house at auction (or by simple contract if it was currently REO). My friend, Erik, pointed out, “Because buying his way out of trouble is Bruce Wayne’s solution to everything. It’s just what he does.” Good point.

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Travelling Through the #DCEU, Part II @GalGadot @modernwest @HarryJLennix @BenAffleck @joelkinnaman @JaredLeto @thedcuniverse #Batman #Superman #SuicideSquad #movie

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I really liked the DCEU, so I’ve decided to rewatch all of the DCEU movies in chronological order as I once did with the MCU. Doing so isn’t as important because the DCEU movies aren’t nearly as dependent on each other, but it’s something to do. 🙂 The order of the movies is Wonder Woman, Man of Steel, Batman v. Superman: Dawn of Justice, Suicide Squad, Birds of Prey, Justice League, Aquaman, and Shazam!

Batman v Superman: Dawn of Justice

Like everyone else, I was happy we didn’t get yet another Batman origin story. Handling through the credits was a great idea. I loved the music as well.

Around the time this movie was released. there was a video showing the fight scenes between Superman and Zod in both Man of Steel and Dawn of Justice. It showed that both of those scenes were synchronized precisely. I can’t find the video anywhere. All I could find was a 2-second clip. I love that attention to detail.

I was surprised how much I enjoyed Jesse Eisenberg as Lex Luthor.

A real Superman would exacerbate the already massive polarization in America on both political and religious grounds. Considering it was a side story, the movie did a good job of capturing that tension.

Superman isn’t the only one that kills. Batman kills people. A lot of people. That pisses off people. A lot of people. (Not I. It’s an action movie.)

Did Soledad O’Brien die in the explosion? She must have. Pat Lahey definitely did.

“It did on my world. My world doesn’t exist anymore.” Foreshadowing for a moment I love in this movie when Superman realizes something important.

Okay, I agree. Martha?

How exactly would Lex Luthor be able to control Doomsday if it had killed Superman? The first thing it tried to do was punch Luthor. It failed but would have destroyed the entire world after defeating Superman.

Doomsday at the top of LexCorp tower facing off with Apache choppers reminded me of the finale of King Kong (1976).

“This is my world. You are my world.” This is where Superman realizes something important. The musical piece, This Is My World, captures the scene perfectly.

Lex Luthor isn’t really bald if they simply shaved his head.

Suicide Squad

Solid star power.

In creating the team, they created the threat. That’s a bit odd.

I’m a fan of Adam Beach and was pissed he got only a few words of dialogue and not much of a role. But hey; no small parts, right? At least he served a purpose.

Like several movies in the MCU, I always find myself asking, “What are all the other heroes doing while the world is being threatened?” Then I stop overthinking it.

I hate to be an asshole, but Cara Delevingne really sucks.

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Travelling Through the #DCEU, Part I @GalGadot @russellcrowe @modernwest @HarryJLennix #WonderWoman #Superman #ManOfSteel #movie

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I really liked the DCEU, so I’ve decided to rewatch all of the DCEU movies in chronological order as I once did with the MCU. Doing so isn’t as important because the DCEU movies aren’t nearly as dependent on each other, but it’s something to do. 🙂 The order of the movies is Wonder Woman, Man of Steel, Batman v. Superman: Dawn of Justice, Suicide Squad, Birds of Prey, Justice League, Aquaman, and Shazam!

Wonder Woman

This was a fun movie. Huge stakes, lots of action, and just the right amount of humor strike a proper balance between serious and campy. I liked the way they presented the effects of the Lasso of Hestia on Steve Trevor. Its effect on Aquaman was funnier, of course, but as he wasn’t resisting it, his experience wasn’t strictly inconsistent with Steve Trevor’s.

The premise of the Amazons is flawed. They make a huge deal out of the fact that once Ares is killed, everyone will go back to loving each other. If they only knew that World War II was on the horizon, not to mention everything else that happened after that. Things actually got worse. I wonder (pun intended) whether that will be addressed in the sequel.

I love David Thewlis, but he was miscast here. He’s too old even in the flashback scenes where they use CGI to de-age him. I would have preferred a younger actor.

I like that Diana starts as hopelessly naive. It gives her room to grow, but because of her superpowers, she can sometimes get away with it (e.g., crossing “No man’s land,” which was my favorite scene and music in the movie).

So much for Steve Trevor not wanting to sleep with a woman before marriage.

Diana uses a lot of Capoeira.

For a second, I thought Sameer was going to suggest. “Get help.” 🙂

As to my point above, Steve Trevor and Ares both try to explain away Ares’ responsibility for human evil, but then SPOILER ALERT Diana kills Ares. Was Trevor mistaken? Was Ares lying? Nope. Things continued to get worse after World War I.

All of the telekinesis in the first part of the fight against Ares reminds me of Luke’s first battle against Vader in the Empire Strikes Back. Ares’ creation of swords on the fly reminds me of Hela in Thor: Ragnarok.

I hope they come up with a really good explanation for Steve Trevor’s return in Wonder Woman 1984. Otherwise, it’ll cheapen his moving death scene in this movie. I know that characters always come back to life in comics, but this is a different medium. Death should be final. Otherwise, there are no stakes, and thus no drama.

Wonder Woman 1984

Dammit! I wish I could watch this now.

Man of Steel

I’m a HUGE fan of this soundtrack.

At times, the opening sequence reminds me of the Matrix, Avatar, and Apocalypse Now.

Heresy
noun
Belief or opinion contrary to orthodox religious (especially Christian) doctrine.

It’s heresy to have babies naturally?

Henry Cavill is my favorite Superman. Deal with it. And Diane Lane is my favorite Martha Kent.

I always found weird the theory that Aquaman saved Superman after the oil rig explosion. A natural, terrestrial threat could kill Superman? I have enough trouble accepting that he was knocked unconscious by it, but okay. Drama.

The most heroic thing about Clark Kent that’s obtainable by all of us is a complete lack of pride.

Everyone argues. It doesn’t mean you don’t love each other. If the last thing you say to someone you love is harsh, don’t beat yourself up over it. They understood. Wouldn’t you?

Kevin Costner’s sacrifice was far better than Glen Ford’s heart attack.

I love how Coburn Goss portrays a priest thinking, “Oh, shit!” but somehow keeping his composure.

So Kryptonians are ultra-sensitive to different atmospheres but totally cool with the vacuum of space?

The amount of destruction in this movie is horrifying. It makes sense considering who’s fighting whom, but how could you rebuild that?

It’s so funny to me that this is the same Michael Shannon from Knives Out. Great actor.

“106 Days without an accident.” Oops. The 1 and 6 just got knocked off. Hell of a joke to put in such a scene.

Wait. Why remove your armor, Zod?

Oooooooh, there goes Wayne Tower.

Superman kills! The direction in which he broke Zod’s neck should have killed the people anyway.

“Welcome to the planet.”

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Good Watch: Apollo 18 @HWarrenChristie @RyRobbins @netflix #GoodWatch #QuarantineLife

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I saw a video on YouTube entitled, Alien Movies on Netflix That Should Be Required Viewing. It’s over 11 minutes long, so you may want to read the rest of this post before deciding whether to watch it.

Of the movies suggested, I had seen a few already, and have since seen a few more. I have to say that the list is, at best, hit or miss. That said, Apollo 18 was pretty good.

In the real world, Apollo 18 was cancelled for budgetary reasons. This movie presumes that was a cover up, and that the mission went forward. Here’s the short description:

Apollo 17 was the last U.S.-sponsored lunar voyage — or was it? Hours of found footage, classified for decades, point to a subsequent moon mission — Apollo 18 — that ended very badly. Astronauts John Grey (Ryan Robbins), Nathan Walker (Lloyd Owen) and Benjamin Anderson (Warren Christie), on a mission to install radar scanners, discover a Soviet space capsule nearby. The men also discover a dead cosmonaut, and unfortunately for them, learn how he died.

I think that pretty much sums it up. I’m not a huge fan of “found footage” films, but this premise intrigued me, and I enjoyed the movie. It’s just under 90 minutes long.

As always, YMMV.

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Good Watch: What We Do in the Shadows @Natasia1andonly @porksmith @m_proksch @HARVEYGUILLEN @DougJones @TaikaWaititi @hulu #GoodWatch #QuarantineLife

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What We Do in the Shadows isn’t the kind of show I would have expected to like. I liked Galaxy Quest because it made fun of my favorite intellectual property, Star Trek, but I’m no into horror movies at all, so I didn’t expect this to appeal to me. However, after the first few episodes, I found it hilarious, which is unsurprising considering Taika Waititi’s warped brain is behind it. Kayvan Novak absolutely steals the show, but the entire cast has some great moments. 

WWDitS airs on Hulu, with new episodes every Thursday night. Catching up would be a snap, as each episode is less than 30 minutes long. That makes it easy to sneak in an episode whenever you have a moment. Plus, each season is only 10 episodes long, and they haven’t finished the second season yet.

As always, YMMV.

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90s Movies v. 80s Movies #QuarantineLife #movie

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Quarantine life has me watch a ton of movies. Many are repeats, but even more are new to me. Of the latter set, quite a few are movies I never saw when they first came out, going all the way back to childhood (e.g., Taxi Driver). This past weekend, I watched Grosse Point Blank (1997) for the first time, which gave me a thought. I’ve noticed that 90s movies seem to hold up far better than 80s movies, and I’m not sure why. Is it because the filmmakers of the 90s were better at their craft, or is it because I’m more emotionally attached to the 90s? The latter makes more sense, but it could actually be both. Note: For the purposes of this post, my definition of “hold up” is I like the 80s or 90s movie even though I’ve seen it for the first time within the past 10 years. An equally interesting definition is Later generations like the movie. I’m curious as to whether any of you have had the same experiences in that regard as I did.

Is It Me?

I always try to place my bias in check, and I certainly have a bias when it comes to the 90s. Movies from a shared era follow similar themes, so a movie from a given era can often represent that era well. I don’t want to bring down the conversation, but to address this I have to point out a few things. My childhood wasn’t exactly happy, nor were my high school of college years. They were actually quite miserable, and I haven’t maintained the few, weak friendships I had from those eras. If it weren’t for Facebook, I would never have heard from them again, and that’s the extent of our relationships to this day. In fact, I have better online relationships with people I’ve never met. On the other hand, I finally had the “college experience” when I attended law school in my late 20s to early 30s. That was 1996-2000, and it was literally the best time of my life. I have close friendships with the people I met there, and whenever I drop into Chicago, my schedule is packed. This could certainly affect how I view movies from that era.

The Case Against the 80s

The best way to assess which decade holds up better is by watching movies for the first time at a much later date. I missed a ton, but I’m sure all of you missed at least a few. A good example of a cult classic that I didn’t see until after 2010 is Ferris Bueller’s Day Off. I don’t want to rain on your respective parades, but that was some stupid shit. To start, because of a scene appearing in the script that never made it to the screen, we know how Ferris financed this remarkably expensive day: He stole his parents’ bonds and cashed them in. I already hate this punk, though it wasn’t on screen, so perhaps we should ignore that one. That’s fine, because the dumbest part about the movie it its lesson. If you give it some thought, the moral of the story is “If your father claims you’re too irresponsible to drive his expensive sports car without destroying it, teach him a lesson by stealing the car, irresponsibly destroying it, and taking out a large percentage of his house along with it. That’ll show him!”

Only a kid in high school could get behind that.

Seriously, that’s stupid, but I fully expect you to like it if A) you’re in high school, or B) you first saw the movie when you were in high school. This is one of many examples of 80s movies I didn’t see until my 40s or later.

Other examples: The Dark Crystal (1982), Willow (1988)

Notable exception: The Princess Bride (1987). That holds up as well as any movie in history.

The Case for the 90s

The Big Lebowski. QED.

Alright, alright; here’s a little more. I first saw that movie about 5 years ago (2015 or so). It’s one of the funniest movies I’ve ever seen, and for a comedy to be funny to a later generation (which I effectively represent) says a lot about how well it was made. Usually, the joke gets lost on future generations. Dramas aren’t immune to this effect either. Grosse Point Blank did not evoke any emotional effect (other than some of the music), but I still enjoyed it more than I do most 80s movies.

Notable exception: American Pie (1999). Even though I still find the film funny, the surveillance scene doesn’t hold up well at all, though I understood that when I first saw it. I was in law school at the time and thought, “Everyone involved should go to jail.”

Facts are facts, but there’s no escaping the emotional bonds you have to media. Sometimes facts and emotional bonds are in sync. I suspect they are here. The 90s win.

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Good Watch: F Is for Family @billburr @netflix #GoodWatch #QuarantineLife

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F Is for Family is the R-rated brainchild of my favorite active comedian, Bill Burr. There are currently three seasons posted on Netfilx, with the fourth set to be released on June 12, 2020. It’s a sitcom about middle-class, suburban America in the 70s.

Mr. Burr isn’t even a month younger than I, so he’s writing a story that I’ve lived as well, and thus is something to which I relate. There are other parallels to my personal life. Half of my family tree is essentially Irish and Scottish, and my nuclear family consists of an eldest son, a middle-child son (me), and a youngest daughter. For about a decade, until my younger brother came along, that was my family’s dynamic. The middle-child in the show is named Bill, leading me to believe that Mr. Burr, like me, is the middle child.

By the start of season 3, the father’s yelling seemed to get more annoying than funny. I’m not sure if  that’s because it grew old or if the scripts changed, but that’s the only thing I don’t like about this series.

I don’t know if I like this show because I related to a lot of it, but Bill Burr has a large fan base. If you’re a part of it, you may like it too.

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Good Watch: #Dolemite Is My Name @netflix #GoodWatch #QuarantineLife

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Dolemite Is My Name has been on my list since it came out, but I never got around to seeing it. Enter SARS-COV-2. It’s the story of Rudy Ray Moore, who made and released his first blaxploitation film, Dolemite, in 1975. I’d never heard this story and have never seen any of the Dolemite movies. It was a good blend of funny and serious. It showed how difficult it was for Moore and others in 70s America but kept it lighthearted. At times, it was even inspirational.

I wasn’t the target demographic for blaxploitation films, but this story still appealed to me. As always, YMMV.

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Guilty Pleasure: Star Trek: Nemesis @SirPatStew @BrentSpiner @jonathansfrakes @gates_mcfadden @Marina_Sirtis @DinaMeyer @startrekcbs #GuiltyPleasure #QuarantineLife #StarTrek

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B-4 | Memory Alpha | Fandom
Star Trek X: The Search for Data

Rotten Tomatoes reports scores of 38 from the critics (who I don’t care about) and 49 from the audience, both of which are rotten scores. Nemesis is certainly a guilty pleasure, and I get that. Troi porn, a childish android, and the worst toast in the history of weddings are just a few of the examples of why this movie earned such low scores, but it had some good points. Moral philosophy is the foundation upon which Star Trek was built, and at its heart, it was an examination of the nature v. nurture debate. Nevertheless, it didn’t skimp on the action.

The goal of the movie was to recapture the magic of Star Trek II: The Wrath of Khan by giving Picard a fitting nemesis, just as Wrath of Khan gave Kirk his, and by having Picard suffer a loss as did Kirk. Nemesis is no Wrath of Khan, and Shinzon is no Khan, but SPOILER ALERT being Picard’s clone inherently made Shinzon a good match for Picard, and Shinzon’s lifetime of pain resulted in a rage mimicking that of Khan. Data’s death also mimicked Spock’s. I didn’t find this to be lazy plagiarism as it’s sometimes been labeled. There are only seven stories, and this story used the themes that have been proven to appeal to Star Trek fans (and non-fans).

The movie also set up the Picard series in a couple of ways. It set the foundation for Picard’s connection to the Romulans, and Picard resolved Data’s story without cheapening his death in Nemesis.

Sprinkle in the fact that I’m a Star Trek apologist, and I like this movie. You don’t have to.

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Good Watch: #Limitless

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Limitless was released in 2011. I was mildly intrigued but apparently not enough to actually watch it. Flash forward to last week, and I read an article referring to it as the best movie you need to watch before it leaves Netflix on May 15. Unfortunately, I have a backlog of blog posts, so by the time you’re reading this, nothing I say will matter.

Okay, that’s a bit dramatic. I’m sure you can stream it somewhere, or at least rent it on YouTube, etc.

Like the movie Lucy, it operates off of the ridiculous premise that we use “only 20% of our brains.” That’s annoying. Otherwise, as the article said (paraphrased, because it’s been lost to the interwebs), the basic premise is a really good hook. Cooper plays an underachieving writer living a lowly life. He’s given a drug that <sigh> allows him to access his entire brain, which completely changes his life. Of course, the first thing he does is get laid (his landlord’s wife), and then he turns $12,000 into $2,000,000. This is what everyone wants, right? Be careful what you wish for. It wouldn’t be drama if things didn’t go to shit by act two (at the latest).

It’s an interesting take on addiction and obsession with a sci-fi twist. One interesting but subtle device they used were memory skips. An episode of Brain Games on National Geographic covered those. My guess is that they consulted a neuroscientist to get the details right, then took a few liberties for the sake of drama. They do that in other areas. It seems impossible for a criminal to chase someone in broad daylight on the busy streets of New York City without attracting attention from the cops, but there it is. Twice.

Despite all of these criticisms, it was reasonably enjoyable and a nice change of pace from my recent fare.

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