My TV Viewing Habits #TV #movie #streaming

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The pandemic has completely changed the way I watch TV. Before we were all quarantined, I watched one or two shows at any given time regularly, but otherwise used TV as nothing more than background nosie. As a result, there are many mainstream and classic movies I’ve never seen despite their repeated small screen runs. All that’s changed in the past year. Right now, I have Purple Rain, Heat, Scanners, season 2 of Solar Opposites, and a re-watch of Avengers: Endgame planned for this weekend. There’s no way I’m going to accomplish all of that, but that’s the plan.

The thing is, I now have a much greater appreciation for the small screen than I ever had since I was a kid. The only time as an adult that I watched TV to any significant degree was the mid-90s when I got HBO (which means it was still about movies rather than TV shows). I guess it shouldn’t be surprising that the pandemic would have this impact, but I don’t think it would have been so severe if streaming services hadn’t proliferated.

I’d write more about this, but I have a schedule to keep.

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R.I.P. Yaphet Kotto #RIP #YaphetKotto

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From Rolling Stone magazine, Yaphet Kotto, Star of ‘Alien’ and ‘Homicide: Life on the Street,’ Dead at 81. And let’s not forget Freddy’s Dead: The Final Nightmare. Well, on second thought ….

Yaphet Kotto had a long career and did some very good work. He was a Bond villain (Live and Let Die), a prison trustee (Brubaker), and a Ugandan dictator (Raid on Entebbe). However, for some reason, the first thing I think of when I hear his name is an episode of the otherwise-forgotten Alfred Hitchcock Presents called Prisoners (1985). Kotto played an escaped convict who broke into a woman’s house to evade the cops, and he kept her hostage so that she couldn’t rat him out. The way he was caught (spoiler alert!!!) was he coached her when she answered the phone, allowing her to carry on a conversation with a friend on the other end of the call. That tipped off the friend that something was wrong because the woman (hostage) was deaf. She’d been reading Kotto’s lips the whole time, and his character didn’t realize it. The show had a bit of a twist to it, which shouldn’t surprise you considering its namesake.

Yaphet Kotto, 'Alien' and 'Homicide: Life on the Street' actor, dead at 81  - CNN

RIP, Mr. Kotto.

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Happy Ides of March! #IdesOfMarch

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So what’s today?

No, that’s not quite it.

So there’s more than one name for it?

Let’s end on a positive note.

That said, please note that accidents can and do happen.

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U2-D2 @U2 @starwars #StarWars #music #U2 #NoKillI

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Going forward, Sundays are lazy days for me. I either post something silly or other people’s work. Usually both. Today, it’s a mash up of music and nerdity.

Well, they’re no No Kill I.

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Was Yondu a Child Abuser? @RookerOnline @KarenGillan @RobertDowneyJr @VancityReynolds @twhiddleston #MCU #Yondu #movie

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Recently, I’ve been posting some angry comments on Facebook about child abuse, which were in turn exacerbated by my viewing of Allen vs. Farrow on HBO. I’m not going to discuss any of that on a goofy blog like this. This shouldn’t be where you come for that sort of heavy conversation. (I won’t even discuss sports on this blog.) However, a Facebook friend made a related comment on a topic that’s very much a subject of this blog:

Stop celebrating MCU Yondu as an model father, he was a child abuser.

First, I don’t know of anyone that has celebrated him as a model father. Everyone whose comments I’ve heard or read is more than willing to acknowledge his faults, so that comment isn’t fair to any of us that discuss Yondu. However, it’s not even fair to the character of Yondu.

I’ve discussed in the context of Nebula why this is (sort of) an unfair criticism. TL;DR, in the real world, Nebula’s crimes shouldn’t and wouldn’t be swept away because she suddenly realized that she loved her sister. But this isn’t the real world; this is cinema. In cinema, sometimes the only way to get a story of redemption across to the average viewer is to do so through a kind of hyperbole. It won’t have the emotional impact intended unless you go from one extreme or the other. Tony Stark committed all sorts of computer crimes while testifying before Congress in Iron Man 2, and we all laughed about it because the corporate villain of the story was made to look like a fool. Darth Vader — the same guy that murdered younglings — was forgiven because he suddenly prioritized his repressed love for his son. Ryan Reynolds plays a pretty bad guy in Deadpool, but it’s okay because he’s funny and loves his wife. Loki tried to violently take over the Earth, then, against all odds, valiantly sacrificed his life to try to stop Thanos. There are countless examples of this, and not just in the fantasy genre, though I’m having trouble coming up with more meaningful, heartwarming stories of redemption than Vader, Yondu, and of course the best perhaps in cinematic history, Nebula. That’s probably because the fantasy genre allows you to go beyond the limits of logic with the horror and wonder it provides as the vehicle for that redemption.

Now, because we live in the real world, it’s certainly fair to use art to address these issues. I encourage it, especially with a topic like this that might otherwise be difficult to discuss (e.g., child abuse). Art is great for that sort of thing whether the filmmaker agrees with your point of view or not. Art is in the eye of the beholder.

My point is simply that context matters. The MCU is a fantasy world presented on film. The swing from villain to hero requires extreme circumstances in order for the audience to appreciate the redemption arc. That’s the context, and within that context, we can see that Yondu actually loved Peter and, in his own twisted way, tried to do right by him. We never saw him cause Peter physical harm, and in the end, he literally saved him from his irredeemable, biological father. So, maybe cut Yondu some slack. The real world needs more people that can shed their cognitive dissonance and admit when they’ve screwed up. In that (narrow) sense, Yondu is a role model.

Just don’t try this at home, parents.

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The Real Reason Padme Died #StarWars

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Going forward, Sundays are lazy days for me. I either post something silly or other people’s work. Usually both. Today, I address a topic of much debate in the Star Wars universe. It never made sense that Padme just died, and the medical droid’s explanation was far less than satisfactory. But now we finally know that what killed her would have killed any of us.

It all makes sense now, doesn’t it?

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Fashion in Avengers: Endgame @MarvelStudios #Avengers #Endgame #MCU

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Going forward, Sundays are lazy days for me. I either post something silly or other people’s work. Usually both. Yesterday, I mentioned that I rewatched Avengers: Endgame for the umpteenth time and addressed a ridiculous topic. Today, I want to point out something else I didn’t notice until this last viewing. Hawkeye wasn’t the only one with a strange hairdo.

Sure, I should have done something Valentine’s Day related, but when do I ever?

Okay, fine.

May be an image of 1 person

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What Was Nebula’s Crime in Avengers: Endgame? @karengillan @Russo_Brothers @MarvelStudios #MCU #Nebula #Avengers #Endgame

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Ah, Endgame. The movie that keeps on giving. To lawyers. I watched it again earlier this week, and had yet another thought. As I and many others have discussed before elsewhere, the Thanos Snap and Hulk Snap opened up a lot of legal questions. Here’s one suitable for a pedant like me.

When 2019 Nebula killed 2014 Nebula, what crime did she commit? Note: Self defense (really, defense of others) is an affirmative defense that comes into play only if a crime is committed, so it’s a valid question. She certainly killed a sentient being, so there must have been a crime to add to her litany of malfeasance (which is okay!). But what should we call it? The MCU has once again required legal analysis!

Remember. This is goofy pedantry at work. Just roll with it.

Homicide is killing a homo sapiens. Patricide is killing your father. Matricide is killing your mother. Suicide is killing yourself. Nebula didn’t really kill herself in Endgame. That was another Nebula from another reality. Also, I’m not a comics reader, but I don’t think she was ever a homo sapiens, and even if she were, she barely is one now. What kind of -cide did she commit then?

Sororicide doesn’t quite work either. She isn’t her own sister. In fact, despite what a DNA test would likely show, they aren’t even related, so even parricide (close relative) doesn’t work. Besides, even if you claim that similar DNA means they are related, parricide isn’t as precise as it could be. I demand precision!

No, we need a new term. Here are my suggestions.

  • Mirrocide
  • Clonocide
  • Robocide
  • Dimensiocide
  • Temporacide (“killing time”?)
  • Alterocide
  • Attornicide (tempting, eh?)

Okay, parricide it is, unless you’ve got a better idea. Though perhaps it’s best not to think too hard about this.

Yes, I’m a goofball.

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Relevant Watch: The Next Karate Kid @CobraKaiSeries @McSchlossberg @healdrules @jonhurwitz @ralphmacchio @WilliamZabka @MartinKove @Xolo_Mariduena @marymmouser @KarateKidMovie @netflix #netflix #GoodWatch

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Cobra Kai inspired me to watch the often-maligned Next Karate Kid, which I recently learned is on Netflix. It wasn’t Highlander 2 bad, but it was bad, and I was happy when the final credits rolled. I just wanted it to be over. The writing was garbage, but you could still tell that Hilary Swank was going to become a good actor. I love when movies connect (perhaps explaining my obsession with the MCU), so despite its weaknesses, it would be great to see her in a future season of Cobra Kai. The primary villain, Michael Cavalieri, could return, as could Michael Ironside (who really sucked in this) and Jim Ishida. Ishida is the one still-living actor that played a monk. Hell, Walter Goggins could return. Walter Goggins! Despite all its flaws, I’d love to see this movie recognized in Cobra Kai.

After all, it’s not as if Karate Kid III deserved any awards, but we all want to see Terry Silver and Mike Barnes, right? As always, YMMV.

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Two Movies That Hold Up @Schwarzenegger @STARZ #Predator #TheFly

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Some random channel surfing on Tuesday night led me to Arnold Schwarzenegger Predator. I picked up about halfway through and was struck with how well this movie held up. People will always find a way to complain, but I don’t think Predator would offend anyone. The acting and story remain interesting, and even the special effects hold up well. The most complicated thing to deal with is the Predator himself, but he’s invisible for most of the movie. His cloak is a bit odd, but that’s exactly what you’d expect from a cloaking device. It’s not going to be perfect.

Wednesday’s random channel surfing led me to one of my favorite movies during my teenage years: Jeff Goldblum’s The Fly. The computer technology that supposedly manages teleportation is also remarkably (but expectedly) primitive for such a feat, and the prosthetics are a little dated, but much like Predator, they’re irrelevant until the very end. Nevertheless, they made a great effort showing the slow transformation into “Brundlefly,” and Goldblum’s head tics were a nice touch. The end was emotionally powerful enough to help you ignore any special effects shortcomings.

As an elementary school student, I was terrified of the 1958 version of the film because of the final scene with the small human getting eaten by a spider (a cheesy scene I’m glad they didn’t duplicate in this version). I’ve had an irrational hatred of bugs ever since. Note well I said hatred. I don’t fear bugs; I want to punch them in their faces. And yes, lobsters are bugs, so I won’t eat them. The Incredible Shrinking Man made matters only worse.

Okay, you didn’t really need that journey into my twisted mind. Be grateful I’m stopping there. The point is that both of these movies are easily watchable today. If you have Starz, give them a(nother) shot.

Unless you’re entomophobic. As always, YMMV.

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