Historical Watch: The Greeks, Plus a Little Pontificating on History @disneyplus #GoodWatch

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So I did!

I don’t read fiction. I’d rather read a text book. Moreover, I’ve often noted that if I didn’t have to work for a living, I’d probably go back to school and earn three degrees: economics, psychology, and history. You won’t earn a PhD watching the Greeks, but there’s plenty of information to digest from the show. It’s an interesting summary of the story of the ancient Greeks, and how they shaped modern culture. If you’re a D&D player interested in the new book, Mythic Odysseys of Theros, it may provide some inspiration for your characters’ personalities.

There was, I think, a lesson from the early part of episode 1.

When navigating the present, the answers often lie in the past.

The people who raised these columns [of the Parthenon] certainly had their share of challenges. Tyranny and famine. Economic and environmental collapse. Endless wars. An abysmal human rights record. Yet somehow they invented everything from science and philosophy to drama and democracy. Greece, not Egypt, not Persia, not Rome, became the cornerstone of western civilization.

As I recently mentioned to my friend, Erik, people (and cultures) are complex, both good and bad. The further back you go, the worse they appear. This is true even of historically significant characters and cultures. It’s very easy to look back at people and cultures and dwell on either their good qualities or their bad qualities. This results in either lionization or condemnation. Lionization may be naive, but unfair condemnation is even worse. It’s unfair to the person’s memory (I know they don’t care; they’re dead) because it fails to appreciate the context in which they existed. As a concept, evolution doesn’t just require change; it’s very nature is change, and in particular, change for the better. You can’t change for the better unless you come from a place that’s flawed. Moreover, in a harsher world, one must be harsher in character in order to survive. It’s our attempts (or lack thereof) to do better that are the fairer measure of someone’s worth (i.e., it’s the thought that counts). Without those harsh characters making those changes designed to give their children a better life, you wouldn’t be in such a place to haughtily look down on them.

I have a better idea: Assume all of these historically significant characters and cultures are imperfect so we don’t make their mistakes, but don’t ignore the qualities that had the most impact on our society, and temper that with your recognition of what they were attempting to do for humanity, as well as the context in which they were living. Were they a force for positive evolution? If so, then don’t dismiss them simply because you don’t think they’re perfect. Also, don’t criticize them because they didn’t advance as quickly as you’d prefer. Isaac Newton doesn’t deserve scorn because he didn’t discover the theory of relativity shortly after he discovered calculus. Evolution takes time and requires an environment that facilitates such change.

Besides, glass houses and all that. You’re not perfect either. None of us are, and none of us ever will be. The only people on this planet that have no past behavior to regret are psychopaths that care only about themselves. I hope no on reading this falls into that category.

We owe our present to our past. We stand on the shoulders of the achievements of the past, and it’s the only reason we can take the next steps forward.

So yeah, go watch it. It’s only three, one-hour episodes. As always, YMMV.

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Good Watch: My Octopus Teacher @Netflix #GoodWatch #nature #ocean #octopus

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The plural of octopus is octopuses. It’s a pseudo-Latin word, which means it was a word made up to sound like it was Latin, but it’s really English.

Wait. That’s not what this post is about.

A Facebook conversation between Kessel Junkie, Jason (Facebook friend), and I led to a discussion of octophilia (is that a thing?), which in turn led to a recommendation of My Octopus Teacher on Netflix. I gave it a watch. The bad news is that this documentary is narrated by a guy whose voice is completely monotone. There’s no inflection in it, even when he’s upset. Make sure to have a cup of coffee or some Mountain Dew handy. Even just 90 minutes of that voice could put you to sleep.

The good news is that this is a neat story of how this guy found and kept track of a skittish, female octopus (as Jason put it, he became an “underwater ranger”), then convinced it that he wasn’t a threat. He chronicled the relationship and the life of this octopus over the course of about a year, and how that relationship changed him.

But to answer the film-maker’s burning question is: Yes, it was your fault. You were no longer studying behavior; you were forming a relationship. You wouldn’t allow your cat or dog to be injured, would you, dipshit?

If you’re at all into nature and can somehow stay awake through this guy’s droning, you may, like I, find this to be interesting. As always, YMMV.

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Stupid Watch: We Summon the Darkness @Netflix #GoodWatch

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Don’t bother. This was dumb. Really dumb. Trite, monotonous, unrealistic. If I had a thesaurus handy, I’d be here all day. “A night at a 1980s heavy metal concert [has] new friends … in the middle of a satanic murder spree.” Sure. Great. There are only seven different stories, but most films give us at least a tiny bit of new material; that is, a new spin on an old story. Not this one. This added nothing to the mix. I have no idea why I watched this.

Yes, I do. Alexandra Daddario. But being creepy never pays. As always, YMMV.

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Let’s Not Forget the Writers @kesseljunkie #tv #movie

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Although I rarely succumb to it myself, most of us treat actors (and athletes, politicians, or otherwise famous people) like heroes when their acting really speaks to us. There’s nothing wrong with that. I don’t succumb to that often because I’m more concerned with who someone is (i.e., their character) than what someone is (i.e., their job description). I’m not going to adore someone who could turn out to be a real jackass, and I wouldn’t know whether the were without meeting them. However, even if I knew for a fact that an actor was a jackass, and I’d never want to meet them, I could still speak highly of their work (see, e.g., Manny Patinkin, Wizards of the Coast as an entity, Russell Crowe). That’s because, like most (if not all) of you, an actor’s work can really strike a chord and speak to me in ways the actor his/herself couldn’t necessarily have precisely anticipated. Neither the feat nor the effect should be understated.

Building a Foundation

But that’s only one side of the equation, isn’t it? While someone has to go out there and actually act the part, they can’t do that without the foundation provided by the writing. Off the top of my head, I could rattle off the names of a number of actors that should be considered “forgettable” but can’t name more than a couple of screenwriters who deserve to be household names. This is so despite how important they are, and despite how huge of an emotional impact their writing has had on me. They’re not in the forefront, so you can’t use their faces as mnemonic devices to remember their names. The only credit writers get are in, well, the credits, and no one reads those. Even if there are mid- or post-credit scenes, we just turn to our cell phones while waiting for them to cue up.

Kessel Junkie and I were lamenting over the cancellation of Mindhunter by Netflix. My attempt at consoling him fell terribly short of the mark.

Sure, we can see the actors we like in a lot of different things, but a show’s fundamental basis is its script. Once that’s gone, we lose something that’s sometimes irreplaceable.

Music

In the music world, this problem isn’t as great because, for example, Neil Peart was not only a lyricist but also the drummer. He wore two hats analogous to both a writer and an actor. You were going to know who he was and never forget him. But there are plenty of songwriters, especially from prior generations, who never got their due, so the medium is hardly immune to this effect.

. . . And the Rest

And yes, the directors and many others are important too. There are a lot of moving parts in film-making. This isn’t about them. I can name a bunch of directors, and with all due respect, there are several other jobs that people do that anyone could do if they put their minds to it. The reason I’m focusing on the writers is because they more often combine these three elements: They’re important, have a highly specialized skill set not anyone could do even with training, and often get far less recognition from the average person than they deserve.

Let’s not forget how important the writers are.

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“Slow Burn” Watch: Bloodline @lindacardellini @JacindaBarrett @NorbertLButz @OfficialChloeS @Netflix #GoodWatch

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As I recently mentioned, Bloodline was a suggestion from an internet article to fans of Ozark. I’ve learned not to take those suggestions (or ones directly from Netflix) seriously, but some further research disclosed an incredible cast. I had to give it a watch.

First off, Ben Mendelsohn gets better every time I see him. Rogue One is my favorite Star Wars movie, but Director Orson Krennic was fairly straightforward; dare I say one-dimensional. His portrayal of Danny Rayburn stole the show and won him an Emmy. Mendelsohn wasn’t the only actor to put on a memorable performance. Linda Cardellini, Kyle Chandler, Sissy Spacek, Jacinda Barrett, Sam Shepard, Norbert Leo Butz, and Chloë Sevigny all put in solid (or better) performances.

My problem with the show is, as I explained yesterday, that there was too much content within the season. When I binge a show, I’m looking to get through it fairly quickly; otherwise, I’d be watching network TV (which, of course, I still do). When the first season is 13 episodes of at least 50 minutes each, that drags for me. The more I’m forced to watch, the more I identify certain scenes as disposable, making it even worse. This doesn’t seem like a fair criticism. The creators are trying to give me my money’s worth, which I appreciate, but it just doesn’t work for me under the circumstances. Season one ended with a cliffhanger that isn’t enough of a hook to get me to keep watching. Maybe I’ll change my mind, but there are many other shows I want to watch, so this has slid to the bottom of my list of priorities.

Ultimately, it was a good show often with great acting; just one that doesn’t motivate me to keep watching. As always, YMMV.

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Binging and the Slow Burn #tv #movie

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This is the second post in a row where I just yell at the clouds.

The Simpsons - Old Man Yells At Cloud - YouTube
The script in this image is no less legible than any of my posts.

They were both inspired by my watching of season one of Bloodline on Netflix (more on that tomorrow). Again, I must warn you that I’ve been thinking.

North Carolina Consumers: Alert for Ready to Eat Sausage Products due to  Possible Listeria Contamination - BladenOnline.com
Danger! Rob’s thinking!

I’ve mentioned a few times that I enjoy binging shows where each episode is 30 minutes or less. Longer episodes aren’t a deal breaker — just try to pry me away from an episode of Star Trek — but it’s easier to fit a short episode into my schedule. In the case of a 20-minute or less show (e.g., The IT Crowd, Aqua Teen Hunger Force), I can even watch an episode while I’m eating breakfast before heading to work.

The downside is that the collection isn’t as good for telling a story common among all episodes. In other words, that works well for sitcoms, but not so much for dramas. So, sometimes I have to accept that there have to be 60-minute episodes so that a complete thought can be expressed by that episode. If that’s the case, then they need to keep the number of episodes relatively short (8-10 episodes). If the story plays out over 12 or more episodes, it risks overstaying its welcome despite otherwise good writing and a remarkable cast.

Tune in tomorrow for a perfect example.

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Great Casts @netflix #tv #movie

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I should add a category to this blog’s menu for Old Man Yells at Clouds. Here I go again, speculating about how my age is affecting my perception. I started watching Bloodline on Netflix (more on that soon). I was urged to watch it by an article I read that said fans of Ozark would love Bloodline, but once I researched it more, I was convinced to watch it by yet another incredible array of actors starring in it. Unfortunately, that got me thinking.

North Carolina Consumers: Alert for Ready to Eat Sausage Products due to  Possible Listeria Contamination - BladenOnline.com
Danger! Rob’s thinking!

It seems like there are a lot of shows that have rock-solid casts from head to toe. Why would such accomplished actors take television roles when they could be making huge dollars in the movies? It’s not like they’re making Citizen Kane (thankfully) for the small screen. These are bit parts that won’t have a huge impact.

Maybe I don’t appreciate how much Netflix, Hulu, etc. are paying. After all, the big stars are certainly getting paid. On the other hand, maybe the actors simply can’t make huge dollars in the movies anymore. Maybe I think they’re great, so by definition the younger generation doesn’t, so they’re not the draw I think they are despite their clear talent. Or maybe I’m overthinking things.

Maybe?!

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Star Trek Intakes #StarTrek #NCC1701 #TV

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Sundays are now lazy days for me. Going forward, I’m just going to re-post other people’s work or just do something silly. In light of this post appearing between my viewing notes for the Star Trek: The Next Generation movies, today is a series of Next Generation bloopers that were put back into the shows.

If you don’t like this post, please note that the original subject of the post was deleted from the internet. I was in a rush. 🙂

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Captivating Watch: Time Trap @Netflix #GoodWatch

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Here’s another one of those “watch this before it leaves Netflix” movies. But is it any good? It’s 1:27:00 long, so it’s easy to find time to watch it.

Presented by Pad Thai Pictures. Good start. I like pad Thai.

Netflix calls it Time Trap, but the opening credits call it Timetrap.

Enough nonsense. Let’s get to it. It doesn’t take too long to figure out what’s going on. Once you get past the fundamental premise, there’s some decent science playing out. While I can’t stand some of the occasional histrionics and stupidity of the characters — seriously, why are most writers unable to write a story independent of such elements — I still found myself unable to turn away. I wanted to learn more as things went on, and then wanted to see how it ended. Which it kind of didn’t. Not because it was necessarily setting up a sequel, but just because they didn’t give you an explanation. It’s left for you to fill in the blanks. If you don’t like that, you won’t like the ending.

Still worth my time. As always, YMMV.

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Irritating Watch: An American Pickle @hbomax #GoodWatch

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American Pickle is a strange story. Herschel Greenbaum falls into a vat of pickle brine in 1919 and wakes up in 2019. There, he connects with his great-grandson, Ben. Both characters are played by Seth Rogan.

I suspect that the message I pulled from this movie isn’t what I was expected to get. The message I suspect we’re supposed to get is that people’s antiquated are harming American society, but that ignores the setting in which the story plays out. What I’m witnessing is that everyone is so focused on what everyone else has, they forget what they have. Both Hershel and Ben share this trait, but being out of time, Hershel is amazed at the things Ben, a relative loser, has. Hershel would be ecstatic to have the life of a renter with a struggling business, being focused more on his personal and family honor than on “things.” The idea of a machine that creates seltzer water mesmerizes Hershel, which shows us how silly it is to lose sight of the amazing things we now take for granted.

At this point, I think it’s best to say SPOILER ALERT. I’ll place the next paragraph as quoted, italicized text so it’s easier to ignore.

Ben is a complete villain. As Hershel’s work ethic pushes him to success, Ben’s jealously has him leveraging cancel culture against Hershel. He even tries to get him deported. I suspect that, as with all art, people will read into it what they need in order to justify their worldview, which gives it a guaranteed fanbase. That’s a bit heavy for something I think is supposed to be a comedy, but not necessarily a deal breaker. Ben’s behavior really didn’t make me laugh, and that’s the deal breaker. When Ben attempts to reconcile, Hershel’s old-time notions of honor turn him into the villain, and aided by a typical Hollywood mischaracterization of the legal system, does Ben dirty.

Of course, everyone comes together by the end, but to me it’s too little, too late (and honestly a little cheap). The movie is just a depressing tale of how selfish we all can be, and I can’t help but feel I’m being lectured over things I didn’t do. Moreover, it just drags.

As always, YMMV.

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