Heavy Watch: Pandemic: How to Prevent an Outbreak @netflix #science #virus #flu #COVID-19 #pandemic #PickleRick #GoodWatch #QuarantineLife

If you enjoy this post, please retweet it. Other posts in this series can be accessed by clicking here.

I do not want to discuss politics on this blog (or the GSLLC twitter stream), so I always do my best to avoid it. I will fail miserably tonight.

Pandemic: How to Prevent an Outbreak is streaming on Netflix, and it’s a good look at the work that the relevant health workers and scientists do to keep the next, big, contagious disease at bay. This involves both the natural and political forces that work against vaccines and other forms of treatment. It’s a limited series of six episodes, each of which is less than an hour.

Much of the episodes discusses influenza (i.e., “the flu”). During the debates over SARS-COV-2 and COVID-19, I hear many people reference the flu, asking, “How is this any different than the flu? Why don’t we make a big deal out of the flu?” Forgetting the medical differences between those viruses, the key takeaway from the discussions on the flu is that we really should be making a bigger deal out of the flu, if for no other reason that it will help us develop better strategies against even more serious diseases. However, the flu is certainly worth wiping from the face of the planet. It’s bad enough on its own.

I’m a science guy, but for what it’s worth, I thought this was an important show. As always, YMMV.

Pickle Rick!
Pickle Rick! (Seriously, if you don’t like masks, make them fun.)

Follow me on Twitter @gsllc (please retweet!)
Follow Netflix @Netflix

Good Watch: Fear City: New York vs the Mafia @CurtisSliwa @netflix #GoodWatch #QuarantineLife

If you enjoy this post, please retweet it. Other posts in this series can be accessed by clicking here.

Fear City: New York vs the Mafia is a 3-episode, limited-run series on Netflix. Each episode approaches one hour, so it’s a relatively quick watch. There’s nothing deceptive about its format; it’s a show about the mob in New York, but this show is from the perspective of those that fought back, including legal academia, law enforcement, and private citizens such as the Guardian Angels.

You either find these stories interesting or you don’t. FWIW, I find them interesting, and this show had my attention throughout. As always, YMMV.

Follow me on Twitter @gsllc (please retweet!)
Follow Curtis Sliwa @CurtisSliwa
Follow Netflix @Netflix

“Ummm, what?” Watch: Norsemen @netflix #GoodWatch #QuarantineLife

If you enjoy this post, please retweet it. Other posts in this series can be accessed by clicking here.

Season 3 of Norsemen just hit Netflix. Here’s the good news. Though produced in Norway, it’s in English. Also, there are only six, 30-minute episodes, meaning it’s a waste of only three hours of your time. You wouldn’t know this if I weren’t a completionist that has to finish what he started.

The show’s primary problem is that it tries to strike a compromise between drama and comedy. Many shows pull that off, but Norsemen fails at both. First, it wasn’t funny. I suppose that the jokes are funny in Norway, but there’s very little that garnered even a snicker from me. I could tell they were trying, though, but that somehow made it worse; cringe-worthy even. Second, it fails dramatically because the characters aren’t meant to be likable, but the attempts at humor prevent you from truly hating the bad ones (i.e., you don’t get any satisfaction from a bad guy receiving his comeuppance). There’s also some behavior that’s just plain weird. It’s hard to articulate why, but even though these characters are ancient Vikings from the other side of the Atlantic, cultural differences don’t explain it. They just do some stupid things that are not part of the comedic side of the story. Maybe if the show were funny, the stupid things would have a purpose.

I would suggest that you watch one or two episodes. If the drama and comedy don’t work for you in those one or two episodes, I guarantee it wouldn’t be any different throughout the show. The show doesn’t evolve in the slightest.

As always, YMMV.

Follow me on Twitter @gsllc (please retweet!)
Follow Netflix @Netflix

RIP John Saxon

If you enjoy this post, please retweet it.

RIP, John Saxon.

Mr. Saxon had some classic roles. For me, the ones that stand out are Enter the Dragon and Battle Beyond the Stars, but he was a staple of my childhood TV watching.

Follow me on Twitter @gsllc (please retweet!)
Follow Kessel Junkie @kesseljunkie

Clever Watch: Interrogation @petersarsgaard @Melinda_McGraw @vincentdonofrio @EricRoberts @CBSAllAccess #GoodWatch #QuarantineLife

If you enjoy this post, please retweet it. Other posts in this series can be accessed by clicking here.

Almost everyone who subscribed to CBS All-Access did so for Star Trek. I have no data to support that assertion beyond myself as a single data point, and I don’t care. As Bill Maher likes to say, “I don’t know it for a fact; I just know it’s true.” I can’t say that I minded having access to CBS during the NFL season when I first subscribed — I hadn’t yet replaced SlingTV with the far superior Hulu Live — but if it weren’t for Star Trek, I wouldn’t have subscribed. It turns out, that was shortsighted. Jordan Peele’s Twilight Zone turned out to be pretty decent, and I was able to stream some movies that weren’t available elsewhere in my suite of streaming services. But now I’ve found something really good.

Interrogation was fascinating. It’s story premise is trite: A woman is killed, her drug-addict son is blamed, and his father believes his son didn’t do it. It’s methodology is just as simple but not so trite. With the exception of the first and tenth episodes that bookend season one, the eight other episodes can be watched in whatever order you choose. Each episode takes place somewhere between 1982 and 2005. Thus, episode 3 takes place one year before the murder, and episode 7 takes place one year after the last episode with the big reveal.

Why do this? Because over those decades, the case went cold, and when the police reopen a cold case, they don’t necessarily view the evidence chronologically. If they don’t, you shouldn’t. One thing I didn’t like is that I was given no guidance as to how to watch the episodes, making my choices completely arbitrary. I’d have liked for them to say, “If you want [experience X], watch in order [ABC], but if you want [experience Y], watch in order [CAB].” I’m not sure they could have provided meaningful alternatives in that way, but it’s something to work on for next season. While I started by watching them chronologically, I eventually settled on watching them in episode order. That was far superior.

You may be thinking, “Don’t other films and shows do this sort of thing?” Yes, but I don’t often see the time jumps as important at all to the story, and sometimes I find it distracting, bringing down the movie. That is, it’s sometimes nothing more than a cheap gimmick. Not so with Interrogation, which was a puzzle, and the back and forth through time was part of that puzzle. It’s the same thing, but still different. I see this as an example of a show that does time jumps correctly and with a purpose. In my opinion, that’s rare.

I should also mention that it has a good cast, including some solid veterans you’re bound to recognize (e.g., David Strathairn, Peter Sarsgaard, Melinda McGraw, Eric Roberts, and Vincent D’Onofrio playing a cop of course 🙂 ).

I really like this show and hope for a season 2. As always, YMMV.

Follow me on Twitter @gsllc (please retweet!)
Follow Peter Sarsgaard @petersarsgaard
Follow Melinda McGraw @Melinda_McGraw
Follow Vincent D’Onofrio @vincentdonofrio
Follow Eric Roberts @EricRoberts
Follow CBS All-Access @CBSAllAccess

Lawyer Battle: Harvey Dent v. Harvey #Birdman @KesselJunkie #Batman #AdultSwim

If you enjoy this post, please retweet.

I have a request!

My cousin, kesseljunkie, asked me to address a burning question.

This is a simple question with a simple answer: Harvey Birdman seems to be in over his head, but the fact is that he always wins in the end. Harvey Dent, on the other hand, is the chief officer for justice in the most corrupt city on Earth. He’s completely ineffective, and in hindsight doesn’t have the emotional or moral strength to withstand his disfigurement. Did Harvey Birdman go on a crime spree during his cancer scare? I don’t think so.

Okay, so that was four sentences. I dragged it out because I didn’t want you to feel like you didn’t get your money’s worth.

Birdman!!!

Follow me on Twitter @gsllc (please retweet!)
Follow Kessel Junkie @KesselJunkie

Casey Biggs and Star Trek: Deep Space Nine @netflix @arenastage #QuarantineLife #StarTrek #DS9

If you enjoy this post, please retweet it.

My favorite movie and television property is Star Trek. I wasn’t fond of Star Trek Into Darkness but otherwise am an apologist for the property. However, Star Trek Deep Space Nine wrapped up while I was in law school, so it’s the only series for which I haven’t seen all the episodes. I’m currently remedying that situation by watching seasons 6 and 7.

There’s nothing I can say about the series that hasn’t been said before. Instead, I’ll mention a personal anecdote. I’ve been attending the theater since I was 5 years old, so over 4 decades. However, it wasn’t just any theater; it was Arena Stage. Arena is high-quality theater. I can’t tell you how many now-famous actors I’ve seen cut their teeth at Arena, as well as stop by for a visit after getting their big break.

So, when I saw that Casey Biggs had joined the cast of Deep Space Nine as Damar, I was thrilled. Mr. Biggs has a history with Arena. He was the first actor I had ever seen on TV (L.A. Law) that I first saw at Arena. My favorite two roles for him were that of Odysseus in Homer’s Odyssey and Petruchio in Taming of the Shrew. He appears to be assigned to soap opera hell but consistently gets one-shot roles on prominent TV shows.

He remains an obscure actor, but I’ve paid attention and appreciate what he’s done through these years.

Follow me on Twitter @gsllc (please retweet!)
Follow Netflix @netflix
Follow Arena Stage @arenastage

Good Watch: Dark Side of the Ring on @Vice #GoodWatch #QuarantineLife #DSotR

If you enjoy this post, please retweet it. Other posts in this series can be accessed by clicking here.

My Good Watch series isn’t about me forcing my opinion on you as film and food critics always do. Instead, I explain to you why I like (or don’t like) a show so that you can predict whether the same type of genre or dramatic theme appeals to you. This post arguably crosses that line a little bit in that I encourage you to give Dark Side of the Ring a watch. Even if you were never a fan of pro wrestling, you may really like it.

Pro wrestling has always been a train wreck behind the scenes. There are countless stories of wrestlers taking massive risks with their health in order be paid a pittance, all the while being accused of being “fakes.” (Would you treat a movie star that way? What about a singer whose lyrics tell a story they never lived themselves?) What this leads to is an industry of self-destructive — even crazy — wrestlers being mistreated by rotten promoters and owners.

This is what gives the Dark Side of the Ring its stories, and they’re fascinating.

Follow me on Twitter @gsllc (please retweet!)
Follow Vice @VICE

Good Watch: Solar Opposites @JustinRoiland @MikeMcMahanTM @hulu #GoodWatch #QuarantineLife

If you enjoy this post, please retweet it. Other posts in this series can be accessed by clicking here.

This is an easy post to write. Justin Roiland and MikeMcMahan created Rick & Morty, and now they’ve created Solar Opposites, a show about aliens who escaped the destruction of their planet and crashed on Earth about a year before season 1 starts. Like Rick Sanchez, the family has trouble dealing with aspects of society that we all take for granted, such as homeowners associations and restrictions on criminal behavior. Okay, we actually don’t take those things for granted. Then there’s the racism.

If Rick & Morty is your thing, this may be as well. It’s stupid fun in a similar way. Season 1 has 8 episodes of less that 30 minutes each, so you can binge the entire season in an afternoon.

Solar Opposites streams on Hulu.

Follow me on Twitter @gsllc (please retweet!)
Follow Justin Roiland @JustinRoiland
Follow Mike McMahan @MikeMcMahanTM
Follow @hulu

Good Watch: Dead to Me @1capplegate @lindacardellini @netflix @deadtome #GoodWatch #QuarantineLife

If you enjoy this post, please retweet it. Other posts in this series can be accessed by clicking here.

Dead to Me, season 2 just dropped, which has ten, 30-35 minute episodes, all of which I watched on Saturday. It’s both comedic and tragic. Linda Cardellini plays Judy, a complete screw up that brings tragedy with her everywhere she goes. This brings her to Christina Applegate’s Jen, and it spirals down from there. Saying anything more would require at least mild spoilers.

With respect to Ms. Applegate, this is literally the best I’ve ever seen her act. She’s phenomenal.  Ms. Cardellini’s Judy plays a naive and self-destructive character that usually frustrates me and keeps me from liking a show, but though her performance overall is really good, what most keeps me on board is her comedic timing. We’re all familiar with the notion of how difficult it can be to formulate and maintain a lie. Watching Jen and Judy navigate those waters made me laugh every time. However, this is far from a comedy. The tragedies follow one after the other, with the big ones self-inflicted and creating a snowball effect. There should be another season, and however many there are, I’m very curious as to how this series will end.

Dead to Me streams on Netflix.

Follow me on Twitter @gsllc (please retweet!)
Follow Christina Applegate @1capplegate
Follow Linda Cardellini @lindacardellini
Follow Dead to Me @deadtome
Follow Netflix @netflix