Today is a somber anniversary.
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Another day, another celebrity death. Today, it’s Teri Garr.
I never understood the concern for celebrity deaths. If you don’t know someone, their only value to you is the work they’ve done, whether in film, TV, music, or whatever. Everything they’ve done is still available to you. Sure, if they die young, then you know your’re missing out on what could have been, but that’s a selfish interest, not a concern for the celebrity in question. I have more to worry about than people who, because I don’t know them, can easily be replaced to the extent they affect my life. What do I have to worry about?
This weekend in Chicago was great. It really was. It was filled with nostalgia from my law school days, and allowed me to catch up with great friends. I saw the Commanders beat the Bears in improbable fashion while within enemy territory. However, there were almost as many discussions about bad news as there were discussions about good news. We discussed friends who’ve cut off contact presumably because of depression; friends who have had recent or current, serious health issues; and friends that have died. Not people I’ve heard of, but friends. Quite a few of them. People with whom I’ve dined, drank, and paintballed. One I should have married.
At my age (56), someone in my life dies every four months or so. The last one was July 16, which means November 16 is about when I should expect the next one to go. This weekend reminded me of that. That’s why celebrity deaths don’t bother me very much.
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Yesterday, I posted about the death of my cousin, Norma. As I continue to parse out my feelings on the matter, I decided to supplement that post with a couple of other things.
First, with respect to the Frankie Valli story, when Norma and her friend disengaged from Frankie, I told her what almost happened. She reminded me that, while she was (of course) appreciative of my concern, she wasn’t stupid. She was an adult and knew what was going on and would never have gone anywhere with the guy. She understood that I wasn’t upset with her behavior but rather concerned with his, and that leads to point number two.
Everyone fights with everyone else. Everyone gets frustrated with everyone else. This is perfectly normal, and you shouldn’t feel bad about it, even in the unfortunate instance that your anger or frustration is the last thing you experience before losing someone. What isn’t normal? Norma never once made me angry. Or frustrated. I never even surreptitiously rolled my eyes at her. She simply never annoyed me at all, and if I ever annoyed her, she never told me so. This is certainly not a testament to my character; it’s a testament to hers. Plenty of people annoy me, and plenty more are annoyed by me. I’ve never heard anyone speak poorly of anything Norma did or said. She really was someone you couldn’t help but love.
RIP, Norma.
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I’m going to share a memory with you.
I don’t know if it’s my best memory of my cousin, Norma, but it’s the one that immediately comes to mind. Norma and a friend came to Chicago when I was in law school (1999 IIRC). We were barhopping in the Rush Street district, which was a popular weekend spot back then. Frankie Valli, a singer well-known for his small acting and large musical roles in Grease, was walking the streets, and Norma and her friend caught his eye. He was hitting on them. I was standing close by to make sure they were okay, which almost resulted in a fist fight with one of his security guards. He kept placing his hand on my chest, and I kept swatting it away. Everything worked out, though. That 60+ year old pervert didn’t get laid that night. Well, at least not by my 29/30-year old cousin. I didn’t follow him around. (EDIT: I added more to this story on tomorrow’s post.)
Last Thursday, Norma died of the same cancer that killed a handful of people in our extended family. I found out on Saturday and found her obituary at about noon today. The most difficult part of being estranged from one’s nuclear family is the loss of people who you still love. Norma was wonderful, and I loved her very much. She was only a year younger than I, but I could never imagine outliving her. I wish I could have said goodbye, not only to her but to a couple others who’ve died, but this is a consequence you sometimes must accept to keep yourself safe and sane. Leaving ties gives them a way to sneak in and do damage, and asking the ones you love to make a choice between you and the ones that harm you is not a fair thing to do. As far as I’m concerned, this is just one more thing they’ve taken from me. I’m a far happier and healthier person in general, but not today.
RIP, Norma Patricia. I love you.
Frankie will never mess with you on my watch.
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Ray Stevenson’s death has inspired many articles on his career. I read a couple and saw that he had starred in HBO’s Rome. It’s a show I’d (somehow) never seen, so I decided to binge it this past week leading into the Memorial Day weekend.
Despite strong liberties taken with actual history, it’s a pretty good show that, as far as I can tell, reflects Roman life accurately and is both well-written and well-acted. So, it’s surprising it lasted only two seasons. One article explained that: It was simply too expensive for its time; they couldn’t afford to make more episodes.

As always, YMMV. R.I.P Ray Stevenson
The best part of the show was the name of season 2, episode 4: Testudo et Lepus. Go Terps!
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Ian Fraser “Lemmy” Kilmister was the founder and only continuous member of Motorhead. He was their primary songwriter, lead singer, and bassist. He played bass with a pick, which is untraditional but not unique.
Motorhead had only one hit: Ace of Spades. Here it is.
RIP, Lemmy.
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The world lost a special songwriting talent when Christine McVie died on November 30, 2022. Below is a list of every songwriting credit I can find for her (co-writers, if any, are in parentheses). After the list, I provide my ten favorite songs of her. Some of my links are to their songs I first heard on their Live album.
Chicken Shack
40 Blue Fingers, Freshly Packed and Ready to Serve (1968): When the Train Comes Back, You Ain’t No Good
O.K. Ken?: Get Like You Used to Be (Stan Webb), A Woman Is the Blues (Stan Webb)
Fleetwood Mac
Future Games (1971): Morning Rain, Show Me a Smile, What a Shame
Bare Trees (1972): Homeward Bound, Spare Me a Little of Your Love
Penguin (1973): Remember Me, Dissatisfied, Did You Ever Love Me
Mystery to Me (1973): Believe Me, Just Crazy Love, The Way I Feel, Why
Heroes Are Hard to Find (1974): Heroes Are Hard to Find, Come a Little Bit Closer, Bad Loser, Prove Your Love
Fleetwood Mac (1975): Warm Ways, Over My Head, Say You Love Me, World Turning (Buckingham), Sugar Daddy
Rumors (1977): Don’t Stop, Songbird, The Chain (per curiam, so to speak), You Make Loving Fun, Oh Daddy
Tusk (1979): Over & Over, Think About Me, Brown Eyes, Never Make Me Cry, Honey Hi, Never Forget
Live (1980): One More Night
Mirage (1982): Love in Store (Jim Recor), Only Over You, Hold Me, Wish You Were Here
Tango in the Night (1987): Everywhere, Mystified (Buckingham), Little Lies, Isn’t It Midnight (Eddy Quintela, Buckingham), You and I, Part II
Behind the Mask (1990): Skies the Limit (Eddy Quintela), Do You Know (Billy Burnette), Save Me (Eddy Quintela), Behind the Mask
Time (1995): Hollywood [Some Other Kind of Town] (Eddy Quintela), I Do (Eddy Quintela), Sooner or Later (Eddy Quintela), Nights in Estoril (Eddy Quintela), All Over Again (Eddy Quintela)
Solo Albums
Christine Perfect (1970): Let Me Go [Leave Me Alone], Wait and See, Close to Me (Richard Hayward), No Road is the Right Road, For You
Christine McVie (1984): Love Will Show Us How (Todd Sharp), The Challenge (Todd Sharp), So Excited (Todd Sharp, Billy Burnette), One in a Million (Todd Sharp), Ask Anybody (Steve Winwood), Got a Hold on Me (Todd Sharp), The Smile I Live For
In the Meantime (2004): Friend (Dan Perfect, George Hawkins, Robbie Patton), You Are, Bad Journey (Dan Perfect), Anything is Possible (Dan Perfect, George Hawkins), Calumny, So Sincere (Dan Perfect), Easy Come Easy Go (Eddy Quintela), Liar (Dan Perfect, George Hawkins), Sweet Revenge (Dan Perfect), Forgiveness (Dan Perfect), Givin’ It Back (George Hawkins, Billy Burnette)
Lindsey Buckingham Christine McVie (2017): Feel About You (Buckingham), Red Sun (Buckingham), Too Far Gone (Buckingham), Game of Pretend, Carnival Begin
Does anyone else find it funny that Sweet Revenge and Forgiveness are found in succession on her In the Meantime album? Anyhoo . . . .
Top Ten List
I’m a Fleetwood Mac nut. That said, I like to say that I was raised on Rumors, so my bias is clearly for the classic line up of Buckingham, Fleetwood, McVie x2, and Nicks. Rumors was the first album my brother owned, and Live was the first album I owned, so I listened to them both incessantly. They’re both remarkably important to me, and yet none of Christine’s songs off of Rumors made it into my top five. Go figure.
The Chain is not on this list because Christine’s songwriting credit is diluted by the fact that everyone in the band has a songwriting credit to it. But that’s a damn fine song too, and I was thrilled that it got so much screen time in Guardians of the Galaxy 2.
#10. Only Over You
I received Mirage on vinyl for Christmas in 1982. This song starts off with a lyric that was downright jarring, so I skipped the song every time I was listening to the album. After a month or two, I let the album play nonstop and heard the whole thing. That’s a month without this song I’ll never get back. That specific lyric, which is repeated in every chorus, still has a bit of that jarring effect on me, but the bridge more than makes up for it.
This is Christine’s only song from her solo career that makes this list, but not her only non-Fleetwood Mac song to do so (see #5). Definitely an 80s song, and definitely an 80s video. I turned 12 in 1980 and 21 in 1989, so you can imagine why this is right up my alley. The video seems to capture Christine’s style in a different, non-big-hair way. She wasn’t flamboyant but rather stood on the strength of her music. This worked far better in the context of a band than as a solo artist, which is why Lindsey and (especially) Stevie had stronger solo careers. Still, that foundation of great songwriting is something you shouldn’t miss. Click through a few of the links on this post and give her a listen.
As I mentioned above, you’d think all of Christine’s songs from Rumors would make this list, and yet this is the only one. It’ll probably be even more surprising in light of the fact that, when I first heard Rumors, You Make Loving Fun became my favorite song by any artist. I could always listen to it at home, but when I was old enough to, for example, go to roller-skating rinks (it was the late-70s, early-80s, kids), I’d always request it from the DJs. If I was in a restaurant with a juke box, I’d give my last quarter to play it. Yet over time, the song fell further down the list of my favorite Fleetwood Mac songs, and even on my list of Christine-written songs. Still, if you look at only Christine’s songs, it makes the top ten. How could it not?
#7. Little Lies
When the average person (i.e., non-Fleetwood Mac maniac, assuming any such person exists) thinks of Tango in the Night, they probably think of four songs (whether by name or by melody): Big Love, Seven Wonders, Everywhere, and Little Lies. Big Love and Everywhere are hard to forget considering that they were given new life to new, younger audiences by appearing on The Dance. But it’s interesting to note that of those four songs, Christine wrote two of them without a co-writer. Obviously, everyone in the band contributes at least a little to each song — I love the Mick Fleetwood’s drum part in Little Lies — but Christine deserves the credit for giving them such a solid foundation.
#6. Say You Love Me
With Monday Morning, Say You Love Me started off the Live album with a one-two punch. Before I won this album as a door prize at a middle school dance, I had never heard Monday Morning, and more importantly I never appreciated live recordings. I thought they were rough and scrappy, and I was right. I just didn’t realize how awesome that was. Not only does it showcase how talented professional musicians are by being able to stay in tune and in beat with each other without the comforts of studio do-overs, but it also allowed them to riff a bit (see the guitar intro to Monday Morning) and switch up the dynamics of a song (see the intro to Say You Love Me). Live got me into that, and I couldn’t tell you how many times in a row I listened to the live rendition of Say You Love Me.
#5. Red Sun
This is from Christine’s 2017 collaboration with Lindsey Buckingham, which flew far too far under the radar. I assure you that this is no token choice just to make sure this wonderful album is represented on the list. I really love how this song drives despite being relatively mellow, and the harmonies are as brilliant as you would expect from members of Fleetwood Mac.
#4. Sugar Daddy
Perhaps unsurprisingly, what I love most about this song is the keyboard part, which often improved songs by other songwriters, sometimes providing the final touch to put it over the edge towards greatness (e.g., Gypsy). It’s also a perverse twist on love songs. You have to appreciate that.
#3. Everywhere
I’m glad Chevy is getting everyone on board on this song, even though it’s a shameless play at capturing the glory of the cranberry juice guy. As I discussed in my R.I.P. post, Christine had a way of breaking the tension on albums. She was capable of writing energetic music (see #1 below), but Lindsey and Stevie were mass-producing high-energy songs, especially while their relationship was crumbling. Sometimes you needed something light, and Everywhere was one of those songs that did that. It not only gave you a needed step back while listening to the first side of Tango in the Night, but also when listening to a random mix of Fleetwood Mac music. Their best songs were often heavy, but a random list of their best songs usually included Everywhere.
#2. Think About Me
I imagine this might be a surprise choice, especially so high. The composition is fairly simple, and it has a droning quality to it, at times as much white noise as music. But I always loved this song, and I associate it with getting swept up in the fervor of the Miracle on Ice from 1980 and picking up street hockey. The song was still getting plenty of airtime during that event. I never grew out of my love for this song, and it remains one of my favorite Fleetwood Mac songs. Music is often about association, right?
Other than the aforementioned The Chain, which involved the entire band, Tango in the Night was the one and only Fleetwood Mac album where Christine teamed with Lindsey to write some songs (at least to the extent that a co-songwriting credit was appropriate). It produced this song, which is a driving combination of Christine’s sultry, bluesy voice and Lindsey’s terrifying guitar work. It produced my favorite song among any with a songwriting credit for Christine.
So, there it is. Those are my favorites. If you disagree, that’s great; to each his or her own. But I hope this list has given you an excuse to revisit or discover some of her work. Most of us didn’t know her, so we’re not in true mourning. Instead, we’re in a position to celebrate her legacy. Do so. You won’t regret it.
Yes, Christine, it’s now midnight. Sleep well.
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Most of our meals together were Italian food, so that’s what I’m eating tonight.
Miss you.
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As I start this post, it’s 1:33 pm on October 7, 2021, so this post has been on hold for quite some time. It’s not quite the type of post I publish here, but screw it.
There are still some stories trickling in regarding the recent death of comedian, Norm MacDonald, and the specific message of one story sent me down an internet rabbit hole. I asked myself, “During my lifetime, what was the most significant local celebrity death for the Washington, DC area?” My answer: Glen Brenner, sportscaster with WUSA (a CBS affiliate).

On this day 30 years ago, January 14, 1992, DC lost the most popular broadcaster in the area at the time. Glen died of a brain tumor at only 44 years old. He had run the Marine Corps Marathon just over two months prior, fell ill, and never really recovered.

It took about a week for local stations to stop covering the story, with networks interviewing broadcasters from rival networks. I remember his best friend (though I forget his name; Gordon, maybe, but not Gordon Peterson) then on the ABC affiliate, breaking down in tears as he said a public, posthumous goodbye. Steve Buckhantz of the relatively new Channel 5 (not yet a Fox affiliate) had the last one I saw in which he said (paraphrasing from memory), “This will probably be the last we discuss this on air, but it’s unlikely we’ll ever forget him.” I certainly never did. I remember some of his broadcasts. When he reported that the Boston Marathon demanded Rosie Ruiz return her medal for having cheated to win it, he said matter-of-factly (paraphrasing), “in a great showing of humility and sportsmanship, she said . . . no.”
I don’t think his humor would translate 100% into today’s world, but some of it was timeless, and even as a child in the late 70s, I got the jokes.
R.I.P., Glenn
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I just found out that a dear friend from law school, Alissa, died this morning. Other than the occasional birthday hello on Facebook, I had lost touch with her a little over 10 years ago (entirely my fault). I’m in the Washington, DC area, and she was in Arizona (with a lot of time spent in Hong Kong). As a result, I’m largely in the dark as to the details, but I now know that she was in declining health for a little while, and while no one expected today to be the day, it was probably something everyone still in touch was prepared for.

I was not. Though not without precedent in my life, this is the toughest pill to swallow. Alissa is my favorite person of any I’ve met, and if not for my emotional damage at the hands of a cruel nuclear family, she and I would almost certainly have spent the rest of her life together. She was not “the one that got away”; I pushed her away. It was not out of malice, as I would never do anything to intentionally hurt her, but it almost certainly inflicted an emotional scar on her. I’m certain she had no idea why I behaved as I did, because I didn’t yet understand my issues. Once I did, I knew I needed to keep my distance to protect her and allow her to move on.
And in fact, unlike me, she did. I’m glad that she found that happiness, but I will never forgive myself for robbing both of us of that possibility. I’ve made a point of never risking doing that to anyone else.
When I first met Alissa, I thought she looked a bit like that actress from Gia. So here I am, 23 years later, and despite not liking Angelina Jolie’s acting style, watching the first movie I’ve seen with her in it since Mr. & Mrs. Smith, and she says,
“When you love something, you protect it. It’s the most natural thing in the world.”
Thena, the Eternals
But it isn’t easy, at least not when you’re protecting them from yourself.
But enough of that shit. Before Facebook took over our lives, here was her last email to me:
Of course- gorgeous…..
I’m always happy to read that.
This next photo is from the last time I saw her. I asked her for this pose, which was timely in 2008. For context, we were at her house, which is in Arizona. I share it because I love this photo. It captures her essence so well. Beautiful but down to Earth and goofy at times.
My regret and sorrow runs deep, and I deserve every bit of both.
I’ll continue to miss you every single day for the rest of my life.
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