Why the Death of Humor Is No Laughing Matter @thejoelstein #joke #comedy #humor

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Sorry, but it’s time for another serious and long post.

I came across an article from the Stanford Graduate School of Business last week. It cites a study that demonstrates the importance of humor to the human psyche, which in turn correlates (and presumably is the cause of) health benefits. This doesn’t surprise me at all. The subject of this post is something that wasn’t the immediate concern of the author but is quite important and was lurking in his own text.

Scrolling down a bit, you’ll find a graphic containing four quadrants. I’ve recreated the graphic here using the advanced graphic techniques of MS Word.

This chart sums up the arguments of the author. It says a few things that are relevant. First, it claims that making jokes is a good thing even if you bomb. Everyone bombs, but people respect the effort. As I’ve stated before, I have no disagreement with this. You can and should bomb as long as you learn from the mistake. Second, it states that the degree to which you generate laughter is irrelevant if the joke itself is inappropriate. In theory, I agree with this, but I have a real problem with the direction Americans are going in labeling everything as offensive. Case and point:

Microsoft feels the need to warn you about naughty language.

Clearly, if your audience is a room full of Klansmen, then you can bring down the house and still be a villain as the chart states. However, most audiences aren’t 90% or better Klansmen, yet there’s a horrible trend towards labeling everything as offensive. To justify the position, the habitually-offended simply label anyone that laughs at anything they don’t like as a Klansman, Nazi, or anything else that allows them to mask their unreasonable offense as reasonable. This, of course, leads to real harm to people’s lives, but I’m not going to dive into that. I’m instead going to point out two other consequences that concern me: Killing comedy by limiting its subject matter, and a more general problem (beyond comedy) of reasonableness transforming from a community standard to an individual standard. As to the first issue, no where was this more apparent than the show, Brooklyn 99.

Limiting Subject Matter

After seeing tons of YouTube videos containing various characters’ best moments, I decided Brooklyn 99 was probably my kind of show, so it became the latest binge watch for me. It’s clear that the writers were very talented. There were funny jokes, many characters were endearing, and there were some recurring themes (e.g., the Halloween heists) and wonderful catchphrases that these writers wisely knew not to overdo (a common error among their colleagues).

Bing-pot! - Album on Imgur

That’s great, but after five seasons, Fox cancelled it. Many were incensed, but it was cancelled because the ratings were poor. After a Star Trek-esque fan campaign, it was then picked up by NBC, but the coming 8th season will be its last. This despite the network change inevitably drawing in at least some viewers that had never seen it when it was on Fox. Despite the vocal minority of diehard fans, the show clearly couldn’t keep anyone’s attention for long. Why not? Because, contrary to the assertion of the linked article (citing writer Michael Lewis), writing jokes today absolutely carries a risk, and the writers didn’t want to bear that risk. It was clear that they were going out of their way to walk the tightrope of avoiding outrage at the hands of this vocal, minority (some of whom wouldn’t necessarily be fans of the show), but ultimately that small audience can’t support the show. When the habitually-outraged tie the hands of comedy writers, we get a modified chart.

Very little is considered appropriate by the habitually-outraged, and that small sliver of acceptable comedy that’s left can’t maintain anyone’s interest for very long. I finished it only because I can’t help myself. Once I start a task, whether business or personal, I have to complete it, which is why I generally don’t binge-watch TV shows if I see they have that many seasons. I took a chance on this one and was ultimately disappointed in the last few seasons. Despite its several strengths, it became a chore to finish it, and not because it jumped the shark. It never reached such a height. Rather, it simply grew into a tedious retread of boring, unchallenging stories because the jokes had almost no chance of offending anyone. Even where it comes to non-comedic material, it was predictable. If you didn’t know “whodunnit?” as soon as the bad guy first hit the screen, you’re an idiot. The villains were all telegraphed because the formula was always the same. Moreover, I wanted to throw Charles, Hitchcock, and Scully out a window 30 stories up, though that started within a couple of seasons. They were frustrating characters.

But killing comedy is merely a symptom of an insidious disease.

The Standard of Reasonableness

Everyone is offended by something, and that’s fine, but too often I hear the line, “You have no right to tell me whether I’m offended.” The fact that people say that means they’re missing the point. Absolutely no one is doubting you taking offense. What we’re saying is that you’re being ridiculous for doing so. But even that isn’t the problem. It would be utterly ridiculous for you to be offended by me wearing a blue shirt simply because your dad died while wearing an orange shirt (the other end of the color wheel), but it’s okay if you are. You can’t help that. Humans are emotional creatures, and certain associations will always result in illogical reactions. However, you shouldn’t impose that offense on me by demanding I always wear an orange shirt for the rest of my life.

And that’s the crux of problem. Any one element that’s deemed offensive by the online mob is composed of a miniscule percentage of people (some of whom aren’t tied to the subject matter at hand), but everyone is afraid to incur the wrath of that mob. Moreover, because these internet tough guys aren’t content with just changing the channel, but rather insist everyone get in line with their sensibilities, far too much content is labeled taboo for everyone, and we’re left with the modified chart similar to the one above for all areas of life, not just comedy. If you disobey, you’re given a horrible label that, without being questions, can cause you to lose your job, friends, and even family. This isn’t imposing accountability; it’s imposing the insecurity-driven whims of the individual on all of us. Throughout history, vigilante mobs have always swept up more innocents than the guilty because there are no protections from false accusations.

This is a troubling trend that those currently on that side are blind to. Rather than “reasonableness” being defined by the community, it’s being defined by each person on an individual basis. Going back to my crass example, if Mary’s dad died wearing a blue shirt, and Mary gets to define for me what’s reasonable, then I always have to wear an orange shirt. However, Joe’s dad died while wearing an orange shirt, so Joe demands I always wear a blue shirt. Then there’s Sally, who’s dad died while trying to break the Guinness Book of World Records record for wearing the most shirts at once (it’s 260, and as far as I know, Ted is fine), and she demands I wear no shirt at all. Finally, there’s Aloysius, and he demands I always wear a shirt with both blue and orange in it because of some other insanity I’m too lazy to invent. So, no matter what choice I make, I’m always going to offend three (a majority) of these four people, even though the majority (three) of all five of us aren’t offended by whatever choice I make. This places me in an impossible position, even though I’m not addressing the demands of 7.5 billion humans, 325 million Americans, 8.5 million Virginians, 1.1 million . . . Fairfax Countyans(?), or even 47,000 McLeananites (copyright 2021, me [not really]). Use any of those numbers, and seemingly ordinary actions or words will result in the same sort of no-win scenario. This is precisely why reasonableness must remain a community standard. We, not a few habitually-outraged, internet tough guys, should set that standard.

As bad as tyranny by the majority is, tyranny by the minority is much, much worse. We strike that balance legally by having a Constitutional democracy where a supermajority (still democratic!) creates fundamental rights that supersede the passing whims of the cops or even the legislature, protecting the individual, but still ultimately subjecting us all to the broader strokes of the majority. Your right to impose your insecurities upon the rest of us by suppressing speech is not the sort of fundamental right that’s necessary to preserve your individual dignity. Or at least it shouldn’t be, because it in fact suppresses an actual fundamental right in the internet age, where Town Square is now in the hands of the private sector. But if we can’t enjoy even jokes, there’s no hope for finding compromise on more difficult issues.

If you were looking for a miracle cure for what ails us, you’ve come to the wrong blog, but apparently our lives depend on it.

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Disappointing Watch: Bill & Ted Face the Music @BillandTed3 @paramountplus #BillAndTed #ParamountPlus

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Two movies recently hit Paramount+. Yesterday, I wrote about A Quiet Place 2. Today, I’m really sad to report that Bill & Ted failed me.

I don’t think this is a case of growing out of the material. I’ve grown out of professional wrestling. I know what it feels like to just not care anymore because of who I am now. On the other hand, I haven’t grown out of Star Trek or Star Wars. Weirdly, I’ve absolutely grown out of the old Godzilla movies but love the new ones because I loved the old ones. I’m not sure that makes sense, but there it is.

This movie was atrocious. The pacing was terrible. The new characters were stupid. We all thought Station was stupid, but we didn’t throw the baby out with the bath water. We sucked it up and enjoyed Bogus Journey anyway. But here, I couldn’t do that. There were too may actors/characters added that were a second rate versions of the actors/characters they were replacing. What’s worse, the android was replacing Death even though Death was still in the movie. Death was a watered down version of his character in Bogus Journey, but my nostalgia kicked in and I was okay with that. But nostalgia couldn’t save this movie. Probably worst of all is that the heroes aren’t even Bill and Ted. Why did they name the movie Bill & Ted [anything] if Bill and Ted aren’t really the heroes.

It’s rare for me to be this disappointed in a movie that I want to love so much.

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Not-Quite-My-Thing Watch: A Quiet Place 2 @quietplacemovie @johnkrasinski @paramountplus #AQuietPlace #ParamountPlus

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Two movies recently hit Paramount+, and I’ve been dying to see them both. First up is A Quiet Place 2. I’m not a fan of horror movies, so when a few of the typical horror tropes reared their ugly heads, it took quite a bit away from my enjoyment of the movie. As with all horror movies, people make stupid decisions just to advance the plot (lazy writing), and are then saved because logic always gives ground to the needs of the script. If that doesn’t bother you as much as it did me, then you may like this movie a lot more than I did.

That’s important, because I still liked (not loved) it despite these flaws. As much as I wanted to punch the main characters in the face, I found myself really caring for them. I wanted them to win. The opening act was also very tense, and while it didn’t answer all the questions we have, it gave us some more with which to work.

I should warn you that the movie doesn’t really have an ending. I guess that’s to make sure there’s A Quiet Place 3.

Kylo Ren More GIF - KyloRen More TheLastJedi - Discover & Share GIFs | Star  wars sequel trilogy, Kylo ren, Star wars kylo ren

Next up: Bill & Ted Face the Music

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Loki Merchandising @MarvelStudios @LokiOfficial #MCU #Loki

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Tomorrow morning is the season (series?) finale of Loki! That means it’s time for merchandising.

I, for one, will once again get up an hour early so that I can watch it spoiler free.

Would anyone not buy this shirt?

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A Sad Tale, and Perhaps a Lesson: Ray Harryhausen’s Retirement @DenofGeekUS #DenOfGeek #MythologyMonday #MythologyMonandæg

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This is a link to a sad story for me, care of Den of Geek. It celebrates the birthday of the special effects pioneer, Ray Harryhausen. As I’ve written, I love Clash of the Titans. It was a huge part of my childhood. It’s a shame that it represents the end of an era. TL;DR: A brutal review of Clash of the Titans by a dense, visionless critic (not my favorite group of people) writing for Variety drowned out the positive reviews and disheartened Harryhausen. This was the proverbial straw that broke the camel’s back, causing him to retire from filmmaking. While his techniques had largely (not completely!) become antiquated at that point, my guess is that he would have adapted if he had stayed. We’ll never know. Even if that’s not the case, the article points out that he was more than just a special effects guy.

For the average person, social media isn’t as focused as a movie review. That is, as a non-celebrity, I don’t wake up every morning expecting an attack on my character, but the volume of commentary is so large that you’d be a fool not to think it’ll come your way eventually. Don’t let it bum you out, especially when it comes from people that don’t know you that are saying things that aren’t true.

Ray left for Olympus in 2013. Rest in peace, good sir.

Wouldn’t it be cool if he were buried on Mt. Olympus?

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A New Perspective on 14,000,605 @MarvelStudios @LokiOfficial #MCU #Loki

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Going forward, Sundays are lazy days for me. I either post something silly or other people’s work. Usually both. Today, in light of yesterday’s return to the movie theater for another MCU film, and in preparation for the season (series?) finale of Loki, I give you a new perspective on the number of alternate timelines Dr. Strange viewed in Avengers: Endgame.

Black Widow was great.

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The New Meme Obsession? #Caturday #MCU

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I love mixing Caturday with Star Trek, but this is a close second, and highly appropriate considering tonight is my return to the theater for an MCU entry.

MCU-Memes-woman-yelling-at-white-cat-tony-stark-captain-america – Comics  And Memes

Is this the next big meme template?

Probably not.

Pin on Marvels

Flerkens >> dogs.

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Finally! She’s here! @theblackwidow @qstor2 @DisneyPlus #MCU #movie #BlackWidow

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It’s about fucking time!

Though I won’t be seeing it until tomorrow night.

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You Can’t Just Hit the Control Panel and Expect Results @StarTrek @starwars #StarTrek #StarWars

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I’m feeling lazy, and my topics have been too serious lately, so that means it’s time to renew the rivalry.

Quit kidding yourselves, nerds. Dei ex Machina are cheap**. You need an actual engineer.

**They can be funny, though.

Star Trek >> Star Wars

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My Favorite TTRPG Characters @slyflourish @alphastream #DnD #3e #4e #5e #RPG

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Writing yesterday’s post gave me the idea for this post. Here’s a list of my favorite RPG characters.

D&D 3.5 Edition: Frylock

This is my favorite character of all time even though I’m not a fan of 3rd edition. I left D&D in 1981 due to the Satanic Panic and returned in 2005. Frylock was the first character I created in my glorious return, which was for a Living Greyhawk game day. He was a half-elf warmage with a couple of levels in rogue. I’m not sure if I played correctly by the rules, but this was an awesome character, combining the rogues sneak attack damage with high-damage touch spells. He was high charisma, manipulative, and arrogant as hell, except for that one time he met his match. He ran into Teos’s character, Ambrosia, in whose hands Frylock was like putty. He was also a terror in combat, which was helpful considering that I’ve almost never built a character for combat. Spoon-feeding me competent character design helps keep my fellow players happy with my combat performance. If I was cheating to do it, this would explain why no one called me out for it.

For over a decade, my license plate was Frylock. That shouldn’t surprise any of you.

I’ve never been able to duplicate the feel of this character since 3rd edition. The closest I came was the supremely underpowered sorcerer-assassin hybrid in 4th edition. Maybe if I cheated, I could’ve done that in other editions. 🙂

D&D 4th Edition: Rizzen Pharn

4e is the only edition of any RPG I’ve ever played in which I loved play leaders (i.e., healers). After playing the Warlord pre-gen at some convention, I knew that would be the case. My first character I built on my own was the Drow, Rizzen. He was an Inspiring Warlord, and due to Commander’s Strike, it didn’t matter whether I rolled well on my d20s. I just gave my attacks to other people, than used my minor action to heal everyone. Suddenly, I was the most popular player on the table. I can’t remember any personality quirks I gave him. I doubt I did. At this point, 4e was new, and the character builds leant themselves inherently to personalities probably due to the emphasis on roles (i.e., controller, defender, leader, striker). I didn’t feel the need to spice it up.

D&D 4th Edition: Doofus Pharn and Snuggles

Doofus was Rizzen’s brother, and he was a beastmaster ranger. That was a really good class. Combined with the class’s features, my choice of powers gave me the ability to race across the length of a standard battle map in a single turn. The first time I did this was a disaster. I was all by myself surrounded by enemies with no actions left to fight or “ink.” Once I got the hang of the character, that mobility was remarkable. His DPS was also pretty good. His companion was a jaguar named Snuggles, and using the companion, Rizzen was able to set up his own flanks without the help of any PCs. Just like Frylock, I didn’t have to build the character for combat efficiency. The race and class combination handled that for me.

D&D 4th Edition: Luigi Deleonardis

Luigi was a riot. He was the stereotype of a senile old man, and I played him to a tee. He was a brawling fighter, which meant his primary combat tactic was “rassling.” He had a belt buckle with Kord’s holy symbol on it. He didn’t worship Kord; they grew up together. Sure, Kord was a bit younger than Luigi, but Luigi took him under his wing and showed him the ropes. He felt bad for the little guy.

Initially, Luigi always annoyed other players because they thought he’d be useless, but here’s a quick story of how I avoided that. The party had to convince wood elves to let them through their woodlands. Skill challenge! Everyone went with diplomacy or bluff, but not Luigi. As he was about to engage with the elven leader, he suddenly had a squirrel moment and decided to climb a tree. As a fighter, my Athletics was pretty high, and I (uncharacteristically) rolled well. My physical prowess was remarkably impressive, so I passed that check. When we came around again, the entire challenge came down to my roll. I was one of only two players that had to roll twice in the challenge. My (perceived) age allowed me to tell an impressive story of the gods, and with a natural 20, I saved the day. In that same adventure, the ultimate mission was to rescue a kidnapped woman, and as Luigi often did, he told that woman that she reminded him of his great, great, great, great granddaughter’s . . . granddaughter. That gave Luigi the incentive to protect her directly, which is exactly what a fighter is supposed to do.

My unorthodox style never held me back, but it always provided comic relief.

D&D 5th Edition: Balasar Kimbatuul

Balasar was a gold dragonborn battle master fighter who played the bongos, and by that I mean that I went to Toys ‘R Us and bought a set of bongs to play at the table. I created him for Sly Flourish’s Horde of the Dragon Queen campaign, and somewhere on slyflourish.com is a picture of me playing those bongos. The first leg of the campaign is a really tedious slog with little opportunity to rest and recover abilities. The rat swarm was particularly annoying, but the first leg ends with a blue dragonborn, Lennithon, calling out one of us for a one-on-one fight. I spontaneously shouted out, “Honor duel!” That became Balasar’s thing. He’s always pick the baddest NPC on the battlefield and convinced that NPC to duel him. It wasn’t through some class or racial feature, but purely through role-play, which Mike facilitated. In such a situation, it’s easy to outshine your fellow players by grabbing all the glory. I honestly don’t believe that ever happened. Besides the fact that my dice are weighted towards low numbers, so I was often knocked out, Sly Flourish is literally the best DM I ever had. He allows everyone to play as they want to play, and yet characters rarely stole each others’ thunder, nor did players annoy each other. As players, we deserve some of the credit for that, but most of it goes to Mike, and I like to remind him how grateful I am for his talent as a DM. I was in his home game for many years and play-tested most (all?) of his published work during that time.

D&D 5th Edition: Portia Tossgobble

Portia was one of four members of the Tossgobble family I created. Because I can play only one of them at a time, they never met in-game, but they were all siblings. Portia was a halfling, kensai monk in the D&D Adventurer’s League. Because I play once per year, I forgot most of her details. I was playing her at Winter Fantasy, and we needed someone to steer a ship. It suddenly occurred to me that she had a sailor background, so with a natural 20 on my attempt to steer the ship . . . well, let’s just say I finally had the opportunity to yell, “Ramming speed!” The adventure’s treasure included a perfect item for her: a +1 trident. All I need now is a magic item or feature of some sort that allows her to breath water, and she can rule however many seas Faerun has.

I could go on, but I won’t. Maybe I’ll remember some other fun characters and share them in a future post. I liked my occultist in 13th Age (another Sly Flourish campaign), but I was on my last legs as an RPG player at that point. My memory and my thrill in creating meaningful characters waned during that time.

It doesn’t surprise me in the least that all of these characters were D&D characters.

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Dungeons & Dragons is a trademark of Wizards of the Coast, LLC, who neither contributed to nor endorsed the contents of this post. (Okay, jackasses?)