Advanced Dungeons & Dragons Adventure, L1: The Secret of Bone Hill #DnD #RPG #ADnD

If you enjoy this post, please retweet it.

In preparation for my return to AD&D, I’ve been reading the sourcebooks, but I needed a break. I wanted to get into the nitty-gritty, so I decided to read an adventure that seemed like a good candidate for running my first 1e game since 1982. Last weekend, I chose L1: The Secret of Bone Hill, because it’s low level and most of the people with whom I regularly gamed who also responded to my announcement said they weren’t familiar with it. It was the perfect choice, until I realized it wasn’t.

AD&D v. Modern Gaming

None of us want to turn D&D into A&A (i.e., attorneys and accountants). Tracking rations, encumbrance, the number of non-magical arrows you have, and the like gets tedious quickly, so modern D&D isn’t often played that way. (Of course, all my writings are giving my anecdotal experience. YMMV.) However, there’s a method to that madness, and I didn’t realize I missed it until I started reacclimating myself with 1e. The DM is expected to keep track of time (which is tedious) so that the players don’t constantly waste time searching every inch for secret doors, traps, etc. (which would otherwise make the game itself tedious). While I’m a big fan of passive perception speeding up these aspects of the game, I don’t like its consequences. I’ll be more specific tomorrow, but for now: Suspending your disbelief in magic and monsters for the sake of the game, if you’re not treating the game world like it’s a real world, then you’re not immersing yourself in the game world, and that takes a lot of the point of playing the game away from me.

Despite how much work it will be, my intention is to track time per the rules, which will inherently punish dawdling and unnecessary combats. That’s where L1 breaks down. It’s the consummate sandbox.

Defining “Sandbox”

To me, a sandbox can be as innocuous as the DM refusing to spoon feed the players. The DM gives you your specific goal, but it’s up to the players to figure out how to achieve it. If the players have no idea how to start the rescue, it’s still up to them to ask those that could provide suggestions. If players have been playing the game for even a short time, they should know by now that a town constable exists. They should know that the town guard exists. They should know that the town has a mayor or other leader. They should know that there’s such a thing as sages. They should initiate contact with all these resources, rather than receive suggestions from the DM. This encourages the immersion in the game world that I like to talk about. Place yourself in the game world and pretend it’s real. No voice in the sky is going to shout down from the heavens, “Hey, go ask the mayor!”

However, L1 is the most sandboxy of sandboxes. It’s not just that players aren’t given the solution to their problem; they aren’t even given a problem. There’s no defined mission, which means that, by design, all the conflicts for the adventure represent picking exactly those fights that the game system discourages. That’s not a good way to get modern players to learn the system. It cuts against everything I’ve said above about my experiences on how AD&D differs from modern play. Unsurprisingly, L1 received a lot of bad reviews, and still does.

Laziness

Obviously, the fundamental problem with running Bone Hill can be solved simply by giving the characters a specific mission. However, I want to approach the game as lazily as possible at first because I want to minimize the chances of running a terrible game. A good mission requires a bit more than, “Save the princess!”

For me, the only criticism that sticks, though, is one I’ve never seen mentioned: It goes into painstaking detail on what characters need to do to succeed, detect things, etc., mentioning spells and items to which characters of levels two through four won’t have access. However, I still want to run it.

Nostalgia can be a powerful motivator.

Follow me on Twitter @gsllc

Dungeons & Dragons is a trademark of Wizards of the Coast, LLC, who neither contributed to nor endorsed the contents of this post. (Okay, jackasses?)

Myths for Millennials #MythologyMonday #MythologyMonandæg

If you enjoy this post, please retweet it.

Okay, settle down. I know that millennials aren’t teenagers, and that millennial jokes have grown tedious (as are your complaints about those jokes). This isn’t that, so don’t have a fit. Just enjoy the jokes.

Who says mythology can’t be funny? Nobody I know.

Follow me on Twitter @gsllc


Some Iconic Art from First Edition D&D @Grand_DM #ADnD #DnD #RPG

If you enjoy this post, please retweet it.

Sundays now are lazy days for me. I either post something silly or other people’s work. Usually both. Today, well, I’m still on a D&D kick, so it’s about other people’s D&D work.

My recent revisiting of First Edition AD&D has me revisiting the art as well, which endured longer for me than the game did. My favorite art work comes from Jeff Dee, but there are tons of others that I loved. I forgot the name of them but never her art. Darlene Pekul, now known simply as Darlene, created a ton of material for TSR. You can see a lot of her material here. Grand DM posted a couple of her most iconic work here.

I found Darlene on Facebook and friended her. She provided her Patreon link, which you can use to support her continued work.

I love D&D artwork.

Follow me on Twitter @gsllc
Follow Grand DM @Grand_DM

Dungeons & Dragons is a trademark of Wizards of the Coast, LLC, who neither contributed to nor endorsed the contents of this post. (Okay, jackasses?)


Herding Adventurous Cats #Caturday

If you enjoy this post, please retweet it.

Writing about 1st Edition D&D over the past few weeks has affected how I write on Mythology Monday, Caturday, and . . . whatever Sunday is. Here’s my example today care of MeWe.

Analogizing the herding of cats to the mustering of gamers at a convention is insulting. To cats.

Follow me on Twitter at @gsllc


Dungeons & Dragons and Forgotten Realms are trademarks of Wizards of the Coast, LLC, who neither contributed to nor endorsed the contents of this post. (Okay, jackasses?)

The Q Stands for Quibbler @kesseljunkie @StarTrek @starwars #StarTrek #StarWars

If you enjoy this post, please retweet it.

Not Kessel Junkie.

I said “Quibbler”!

Yesterday, while reeling from my superior analysis of his precious Star Wars, Kessel Q. Junkie decided to go ad grammarinem on me.

Let me make this clear. This is why . . .

“Jedi” is also plural, Kessel.

This coming week, this battle is going to boil over as Kessel and I engage (pun intended) in another joint effort. Among other things, I’ll ask why *I* must use the middle initial, but he doesn’t.

Star Trek >> Star Wars

Follow me on Twitter at @gsllc
Follow Star Wars @starwars
Follow Kessel Junkie @kesseljunkie

The Greatest Star Wars Light Saber Battle @starwars @kesseljunkie #StarWars

If you enjoy this post, please retweet it.

NewbieDM is going through a similar journey to my own, only he’s looking at playing an older version of the Star Wars RPG. One of his recent threads caught my eye, in particular, this one.

This had me thinking, “What’s the greatest lightsaber duel in Star Wars cinema?” I’m referring to the movies only because I’ve never watched any of the animated series. I copied Kessel Q. Junkie on this post because I’m convinced he knows more about Star Wars than George Lucas. So, let’s look at each duel in movie-universe, chronological order within NewbieDM’s framework. I’m including only those combats that were between force-aware users because I don’t want to waste my time on wannabes. Snoke’s guards aren’t, to my knowledge, force-aware. Despite some quotes from those involved, Finn was never established as force-aware within the context of the movies, so his battle with Kylo Ren in The Force Awakens also doesn’t count. Even the mass battle on Geonosis doesn’t count, which is a damn shame. We’ve never seen so many lightsabers in one place at one time.

Jinn v. Maul, The Phantom Menace

No conversation, no change of environment, nothing peculiar about the combat, and no force powers beyond a jump. They can’t all be contenders.

Jinn and Kenobi v. Maul, The Phantom Menace

This is the one that everyone — even Prequel haters — most often cite (as far as I can tell) as the best lightsaber duel, but I disagree. It probably made for the best display of melee combat, and used both force powers and a change in environment in that combat, but the social/psychological combat was no different than you’d expect in any on screen battle. To me, this criterion requires an attempt to convert someone to the other side morally speaking. That’s not present here. They never even spoke with Maul. Three out of four ain’t bad, but it ain’t perfect.

Anakin and Kenobi vs. Dooku, Attack of the Clones

No real force manipulation, and psychological warfare is only an afterthought based on a prior conversation with Kenobi, which took place a long time ago (pun intended). The entire fight took place in only one cavern. The combat was reasonably good, but none of this sounds like #1.

Yoda vs. Dooku, Attack of the Clones

Force manipulation, good combat (with damn funny special effects on Yoda), and mild psychological warfare (really, just shit-talking, though, which isn’t ideal). Hooray! But all within the same environment, with terrain not really playing a role at all.

Anakin Skywalker and Obi-Wan Kenobi vs. Count Dooku, Revenge of the Sith

Again, there’s no change of environment. Terrain is largely irrelevant and is subsumed within the category of use of force powers, which were used to pin an already unconscious Kenobi. Nope.

Obi-Wan Kenobi vs. General Grievous, Revenge of the Sith

Well, Grievous did say that he was trained in the Jedi (Sith?) arts, so this counts. No interesting psychological manipulation and only the most minor of force powers in play keeps this from the top spot.

Palpatine vs. Mace Windu, Kit Fisto, Agen Kolar, and Saesee Tiin, Revenge of the Sith

Minor change of environment, a small use of force lightning, decent combat (but with two disappointingly easy deaths), and if you read the novelization, there’s a good about of psychological manipulation. But novels don’t count, so there’s only a bit of manipulation at the end directed towards a non-combatant, Anakin. Very close but no cigar.

Yoda vs. Palpatine, Revenge of the Sith

Change of environment, use of force powers, and psychological shit-talking, but the lightsaber aspect to combat was a bit undersold. I want that to be the foundation on which the other criteria are built. Still, this is very close, and it appears to me that, on the whole, Revenge of the Sith did a better job with lightsaber duels than any other movie.

Anakin Skywalker vs. Obi-Wan Kenobi, Revenge of the Sith

Here’s some more proof of the assertion I just made. This duel had good melee combat, a change of environment with good use of terrain, and the use of force powers to supplement the combat. But the psychological warfare wasn’t true lightsaber duel worthy. This was closer to a hurling of insults than any attempt at conversion. No one was moving anywhere on the morality continuum. Everyone was set in place.

Kenobi v. Vader, A New Hope

The melee combat is dated, and there was no change in environment. It served it’s purpose, and a New Hope is arguably the best Star Wars movie, but this wasn’t the best lightsaber duel.

Luke v. Vader on Dagobah

Doesn’t count, but even if it did, it employed only the psychological weight of a lightsaber duel. No change in environment, weak combat, and no force powers. Let’s move on.

Luke v. Vader, Return of the Jedi

This duel gives us psychological manipulation and a decent combat, but the use of force powers is limited other than when Palpatine sticks his nose in it, and there’s no change of environment. Like the climactic Phantom Menace duel, this comes close, but only one can be the best. This ain’t it.

Ren vs. Rey, The Force Awakens

Minor use of force powers and manipulation, and no change of environment. Disqualified! Scene.

Ren vs. Luke, The Last Jedi

Force projection nonsense. I don’t even think this should count, but many of you will, so here we go. The combat was a bit boring, there was no change in environment, and the use of force powers wasn’t to my liking. YMMV. I will say this, though. The psychological manipulation wasn’t what I gave as basis for a good lightsaber duel, but it really worked here. Luke tricking Ren was a clever use of manipulation. I’ll allow it, but this still doesn’t win the top spot. Part of the scene.

Rey vs. Ren via Force Projection, The Rise of Skywalker

Again, I don’t think this should count, so I analyze it under protest. There were two environments because they were in different places, and the melee combat was mediocre. It should be the foundation of a lightsaber duel, but it played second fiddle to the psychological manipulation. That’s the only strongly satisfied criterion. Nope. Not the best. Scene.

Rey vs. Ren on the Ruins of the Death Star, Rise of Skywalker

Not much along the lines of a change in environment, but it was a neat environment. There was a weak attempt to convert Rey before the battle occurred, and the only use of force powers appears to be lip service. It’s as if they threw them in there just to make sure that they’d score a higher rating on a blog post like this. But the actual melee combat itself was pretty good. Not good enough to win though. Scene.

Luke v. Vader, The Empire Strikes Back

I skipped this one, and I’m sure you all know why. This is the clear winner. There was a noticeable upgrade in special effects from just one movie ago, making for a more interesting melee combat, and that fight involved a change of environment. Peppered throughout are the use of force powers beyond just jumping around, and multiple psychological ploys, all of which were designed to convert Luke to the dark side through appeals to his ego, greed, and need for family. The movement is a little stilted because it was the second-earliest movie in the series with dated special effects, but this lightsaber duel is the complete package from a dramatic point of view. Sorry, Maul, but you lose.

Watch it before it’s taken down!

If I forgot any, please let me know. I apologize, but I can’t be expected to remember all of them. After all, . . .

Star Trek >> Star Wars

Follow me on Twitter at @gsllc
Follow Star Wars @starwars
Follow Kessel Junkie @kesseljunkie

Musings on Game Design and Revisiting AD&D 1st Edition: Encounter Balance and Shooting Yourselves in the Feet @DelveRPG #DnD #RPG #ADnD

If you enjoy this post, please retweet it.

Introduction to Each Post in This Series

On Friday (July 23, 2021), I mentioned that I was relearning AD&D 1st Edition (“1e“) with the intention of running it. As I read through the Player’s Handbook (“PHB“), certain mechanics or text will strike me as odd or surprising, but in either case worthy of discussion. In fact, the most surprising thing I’m experiencing is that I’m finding a lot more great ideas in 1e that we’ve since abandoned. I find myself asking, “Why?” As a result, I’ll be writing several posts over the next few weeks. I’m sure everything I’m thinking has been discussed before — sometimes be me — so perhaps my questions have been answered, and my concerns resolved, years ago. My experience with RPGs is relatively limited in scope, having played a small number of games, so I’m sure a lot of what I’m going to say has been incorporated into games I’ve never even heard of. (Some have certainly been addressed by future editions of D&D themselves.) Nevertheless, bringing this directed conversation to the public is new to me, so here it goes.

Posts in this series: | My Playlist | Campaign Settings and Pantheons | Languages | Level | “Dead Levels” | Division of Labor, Distance, and Time | Initiative | Combat Subsystems | Armor Class Ratings | Alignment and Reputation | The Feel of a School of Magic | Boring Magic Items | Ability Score Bonuses and Skill Rolls | The Problem with Democracies | Hitting More Frequently | Encounter Balance |

This series has gotten a lot of feedback, most of which has been extremely helpful. For example, between that feedback and further analysis on my part, I’ve changed position on Armor Class Ratings. It’s a great theory, but it’s implemented poorly in 1e, in part because of the specifics of 1e’s mathematical framework. I’d like to see it in a game, but not in 1e. So, hooray for the hive mind!

However, this is not a nice post. On Facebook, I asked a question about how to balance encounters in 1e. Specifically, I asked where that information is provided. I got an answer from the overwhelmingly helpful: the tables at Dungeon Master’s Guide, pages 171 and 177-179. From that I was able to get even more information by looking through Monster Manual II, pages 133-134, and Field Folio, page 100-110. However, several answers came from a perspective that I encountered frequently but never understood. Despite my acknowledgement within the question itself that some encounters should be trivial or impossible for story reasons, I received quite a few lectures on, well, the fact that some encounters should be trivial or impossible for story reasons. Some people seemed downright offended by the fact that I was even asking the question, as if there’s never a place for an encounter where the fight is challenging but winnable. This was duplicated on another Facebook post where I published a link to my post on boring magic items. In that post, my first substantive statement was:

DMs balance encounters to suit the game they want to run. Maybe they want the encounters to be average, harder than average, or easier than average, but whatever the balance they want, that’s what they want.

Nevertheless, I received criticism for not acknowledging the very point I made, including placing words in my mouth that were, in fact, that exact opposite of what I wrote.

Let me be clear: I’m not criticizing that style of play. This has nothing to do with how difficult you want your encounters or campaigns to be. That’s a matter of taste, and everyone’s entitled to play the game they want to play. My concern is that a few don’t understand the distinction between the nature of the question and play style. Even if DMs want all encounters to be exceptionally hard or exceptionally easy, how can they make them that way if they don’t know how to balance encounters? That is, if DMs don’t have a clue as to where the even balance point is, how do they know that their exceptionally hard encounters are indeed exceptionally hard? They don’t, so what they’re criticizing is my insistence on knowing whether I’ve accomplished my own goal, whatever it may be.

This isn’t championing old school gaming; it’s discouraging DMs from being prepared, and DMs with no idea what they’ve written are most certainly not prepared. Even if players shouldn’t have any sense of what they’re facing – that makes little sense unless negotiation or retreat is always a practical option – DMs should know what they’re throwing at the players. DMs should know that 4 orcs is too easy for a 10th-level party, and that Asmodeus is too hard for a 2nd-level party. Again, this isn’t to say that either encounter is per se inappropriate; it’s simply saying that DMs should know which is which. Throwing a merciless (i.e., won’t negotiate), 8 HD, never-surprised, barbed devil at a party of 1st-level PCs that can neither run away nor fight their way through is nothing more than a conscious choice by the DM to TPK that party. Why would anyone want to do that? If a DM does not want to do that, why would any DM want DMing to be an annoying trial-and-error process spanning months of gaming sessions to get enough sense of the game to avoid it?

But This Is About Game Design

Of course, this may not be the fault of DMs. The game system itself may not provide the tools necessary to make this determination, creating that annoying trial-and-error period. As this article points out, 1e could have done a better job. In fact, much of what is discussed in that post is already part of the design process of a game a friend and I are designing. (I’m tempted to do a lot of work and apply those principles to 1e.) The first box set for the Dragon Age RPG certainly falls into that category as well, providing no guidance for building balanced encounters. I was trying to do something cool by throwing something other than just another band of brigands at the low-level players. The encounter was a TPK not only because of the tremendously overpowered creatures I used, but also because their nature kept the characters from retreating. How is that fun? It’s not risky. There’s absolutely no risk at all. Those characters had a 0.000000% chance of survival. They couldn’t have won even if every single one of their d6 rolls was a 6. Did I throw the DARPG equivalent of Asmodeus at them? Nope. They were giant spiders. Giant spiders! That was an impossible encounter because the spiders showed no mercy, they were faster, and they were a superior combat force. This stupid encounter wouldn’t have occurred if there were challenge ratings attached to the creatures. Clearly there’s no story benefit to walking through the forest and dying at the hands of randomly appearing giant bugs, so why leave that as certain to occur eventually? I don’t think a single one of those players played the game again, because of course they didn’t.

I know that (many think) a game system can’t be designed to be perfect in this regard (damn, have we all been sold a bill of goods on that one), but that’s not a reason for it not to give us a good approximation, especially considering that most game designers in fact do a decent job with it. I know the dice can always roll consistently high or low, but that’s the nature of all RPGs. I know that there are min/maxers out there who game the system, but that’s also the nature of all RPGs. I know that there are tricks and traps (as 1e calls them) that make weak monsters stronger, but other game systems account for the effect of tricks and traps within their challenge rating system. None of these facts impact my argument in any way whatsoever. In fact, they don’t even address it because, as I showed, they are neither unique to 1e nor unworkable.

A game isn’t fun unless there’s a chance at both success and failure, regardless of how that success or failure is achieved. Allowing those chances to bounce from high to low prevents the game from getting stale. However, when they reach anything near 0% or 100% – not because of an occasional story necessity, but because of poor game design or game control – I have tremendous difficulty finding a reason to play. Ergo, I want to know exactly how to design encounters, and I want my DMs to know too. That’s not a lot to ask.

But here’s what really bugs me. As I said, it may not be the DM’s fault, but there are people that proudly revel in such imprecision. This is the way they claim they want to run their games, having no clue whether they’ve created a scenario that’s easy, challenging, or absolutely unwinnable. They literally might as well just roll a single d20, and if it’s [greater|lower] than a target number proclaim, “You’ve [won|lost] D&D!” Then everyone can go home and watch Netflix. I’m not the slightest bit interested in being at those tables; most people aren’t. YMMV, but some of the criticism seemed to be a reflexive reaction to specific keywords rather than an appeal to logic, so I’m not sure they believed what they were saying. I bet they don’t create impossible encounters, which I define as not having at least one means of success (combat, negotiation, or retreat).

But hey, maybe not, and that’s okay. Different strokes and all that. If you get a thrill out of killing characters with absolutely no chance of success, and the players somehow enjoy that, more power to you all. As always, play the game you want to play.

Some of You Are Your Own Worst Enemies

Disagreement is wonderful because it opens one’s eyes to other possibilities. Mischaracterizing of my words and mean-spirited snark, however, are not. (Humorous snark is always welcome.) A small few (none of whom were on MeWe) fell into the stereotypical role of an “old school gamer” that immediately launches an illogical and unfair attack against anyone who ever mentions “balance” (among other keywords). This creates a greater barrier to player recruitment than any game designer ever could. I’d love to play a game via Zoom with an experienced 1e DM before attempting to run my own game, but I won’t take the risk of being stuck with a DM like that. At least religion and politics deal with important social consequences. The fact that people behave this way when discussing games is perplexing.

I’m reluctant even to ask a simple question about the rules on Facebook because of the reactions. For example, I’ve asked for the locations of rules within the sourcebooks, which means the rules I’m looking for have an historical basis in D&D. A small number infer (fairly or not) that I want to play the game in a way differently than they do, and they have a problem with that. They’re not going to be in my game, so why do they care how I play? Their objections seem petty and insecure. I believe that’s what the kids are calling “gatekeeping,” which ruins things for the rest of us. Sadly, I’ve stopped posting these musings to specific groups littered with these folks – though they’re getting this one and will likely project their holier-than-thou attitudes onto me – so I’m going to have to be content just doing my best running the game for players I know personally even though none of us have played 1e in years or decades. I’m sure this experiment will be shorter because of it. Considering these same people complain that there aren’t enough 1e players drips with irony. To the vast majority that don’t think this way (and have been quite helpful), it’s up to you to rein in these dipshits. They certainly won’t listen to me.

Everyone balances their encounters, and their overall campaign has a balance to it as well. Balance isn’t a four letter word and shouldn’t be treated as such. On the other hand, you shouldn’t hurl genuine four-letter words at people when discussing games. Well, as long as you’re not being an asshole about it. 🙂

This isn’t about making the game easy or hard; it’s about knowing whether or not you have. Knowledge is power.

Follow me on Twitter @gsllc

Dungeons & Dragons is a trademark of Wizards of the Coast, LLC, who neither contributed to nor endorsed the contents of this post. (Okay, jackasses?)

Musings on Game Design and Revisiting AD&D 1st Edition: Hitting More Frequently @DelveRPG #DnD #RPG #ADnD

If you enjoy this post, please retweet it.

Introduction to Each Post in This Series

On Friday (July 23, 2021), I mentioned that I was relearning AD&D 1st Edition (“1e“) with the intention of running it. As I read through the Player’s Handbook (“PHB“), certain mechanics or text will strike me as odd or surprising, but in either case worthy of discussion. In fact, the most surprising thing I’m experiencing is that I’m finding a lot more great ideas in 1e that we’ve since abandoned. I find myself asking, “Why?” As a result, I’ll be writing several posts over the next few weeks. I’m sure everything I’m thinking has been discussed before — sometimes be me — so perhaps my questions have been answered, and my concerns resolved, years ago. My experience with RPGs is relatively limited in scope, having played a small number of games, so I’m sure a lot of what I’m going to say has been incorporated into games I’ve never even heard of. (Some have certainly been addressed by future editions of D&D themselves.) Nevertheless, bringing this directed conversation to the public is new to me, so here it goes.

Posts in this series: | My Playlist | Campaign Settings and Pantheons | Languages | Level | “Dead Levels” | Division of Labor, Distance, and Time | Initiative | Combat Subsystems | Armor Class Ratings | Alignment and Reputation | The Feel of a School of Magic | Boring Magic Items | Ability Score Bonuses and Skill Rolls | The Problem with Democracies | Hitting More Frequently | Encounter Balance and Shooting Yourselves in the Feet |

During the last in-person Winter Fantasy (2019), I play-tested Delve RPG, which was run by my friend, Stephen Radney-MacFarland. As sometimes occurs, I let him know what I thought about game design, but he had no choice but to listen. My sole purpose to being there was to criticize. I pointed out that my understanding (at least in the D&D world) was that characters should, on average, expect to hit on a d20 roll of 9. According to Stephen, 11 was the magic number. At least for 1e, looking at the matrices, it appears he’s right. No surprises there.

The Magic Number

My position is that the magic number should actually be 7. Any miss can be frustrating depending on the timing, but for the most part no one gets too upset if they miss on a 4 because they expect that roll to miss. On the other hand, missing on a 9, or even worse on a double-digit 11, can be especially frustrating. You expect to hit on those rolls, but if 11 is your average, then particularly tough creatures will require even higher rolls than that.

Even worse, the greater the range rolls that miss, the more often it occurs, which means you’re more prone to very frustrating bad streaks. How many times have you seen a player have ridiculously bad luck at the table? That can derail an entire session for that player.

What I suggest (and am doing) is adjusting the amount of damage a character can withstand so that the increase in hits averages out to take down an opponent in the same number of rounds. The combats are no faster or slower, but they’re always more dynamic. In this case, dynamic = fun.

NPCs

So what about the NPCs? Should they hit at the same rate? Well, more or less, yes. On this flip side, getting hit a lot adds to the tension of combat even if the net result is mathematically the same. You just don’t know if you’re going to make it. Accordingly, a game designer should make the same adjustments to PC stats to account for the increased hits.

Of course, as I’ll explain tomorrow, not all encounters are perfectly balanced for a wide variety of reasons. However, this baseline would still improve most of those encounters as well, or entire campaigns, that are written to be either more or less difficult. The level of threat the GM wants doesn’t change; just the feel of the game.

I prefer a game that’s dynamic.

Follow me on Twitter @gsllc
Follow Delve RPG @DelveRPG

Dungeons & Dragons is a trademark of Wizards of the Coast, LLC, who neither contributed to nor endorsed the contents of this post. (Okay, jackasses?)

7 Native American Monsters @npishak #MythologyMonday #MythologyMonandæg #DnD #ADnD #RPG

If you enjoy this post, please retweet it.

Great Shatner’s ghost, I love mythology. Here’s a link to an article on Native American monsters care of Natasha Ishak. Because of this blog’s current focus on Dungeons & Dragons, I note that some of these monsters don’t appear in these precise forms in any RPGs I’ve played or read. There are similarities, of course, but some of these represent variations of what I’ve seen, so there’s some room for inspiration here. This is true despite how extensive the gaming library is.

Mythology is an eternal fountain of ideas. There’s always more you can grab from it.

Follow me on Twitter @gsllc
Follow Natasha Ishak @npishak

Dungeons & Dragons is a trademark of Wizards of the Coast, LLC, who neither contributed to nor endorsed the contents of this post. (Okay, jackasses?)


The Ultimate Comic Book #MCU

If you enjoy this post, please retweet it.

Sundays now are lazy days for me. I either post something silly or other people’s work. Usually both. Today, it’s both in a diversion from my rants about my impending return to 1st Edition AD&D. I actually had Avengers: Infinity War running in the background yesterday while working, so a little MCU seems appropriate.

May be an illustration of text that says 'SUPER EAM FAMILY 60c NO NO.2047 2047 KANG PRESENTS... 31665 vs. KRANG vs. KANG! A MOST TREACHEROUS TRIO, AND THE GALAXY IS THEIRS TO COMMAND... BUT WHO WILL BECOME THE SUPREME RULER? COUR C கமTழRகத መ "CONFLICT FOLLOWS CONQUEST!"'

I have no idea who Krang is and am too lazy o Google it.

Follow me on Twitter @gsllc