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Category: People J-R
People alphabetically by last names starting with J through R.
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Tuesday night was the Guardians of the Galaxy quarantine watch party hosted again by Brandon Davis of ComicBook.com. We were joined by director James Gunn and actors Sean Gunn and Melia Kreiling. I love the GotG movies and have spoken about them many times, but with movies this good, there’s always something more to discuss after each viewing.
Melia Kreiling played Bereet in the 18-second clip below.
She had an additional one minute here.
This isn’t much screen time, but during my online interaction with Ms. Kreiling, I played the role of Captain Obvious and pointed out that there’s no such thing as a “small part.”
I agree. And not saying this to be a kiss ass, but James didn’t treat ANY part like it was small. He took me around the set to introduce me to everyone there, on my first day of camera tests. Amazing atmosphere.
Actors with quick appearances, even if they have no lines and are relegated to the background, provide necessary color to scenes. I’m sure most actors want lead roles in blockbuster films, but if that isn’t available, their contribution can still be important. Let’s consider the scenes in the videos. Like most of the primary and secondary MCU characters, Peter Quill (you might know him by another name, Star Lord) had a lot of growing to do. He started as an irreverent, silly, narcissistic, selfish criminal, but by the end of Endgame had become an . . . irreverent, silly, savior of the universe. Old habits die hard, and you can’t fix stupid, but it’s the thought that counts, and his intentions became noble.
Consider this: At this point, Quill suspects that grabbing the power stone will kill him. He doesn't care. It's more important to him that Ronin not grab the stone. He's grown as a person. #GotG#QuarantineWatchParty
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 8, 2020
But how can you appreciate that growth if you don’t experience its full progression? Bereet provided the necessary context. The first time we got a glimpse into what made Peter tick was his interaction with Bereet. She was, as Ms. Kreiling puts it,
Peter and Bereet had clearly spent a non-negligible amount of time together, most of which we assume was sexual, and he didn’t even remember her being there. How self-absorbed can one get? He then refuses to honor his word by betraying Yondu (admittedly, not the nicest guy either). Bereet provided the means to display that betrayal by unwittingly answering the “phone call,” something Peter would just have ignored without the audience knowing it had happened. This was good acting and good writing, and was as important as any other moment in that movie.
“Small parts” are often critical. Sometimes we just don’t think about the roles they play.
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Side note: As I was pulling up the YouTube videos, this gem auto-played. For your viewing and listening pleasure. Seriously, listen to that music.
On April Fool’s Day, I enjoyed yet another quarantine watch party. This one was for Shazam, which I love. We were joined by the director, David Sandberg, and the actors that played Billy’s foster parents, Marta Milans and Cooper Andrews. The party was hosted by Brandon Davis of Comicbook.com, and Russ Burlingame joined in as well. We may have been joined by some other people involved in the film, but I wouldn’t know. I was clearly confused. For a moment I though Russ was the producer or something. Awkward.
Anyway, comic book movies are well-loved, but it seems most people love them solely for their action and fantasy elements. I feel that they don’t get the respect they deserve for the acting and screenwriting, which at times is top notch. After all, the Marvel Cinematic Universe (“MCU”) and DC Extended Universe (“DCEU”) have a few former Oscar winners in them. There are several themes that came up in our collective commentary that I wanted to discuss, some of which are shared with the Guardians of the Galaxy. Shazam occupies the same space in the DCEU as GotG. When I initially made that observation, my thoughts were narrow. I was referring to the fact that both were expected to lighten the mood of their respective cinematic universes by focusing a lot more on comedy than the others. All these movies have some comedic one-liners, and both Shazam and GotG were still very much action-oriented, but we all can see that the balance between those two genres were tipped a little further comedy for Shazam and GotG. But there were other reasons to make this connection that I didn’t initially appreciate.
Everyone Was Pretty Selfish
As with most stories, the primary characters in these films were flawed; to-wit: their motivations selfish. In GotG, Peter was a thief, Gamora was an assassin, Rocket and Groot were mercenaries, and Drax was motivated solely by hatred and loss. Each of those attitudes led to risks not only to their own well-beings, but to the well-beings of the entire galaxy. The same selfishness was common among the main characters in Shazam, and not just the villain. These flaws were normal for children their ages, and thus the stakes were initially lower, but when these kids were forced to deal with fantastic circumstances that don’t exist in the real world, they had no choice but to grow up quickly. It didn’t go so well. Billy stole from Freddy, and when they worked together, they willingly took $73 from the mugging “victim” knowing full well that Shazam was scaring her into handing over the money. They stole far more money from an ATM.
Eventually, Billy started to play the role of a hero, but only because his reckless behavior created the danger in the first place. Though he saved the day … well …
"I caught a bus with my bare hands!" It's still about him rather than the goodness of the deed itself. He doesn't get it yet. #QuarantineWatchParty#Shazam
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
Billy’s still all about himself. Freddy had his own problems. He “understood this whole superhero thing” better than anyone, but he quickly broke his own rules.
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
Again, Freddy was wrong here. He really did break his own rule for selfish gain. Of course, both of them stole money earlier. They're kids suddenly in a position of power. Eventually they'll figure it out. #QuarantineWatchParty#Shazam
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
Family Takes Many Forms
"The blood of the covenant is thicker than the water of the womb." Something to consider considering the theme. Also, "I'm home." #QuarantineWatchParty#Shazam@russburlingame
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
Comic book movies don't always get the credit they deserve for their acting and writing. This film used the familiar theme of family, but did so in a way we haven't seen with comic book movies: an adoptive family. I thought it was well done. #QuarantineWatchParty#Shazam
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
That second tweet isn’t strictly correct. The Vasquez family wasn’t an “adoptive” family; they were a foster family. That’s a slightly different dynamic. I’m not familiar with the details of the process, but in an adoptive family, at least the parents get to choose the children they adopt. In a foster family, that choice is made by the foster care system. Foster familes are forced on one another, and in GotG, that’s true as well. The Guardians were forced on one another by circumstance. This isn’t to say that freewill didn’t play any part; the Vasquez family chose to be a foster family to someone, and the Guardians could have split up as soon as they escaped prison (or at any other time). I’m just saying that there were far more severe limits placed on their respective choices, and that makes their coming together as a family more impressive.
And those families worked. By working together, the characters in desperate need of personal growth became better. They focused on more than just themselves. On the extreme end of the spectrum, Nebula’s realized relationship with Gamora, and then the other Guardians, led to her rhetoric shifting from “I’m killing Thanos because I hate him” to “I’m killing Thanos because he’s going to kill half the universe.” In a similar way, despite all the superpowers he had, Billy was still just a dopey kid who’s sense of family was an unattainable ideal, and like Starlord, that caused him initially to miss the family that was right in front of his face. Billy didn’t really evolve until he accepted his new family, and then he learned not only their importance, but everyone’s importance. The sense of family led to a sense of community.
The Stakes Were Still High
This scene (boardroom) seemed a bit much considering the overall tone of the film, but I don't fault the filmmakers for doing it. It certainly raised the stakes. #QuarantineWatchParty#Shazam
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
These are still action movies. The Guardians saved a planet from a villain who would eventually become a threat to the entire galaxy. That threat needed to be extreme in order to keep the movie from getting too lighthearted. Shazam was written to be even far more family-friendly, yet the boardroom scene was so dark that it received quite a bit of criticism. I don’t think that’s fair. A movie so lighthearted can cause the viewer to lose sight of the stakes. Doctor Sivana murdered several people, including his brother and father. Sound familiar, Ego? What about you, Thanos?
The Acting Was Solid
I won’t beat the dead horse any more than I must, but here’s a quick summary of my feelings on the actors of GotG. The actors in GotG represented the best acting ensemble in the MCU, and Karen Gillan’s performance was so good in the MCU and elsewhere (for example, no spoilers and spoilers) that I’m convinced that there’s an Oscar in her future if she’s given the right script. Similarly, the cast of Shazam! is probably my favorite ensemble from the DCEU. All the themes above required solid acting to pull off.
Zachary Levi did a fantastic job playing a kid in a man’s body. He had the same insecurities as any kid and tried to hide them by acting as a kid would assume an adult would act. Billy’s lack of a father figure added to the awkwardness, which Levi captured well. A lot of that is scriptwriting, but someone must act it out.
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
One thing that stood out to me was that Billy never showed a fear of the dark as Tom Hanks’s character in Big did.
Billy turning old was better than the kid in Big. That kid still had reason to be afraid of the dark. Billy has nothing to fear. (Yet.) #QuarantineWatchParty#Shazam
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
This made sense because he had superpowers, but when he met Dr. Sivana, he had that moment of fear. Once he experienced Sivana’s superpowers and intimidating personality, that childish fear rose to the surface. He assumed (inaccurately) that his powers were no match for Sivana’s.
The script establishes that Shazam is more powerful, but he's losing anyway. It's all about confidence and experience that a kid just won't have. #QuarantineWatchParty#Shazam
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
Later in the movie, Meagan Good had a similar but funny moment.
Perhaps they showed a little too much patience for Billy’s antics than they should in the real world, but this is a movie, so the script did what it had to do. The point is that foster parents should be patient, and that’s something to which I can relate. When push came to shove, they mixed the right amount of good cop/bad cop in how they dealt with Billy. That gave Billy the push he needed, leading to his catchphrase, “If a superhero can’t save his family, he’s not much of a hero.”
That's really one hell of a catchphrase considering that finding a family is what pushed Billy's character forward to being a true hero (powers or not). #QuarantineWatchParty#Shazam@russburlingame
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
The child actors did a really good job as well. I don’t have much to say about them because they were kids playing kids, so nothing floored me there. However, having a script that takes advantage of a bunch of cute kids is always going to make some people happy.
Conclusion
I’ve never really read comics. I don’t know how faithful this movie was to the comics, and I understand that’s important to some of you, but I just don’t care. I’m taking this movie at face value, and I was impressed with both the acting and script. It was a lot of fun and may be my favorite DCEU film to date (though I really liked Wonder Woman too).
Postscript
There are some people included on my cc: that weren’t involved in the film and (to my knowledge) aren’t professional journalists. They were people that I “met” for the first time through this quarantine watch party, and they’re as important to it as the celebrities. It was a lot of fun. You may want to join us sometime.
You *all* made this fun. We're all in this together. 🙂
— Rob, also gsllc@chirp.enworld.org (@GSLLC) April 2, 2020
I was recently talking about the MCU on Facebook (surprised?), and Thor: The Dark World (“TTDW”) came up. My general position was painful to admit: TTDW was a bottom tier MCU film. Thor is my favorite MCU character, but this entry was a bit weak. My general sentiment, however, was that you’ll appreciate all of these movies more if you see them as episodes in a longer story arc. This led to two points being made, one by me and one by a Facebook friend, Chad.
The Thor-Loki Dynamic
Chad stated:
I -really- like the Thor/Loki dynamic in Dark World. It’s set-up in the first movie. You can’t have their relationship in Ragnarok (especially post-Avengers) without it.
I agreed to a large extent, first because Tom Hiddleston’s acting was in my opinion the best overall throughout the MCU, but second because of Chris Hemsworth, who did a great job as Thor. The problem is that this relationship was a secondary plotline. The main storyline brought the film down to the bottom tier of the MCU. That said, Chad’s observation was an important one that was in line with my other comments of my Facebook thread. Secondary plotlines become far more important when you see these movies as episodes in a longer story that’s never (to my knowledge) been done in cinema. Iron Man 2 was my least favorite MCU film, and I’ll still gladly watch it. It’s an episode in a decade-long story that I love. A weak episode (to me), but still part of the story.
I told Chad I’d re-watch the movie and focus on that relationship to see if I could grab anything new about it. On my latest viewing, I learned . . . very little. This isn’t to say I disagree with Chad – I absolutely agree – I just remembered everything about it, so there was nothing new. Although Thor: Ragnarök fully developed Thor’s dimwittedness from mythology, he showed some signs of it in the first two Thor movies, but only with respect to Loki, who was always able to fool him. In addition, their love-hate relationship ultimately favored love, made apparent in the opening act of Infinity War. That act wouldn’t have meant a thing without the context of the prior films, and that made Infinity War a better film than it otherwise would have been.
Frigga’s Death
An even better example of this effect was the death of Frigga. When I first saw TTDW, I thought her death was unnecessary and cheap. It appeared as a means to say, “Let’s have someone die to show that the stakes are high, but not someone important enough that the stakes are actually high.” In hindsight, my perspective was dead wrong. Like all the major MCU characters, Thor went on a path of self-improvement, but he hit a major stumbling block off-camera between Infinity War and Endgame: depression and PTSD. While having never slipped unto unworthiness, Frigga was the last push he needed to get back on track, and their interaction in Endgame wouldn’t have conveyed such meaning if she hadn’t died in TTDW. This is hardly novel in the MCU (or elsewhere in cinema). I’ve discussed this before with respect to Black Widow and Hawkeye. The MCU did a surprisingly good job of immersing me in the emotions of those relationships. TTDW is a good example of how they laid the foundation for one of those key moments.
Why Is It So Bad?
Honestly, I have no idea why I place the TTDW in the bottom tier of MCU movies. It should be great. It has well-defined villains, a well-defined primary antagonist, plenty of action, plenty of humor, plenty of human drama, and perhaps even more is at stake than in Infinity War (but at least as much). I can’t explain why it’s not one of the best; it simply isn’t.
My favorite movie from the MCU is Captain America: The Winter Soldier because it deals with an issue — security v. liberty — that is both topical and important. In the end, it comes down on the correct side of that debate — liberty — without being naive. As I was watching it yesterday, it evoked a thought about Natasha Romanoff, a.k.a., Black Widow and why she had to be the one to sacrifice herself in Endgame.
Best Friends
Natasha and Clint's friendship is one of the *best* things about the #MCU, and it's an example of what makes the MCU fantastic. You couldn't build that relationship in a single film. The MCU is several independent films that collectively is greater than the sum of its parts.
As I’ve opined on Facebook and Twitter, I’m not sure if Natasha and Clint Barton’s friendship is the best thing about the MCU, but it’s really close. You couldn’t build that relationship in a single film. It was first introduced in Avengers, and continued in Age of Ultron, Civil War, and Endgame. However, as you know, that wasn’t the only relationship of Natasha’s that was developed throughout the movies. Almost all of the original Avengers had a one-on-one relationship with her developed by the writers.
Tony
In Iron Man 2, she was paired with Tony Stark. Being very shallow, Tony probably needed more time than most to let her in, so introducing them to each other very early in the MCU was necessary. Even though Tony was, for lack of a better description, very anti-spy, he eventually found himself on the same side as Natasha in the Avengers’ civil war. So, when I think about there relationship, I can’t help but think it’s strong, or at least as strong as Tony can have. That’s the impression I get.
… And the Rest
From there, the relationships get even stronger, both professional and personal. In Winter Soldier, Black Widow was critical in helping Steve Rogers discover and take down Hyrda, and she also established a relationship with Sam Wilson, who was part of the same mission. Topping it off, Natasha got Steve back into “the game” by insisting he start dating, so it wasn’t merely professional; they were genuine friends. Next, in Age of Ultron, Bruce Banner and she discussed their romantic feelings for one another, which Banner threw away. That would later come back to haunt him in Endgame, where he must have felt some regret over that decision. While not developed, you knew there must be some professional respect between Natasha and Rhodey, and perhaps with Vision and Wanda Maximoff as well, as she and Steve were responsible for training them. Even across so many films, there was only so much time to develop these kinds of relationships, so they appropriately focused on the original Avengers, but those seeds were planted elsewhere.
Endgame
When the Avengers were standing around mourning her loss, it felt real. Tony’s death affected the fans, but I don’t know that any other character could have evoked such a sense of genuine loss throughout the ensemble of characters. Each of those characters had a direct connection to her. The only one that was forced was her relationship with Thor because they never had a mission together, or even a significant moment. However, the other relationships within the group, as well as the fact that we’ve seen them work as part of the same team throughout those films, amplified the credulity of Thor’s grief, which Chris Hemsworth acted well. It’s a shame she didn’t have a funeral, but they had no place to put it.
Complaints
I’ve read plenty of resistance to her sacrifice online, but I thought it was perfect for her to be the one. Natasha was in a very real sense the emotional glue that held the team together, which also explains her role as leader of the Avengers at the beginning of Endgame. She (and similarly Clint) had no superpowers but certainly held a very important place on the team. Losing her was emotionally devastating for the others on a personal level, and perhaps because she’s gone, it makes sense that the team has now split (even though that’s really about actor contracts). Then there’s the fact that the character isn’t dead to us. We’ll all be watching her solo movie later this year, so she’s not really gone until the actor doesn’t want to play the character anymore. Maybe she’ll get a funeral in the credits.
Her death meant something internally to the script. It had to be her.
A fellow nerd, Erik, and I agree that the most interesting villains are the ones that believe they’re actually the good guys, but there’s something to be said for villains like Killmonger and Ulysses Claw in Black Panther. These guys tap into comedy and evil simultaneously. They live every moment of their lives in danger, so they don’t react to danger as normal people do. They’ve always got a smile on their faces even as their shooting someone in the back, so they can believably throw out humorous lines (“I made it rain!”) as people are dying around them.
An example of how this trait plays out is when T’Challa seemingly returns from the dead. What’s Killmonger’s reaction? With a smirk on his face, he asks, “Whassup?!” Killmonger knows exactly what’s up. T’Challa has defied all odds and seeks revenge. But Killmonger just just doesn’t care. For him, it’s just another moment in his life of constant danger.
Of course, we already saw this with Ulysses Claw in Avengers: Age of Ultron. When faced with two threatening enemies who’s powers Claw understood, Claw faced it with a sick sense of humor and confidence. He kept his cool because there’s was nothing they could throw at him — not even Wanda with her mind games — that could possibly scare him any more than many of his life experiences have.
I just finished watching Infinity War and Endgame again and have four more observations. Yeah, I talk about the MCU a lot, but I think it gets far too little credit for its writing and acting (especially Karen Gillan and Dave Bautista, who were both surprises to me).
Character Growth
As I’ve discussed in severalpriorposts, the MCU as a whole, like most individual movies, involved a lot of character growth. In the MCU, the common theme was developing a better sense of morality, but using familiar methods to achieve the evolved goals. For example, Tony was a self-absorbed arms dealer. As he evolved to a selfless peace-seeker, he still used the same methods. He used weapons to provide security, because that’s all he really knew. And near the end of Endgame, [spoiler alert] even the “self-absorbed” part came into play: “I am Iron Man.” Of course, as a friend pointed out on Facebook, at the time he was using the most powerful weapon in the universe.
Natasha and Clint
I don’t know if Natasha and Clint’s friendship is the best thing about the MCU, but it’s certainly near the top, and it’s an example of what makes the MCU fantastic. You couldn’t possibly build that relationship over the course of a single film, which means that their scene on Vormir couldn’t possibly have the emotional impact that it did if Infinity War/Endgame were a single film. The MCU is several independent films that collectively is greater than the sum of its parts.
Bucky Knew
After my 100th re-watch of Endgame, I’m certain that Bucky knew that Steve was going to live out his life in the past. I never really noticed that before now.
Cheeseburgers
I hate cheese but still find it adorable that Tony’s daughter wanted cheeseburgers at the end of Endgame. The first thing Tony wanted after returning from captivity in Iron Man was a cheeseburger. I may have already mentioned this in a prior post, but there it is.
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Based on my obsession with the MCU, I’ve become a fan of several of the actors that had never been on my radar scope before. I discovered All Creatures Here Below starring two of them: Karen Gillan and David Dastmalchian. I had never heard of Gillan before the MCU (I have a weird thing against Dr. Who), and had seen Dastmalchian in only a couple of small parts. This is nothing like an MCU movie, of course. It has that indie-movie feel to it. The two play a couple of non-loveable screw ups that can’t seem to make any good decisions and almost constantly piss me off. Gillan’s Ruby doesn’t seem to understand that her actions are evil or stupid (they’re often both), whereas Dastmalchian’s Gensan doesn’t seem to care about anyone else (other than Ruby), so he ignores the consequences to others. Ruby also doesn’t seem to understand the long-term consequences of her actions.
Jennifer Morrison and David Koechner are also in it, though their parts are small, so they aren’t given a chance to shine. That’s a shame because they’re both quite good.
It’s a depressing tale, but once it got started, I was eager to see how it turned out. Then I got hit with a twist in the diner scene, which really made me rethink the entire movie. The world is screwed up, and things can be more complicated than they appear (for better or worse). It’s frustrating, brutal, and the ending was downright painful (perhaps too painful for some), but it was well worth the 90 minutes and $3.99. I enjoyed both the acting and the writing, and I greatly appreciate the talent it takes to do either.
A- (but I’m a generous grader)
EDIT: I’m upgrading this movie to a solid A+ after thinking about it all day. I really didn’t expect a movie like this to make me think so hard, and I appreciate that.
In an earlier post, I pointed out a few things about the Marvel Cinematic Universe (“MCU”) that I really enjoyed. Since that post, I’ve started to watch the entire MCU in movie-chronological order: Captain America, Captain Marvel, Iron Man, etc., and will continue through the entire MCU that’s on Disney+ or otherwise available to me. This probably excludes the Spider Man movies and the Incredible Hulk.
There’s been so much ink on these topics that it’s rather pointless to try to leave an impression. These will be short observations of the things that either I liked the most about them or suspect many people didn’t really notice. I’m going to avoid most of my major dislikes. There’s no sense in raining on anyone’s parade (including my own). In case you have the time, I found it fun watching these movies knowing where these characters wound up.
Captain America: Civil War
Like all the MCU movies, I liked this one. It wasn’t even close to the bottom of my list, but it doubled down on the ridiculous trope that I mentioned while discussing Ant-Man. I get that the world governments want to have a say in how the Avengers operate, but I find it frustrating and incredulous that people can characterize them as the bad guy because of the damage done.
I get that Cap had a 70-year shift, but it’s still weird to fall in love with someone, never really get over her, then knowingly date her niece. It’s better than Leia kissing Luke, but still. . . .
The scene when the cops came to arrest Bucky seemed to be a mix of the Daredevil fight montages and a Jason Bourne car chase.
More foreshadowing: Vision spending time with Wanda.
It made no sense for Cap to shift his arm when he’s trying to hold down the helicopter. Well, not from a physics perspective.
I love the nodding from the VW Bug. 🙂
Introducing two new MCU characters (Black Panther and Spider Man) for the big fight was a great idea considering their upcoming movies, but Black Panther’s “I don’t care” ran a sore point into the ground for me. The established Avengers should have had a little more trouble throwing punches at each other. Every single shot should have taken something out of each of those characters. For example, Black Widow and Hawkeye joked about still being friends after the fight. That’s fine, but when Wanda threw Black Widow with her red goo to save Hawkeye, they should have cut to Hawkeye’s face giving a look of concern. Such a quick, subtle, but powerful moment of pain would have given us a better appreciation of what was at stake for these friends. Instead, it reminded us that no one was actually going to die. We knew that, but good filmmaking allows you to forget that. The Russo’s seemed more concerned with action than the characters themselves. It wasn’t terrible, but it could have been much better.
Paul Rudd looked as surprised as the rest of us when he grew. “Does anyone have any orange slices?” Rudd was perfect casting for that role. There’s a lot of perfect casting going around the MCU.
I never noticed that Howard Stark recognized “Sgt. Barnes,” which of course made perfect sense. Such a tough moment.
Well, Stark finally put the suit on, and we saw what happened. Of course, Cap had some help, but I’ll bet my money in Vegas on anyone who can punch metal repeatedly without hurting himself.
Doctor Strange
Shit’s about to get weird. Even weirder than a talking racoon.
I should just copy and paste, “Arrogant jackass,” about 30 times in a row here, shouldn’t I?
The Ancient One’s reluctance to teach Strange seems, well, strange in light of her conversation with Banner in Endgame.
The visuals in the mirror dimension were stupendous.
I still cringe at the horrible attempt at comedy in which the Cloak of Levitation wipes away Strange’s tears.
“Oooooo, that’s funny.”
I really hope Mordo comes back as a villain. The most interesting villains are the ones that think they’re heroes, and Chiwetel Ejiofor is one hell of an actor.
Black Panther
A friend commented that he thought the world-building in Wakanda was great. I agree, though I think a lot of the MCU movies do so, just in different, non-literal ways. Perhaps in Black Panther is more pronounced because the world-building you see is relatable. It shows a world that we’re all waiting to see.
If you’re watching these movies in movie-chronological order, this one should absolutely come before Doctor Strange. I can’t think of a single reason why Marvel suggests Doctor Strange to go first. Black Panther takes place one week after Captain America: Civil War, and one post-credit scene in Doctor Strange is a preview from the very next film, Thor: Ragnarök.
The one thing I didn’t like about this movie was that they determined their king via fistfight. It’s bad enough to have people lead just because they’re born into a royal family — I know that opinion’s not going to sit well with certain real-world cultures — but to have them fight among themselves to determine who’s on top? How stupid.
Ulysses Claue is such fun character. Even though he’s a horrible crook, his lack of respect for the danger he’s in makes me laugh. I wish he hadn’t died.
“I’m kidding. We are vegetarians.”
“Whassup?”
Those hovercraft are reminiscent of the “whale ships” that Thanos uses.
Someone on my Facebook wall argued that Marvel films are formulaic. I don’t think that’s fair. There are only seven basic plot structures in all of storytelling. To that extent, everything is formulaic, but applying that as a criticism unfairly diminishes the contributions of creators. There’s still something new being added when a good creator creates. There’s one consistent theme in comics that does annoy me, and it’s present here. The enemy too often mirrors the protagonist. Kaecilius is just an evil sorcerer, Abomination is just another Hulk, and Killmonger is just an evil Black Panther. That’s a theme I’d rather they break except where it makes sense for other reasons (i.e., the Winter Soldier). Perhaps it makes sense here because of the strong theme of family in the movie, but in general this is the only way in which I see the MCU films as formulaic in a bad sense. Otherwise, Black Panther is like most of the MCU films: It carves it’s own path. As I said, the world it builds is different from what we’ve seen elsewhere. It focuses on a culture that we don’t normally see as the focus of American films.
Thor: Ragnarök
Like Winter Soldier, this is another movie that won’t leave my watchlist just because of this mass-viewing of the MCU. I’ll watch this one over and over again.
This is the Thor that I love. Thor is my favorite MCU character because I have always been fascinated with mythology, and most especially Norse mythology. The character of Thor is supposed to be dimwitted, which gets him into trouble, but never prevents him from busting his way out of it. This is that Thor, and Hemsworth continues to play him perfectly. This is one of the more quotable MCU films as a result. But then they had to ruin it for me by making Hela the sister of Thor. 🙂
As a fan of the theater, I’d like to see the entire Tragedy of Loki of Asgard on stage with those specific actors. 🙂
“Father.” “Oh, shit.”
Cate Blanchett was ridiculously good.
Why kill off the Warriors Three, two of which so unceremoniously?
Elephant in the room: Why does Sparkles have any sensitivity to electrical jolts at all? That compliance device shouldn’t have worked at all.
Okay, enough criticizing one of my top three MCU films. Good stuff only from here . . . but Thor should have been a redhead.
Jeff Goldblum is even better than Blanchett.
“That’s exactly what Doug used to say. See you later, new Doug.”
The fight scene with the Hulk was huge. It proved that Thor had continued his evolvution into the strongest Avenger (as it should be). Hulk got in only one legitimate series of shots against Thor. All others came from the Grandmaster’s cheating or Thor’s reluctance to fight, which is a virtue in and of itself.
In contrast to Black Panther, they got royalty right in this one. A bad queen shouldn’t be allowed to be queen. Birthright is bullshit to anyone that believes in democracy or a republic. Maybe gods can live up to otherwise unrealistic ideal of a truly benevolent dictator, but when they don’t (and humans never do), revolt! Shuri got that, but only because T’Challa was family. Thor said it best: “Technically [you] have a claim to the throne . . . but it can’t be you. You’re just [beat] the worst.”
My cousin, John, is right. Thor should have never gotten his eye replaced.
I love that Fenris was able to pierce Hulk’s skin. We’ve gone cosmic. The most powerful creatures you meet on Earth aren’t so extraordinary out there.
Again, great use of the Immigrant Song. “Valhalla, I am coming.”
Bullets, laser beams, magic, and spears all in the same movie.
This after-credits scene comes close to beating shawarma, but not quite.
Avengers: Infinity War
Despite the advice of the above-linked page, I believe you should watch this before Ant-Man and the Wasp, so I did. That’s how they were released in the theater, and it made the end-credits scene in Ant-Man and the Wasp so good.
So, we had an entire movie in which Hulk wouldn’t go away, and now we have an entire movie where he won’t come out. I wonder how that’s going to resolve itself in Endgame? 🙂
Lord Voldemort (Ebony Maw) is a total suck up.
In terms of acting in general throughout all his roles, Tom Hiddleston probably did the best job of anyone in the MCU.
The most annoying character in the MCU is Pepper Potts.
Doctor Strange calls someone else a douchebag? Even more amazing, it sticks?
I don’t think the Star-Lord, Drax, and Mantis should be a match for Iron Man, Spider-Man, and Doctor Strange. I’ve heard that Drax is far more powerful in the comics, but that’s not my frame of reference. This brings up something that’s bugged me about the MCU. They never seem to get the power curve right. It makes no sense that a character that’s a match for Thor and Hulk is also a match for Black Widow and Hawkeye. Sometimes they explain it (e.g., Thor’s deterioration in Endgame), but for the most part they handwave it. It makes writing scripts easier but feels wrong to me.
“Why is Gamora?”
Improvised line. Bautista did such a great job.
14,000,605.
And I thought my family was screwed up.
I’ve admitted my bias for Thor, but I can’t think of another character entrance into a scene that even comes close to Thor’s arrival in Wakanda. It still raises the hair on my neck.
I know it’d be a cheap line, but I still wish Spider-Man had responded, “Well, actually, arachnid; specifically: Araneae.
Star-Lord is directly responsible for the Snap. In all 14,000,605 realities, he was a dumbass, and that’s why Black Widow, Vision, and so many others are dead even after the Hulk Snap. This isn’t a criticism of Star-Lord, of course, because he’s not real. The screenwriters shouldn’t have thrown the character under the bus like that. That said, it is the kind of thing he’d do.
The power curve problem rears its ugly head again. Why are Black Widow and Okoye able to put up a fight against Proxima Midnight, who’s a cosmic character that otherwise can give Scarlett Witch and Vision so much trouble? It doesn’t add up (and neither does the prior scene where Black Widow, Captain America, and Falcon best her and Corvus Glaive).
I can’t look past the fact that Wanda is in a relationship with a robot. I like my toaster, but don’t like like it.
When Thanos reversed time to bring back Vision, did he create an alternate timeline? If so, the timeline we were watching the entire movie isn’t the one we watched as the movie ended. I’m always a little bugged by infinite timeline stories. Even the infinite happy endings are nullified by the infinite unhappy endings that necessarily occur. The reality we’re shown is arbitrarily chosen by the director, but I can’t ignore all the other ones in which the protagonist loses. I know they’re there.
If Thor wasn’t the most powerful Avenger, he is now. It’s clear Thor is my betting favorite to beat Thanos without Infinity Stones. He almost beat him with the stones. The explanation the Russos gave was that Thanos was taken off guard, but Stormbreaker still made it through. Thor’s a badass who’s PTSD and depression weaken him so that he doesn’t overpower Thanos in Endgame.
In case you didn’t read it elsewhere, Groot’s final “I am Groot” translated to “Dad.”
Great job, Thanos! You killed half the population, leaving the other half to double itself fairly quickly (less than 50 years for humans)! What, you don’t know how exponential growth works? Maybe you should have killed of 99% of sentient life. Dipshit.
The post-credit scene foreshadowed the return of Captain Marvel. The fact that she’s been away from the MCU for so long (in movie-chronological order) now matches the fact that it’s been about 25 years since she was on Earth. It has a better feel to it. That alone makes watching these in movie-chronological order the right way to go. Streaming is awesome.
Ant-Man and the Wasp
Why did Janet van Dyne age as much as Hank Pym? According to everything we’ve been told about the quantum realm, time passes much more slowly; specifically: 1 hour in the quantum realm for each year in the normal world. Janet was stuck down there for 30 years, so she should have aged just a little more than a day. It would have saved a little bit of special effects money to have cast a younger actress in the role.
Marvel should sign Michael Pena to a lifetime contract.
I loved the casting for Ghost. At the risk of getting a little creepy, Hannah John-Kamen’s eyes are haunting. That’s the best word for it, but she also did a good acting job, so yeah, great casting.
Quantum entanglement?
Walter Goggins is also really good casting. Very few can do sleezy like Goggins.
21 ft. v. 65 ft.. Easy joke, but it worked.
“You can do it. You can do anything. You’re the world’s greatest grandma.”
If Scott Lang went to the quantum realm to get particles to help Ghost, but was stuck there for 5 years, what happened to Ghost? I’m sure the answer depends on 1) whether Hannah John-Kamen signs another contract; and/or 2) whether a future storyline can use her. There will be a Ant-Man 3, so I guess we’ll see.
When Janet tells Ghost, “Your pain; I can feel it,” I fully expected Ghost to respond with, “What do you know of my pain?”
That mid-credits scene just made you want to see Endgame even more.
Avengers: Endgame
I’ve beaten this dead horse quite a bit on this blog and on social media, but damn, that scene in the ship with Tony and Nebula is the best bit of acting I’ve seen in the MCU. Karen Gillan took over. Expressing confusion by what it means to have a friend, play a game, and have fun, and then giving the last food to Tony and making sure that, when he dies, he dies as comfortably as possible rather than on a cold floor, all with only two lines of dialogue (9 words and 3 grunts) and facial expressions buried in makeup. It’s almost like she’s taken over the entire MCU without anyone in the real world noticing.
“I thought you were a build-a-bear.” “Maybe I am.”
If Scott kept the van (seen in the Avengers facility camera footage), why was he walking through town and at the monument with his stuff in a wagon? Why wouldn’t he leave that stuff in the van?
Namor should be the villain in Black Panther 2.
I’m with Scott Lang. Professor Hulk freaks me out too.
“Shit!” “Shit.”
“Somebody peed my pants, but I don’t know if it was old me or baby me. Or just me me.”
An idiot and his tacos.
At the start, Fat Thor was a funny joke, but once it became obvious that his condition was based on depression and PTSD (Hemsworth’s acting was great), they stopped making jokes and handled it quite well, even overtly stating that he was still “worthy.” However, much later in the movie, Thor asks, “Do you know what’s running through my veins?” Roadie answers, “Cheeze Whiz?” That wasn’t a funny joke, especially considering the moment. Suddenly they went back to making jokes, and at that point it was punching down. Funny joke, but not a good move.
The explanation for time travel was crappy to start, and I bet some just gave up and didn’t fully understand it. That would be too bad. The time travel explanation they used was actually the best one to use to justify fixing things. Assuming they chose instead to go with those movies and TV shows, I don’t think killing baby Thanos would be a bad thing.
“. . . the chick with the antenna . . .”
I read something online stating that past-Gamora and past-Nebula were fighting Beta Ray Bill’s species in the fight scene where the two first appear. Considering there was originally plans to include Beta Ray Bill in Endgame, that would make sense. I really hope he’s in Love and Thunder.
“Hail, Hydra.”
The Ancient One says that taking the time stone from her would wreak havoc on her reality. Assuming that’s true, didn’t Thanos’s Second Snap create major issues for the movie’s reality? Did we really have a happy ending? As for the Ancient One’s reality, isn’t it destined for its own Snap, followed by its own Thanos Second Snap wreaking havoc on her reality anyway (assuming a best-case scenario where Thanos loses for her reality as well)? If so, wouldn’t giving up the time stone to another reality do far less damage to her reality, preventing any of the snaps from occurring? Am I saying “reality” and “snap” too much? This whole plot is so riddled with scientific and legal issues that it was impossible to get right. (After the Snap, would Tony still be a billionaire?) I don’t mean to shit on the movie (which I loved); I just think this is a lesson in just rolling with it. After all, as I said above, the time travel explanation they used was the best one to use.
The music playing when Steve saw Peggy through the window is an excerpt from This is My Choice, which was from when Steve went into the ice.
Hulk did his snap, and Clint’s wife, Laura, immediately called him. Did Clint keep her phone line alive for five years? Okay, I know. Just roll with it.
All those portals opening to start the big battle was awesome (“on your left”), and it was amazing that they were able to have such a huge battle but give everyone their individual moments. With an army that large, though, I think there’s be far too much cross-chatter on their coms. The funniest part of that battle was Paul Rudd punching one of Thanos’s whale ships. Not Ant-Man, Giant-Man, or Scott Lang, but Paul Rudd. I just find that funny.
I’ll mention it again: when all was said and done in Endgame, Tony finally completed his evolution. He made the sacrifice play, laid down on a wire, and let the other guy crawl over him. I thought it quite fitting that the music played at his funeral was thematically very similar to the music from when Steve rode the plane into the ground. But, ummmm, couldn’t they have brought him back to life with the Soul Stone? Never mind. Don’t answer that. Just roll with it.
They signed their names on the credits? Star Trek VI, baby.
What’s Next?
I dunno. Watching the Star Wars movies, maybe? Nothing I’d blog about though.
I throw in this list as a suggestion for movie-chronological order, which differs from what’s suggested by Marvel itself (again, omitting the Hulk and Spider-Man movies). The difference is that Doctor Strange follows Black Panther, and Ant-Man and the Wasp follows Avengers: Infinity War. YMMV.
Captain America: The First Avenger Captain Marvel Iron Man Iron Man 2 Thor The Avengers Iron Man 3 Thor: The Dark World Captain America: The Winter Soldier Guardians of the Galaxy, Volume 1 Guardians of the Galaxy, Volume 2 Avengers: Age of Ultron Ant-Man Captain America: Civil War Black Panther Doctor Strange Thor Ragnarök Avengers: Infinity War Ant-Man and the Wasp Avengers: Endgame
In an earlier post, I pointed out a few things about the Marvel Cinematic Universe (“MCU”) that I really enjoyed. Since that post, I’ve started to watch the entire MCU in movie-chronological order: Captain America, Captain Marvel, Iron Man, etc., and will continue through the entire MCU that’s on Disney+ or otherwise available to me. This probably excludes the Spider Man movies and the Incredible Hulk.
There’s been so much ink on these topics that it’s rather pointless to try to leave an impression. These will be short observations of the things that either I liked the most about them or suspect many people didn’t really notice. I’m going to avoid most of my major dislikes. There’s no sense in raining on anyone’s parade (including my own). In case you have the time, I found it fun watching these movies knowing where these characters wound up.
Iron Man 3
This was a weird superhero movie. I remember reading an article stating that Tony was in the Iron Man suit for only 15 (or whatever) out of 120 minutes of movie time. This never bothered me because I didn’t notice. This movie was about Tony Stark’s emotional issues, not Iron Man, and somehow it worked for me. Besides, one of the best action sequences in the MCU was the Mandarin’s attack on Tony’s home (10880 Malibu Pt., Malibu, CA 90625).
According to various sources, Chattanooga gets 2 inches of snow per year. According to Iron Man 3, it all comes on one night, and that happens to be the night Tony arrived. That’s a hell of a coincidence. 🙂
Holy crap! Iron Man 3 is a Christmas movie!
Thor: The Dark World
I know this is the bottom of the MCU barrel for many people, but as I’ve stated before, Thor is my favorite MCU character. There’s no way I’m going to hate a half-decent Thor movie. Loki’s stubborn insecurity, Frigga’s death (funeral music!), its impact on Loki, and Sif’s feelings for Thor are reflections of what exists in ourselves. Being able to connect with the characters is the heart of drama. This movie had a few such moments.
The stakes were high, with the entire universe at risk, and that was the opening needed to introduce the third infinity stone to the MCU. It also served as a reminder how powerful Thor is, though he clearly hasn’t reached his full potential yet.
Question #1: How would you like it if your car was sent to another world?
No need to answer.
Question #2: Malikith’s ship. How does that thing stay standing?
I know; I know. Drama.
Captain America: The Winter Soldier
This is easily my favorite MCU movie. It may have dragged at times, but it’s the only MCU film whose message is both important and relatable: liberty v. security. In my opinion the movie came down on the right side of that argument. Sure, we all want to be secure, but giving too much control to the government is inherently insecure. We all need to accept the fact that there’s only so much security we can have in the modern world. Life will always include risk, with the difference being who’s generating the risk. At some point more liberty becomes the only option.
George St. Pierre. MMA has taken over popular culture whether you realize it or not.
At one point, Nick Fury says, “Last time I trusted someone, I lost an eye.” The implication in context was that the loss of the eye sprang directly from that trust. So, is Captain Marvel responsible for his lost eye? I don’t think so. Captain Marvel didn’t know that the cat was really a Flerken, so it’s not as if she could’ve warned him. So, is the Flerken to blame? As far as I can tell, it’s not an intelligent creature, and trust wasn’t a part of the scene in which the Flerken scratched Fury, so that doesn’t work. The MCU is a complicated weave of plotlines and references, so I hardly blame them for messing up. I just wish they had worked trust into that scene, which would have been easy to do. They clearly just forgot.
I always wondered how, in Civil War, Steve knew that the Winter Soldier killed Stark’s parents. I never noticed that he learned that in Winter Soldier. It was a quick shot while the digital Arnim Zola was showing Steve Hydra’s manipulation of world affairs.
“Who’s this guy?”
Ezekiel 25:17.
The one thing I didn’t like: Steve’s list of things to do included an entry for Star Wars and Star Trek. Star Wars was crossed out, but Star Trek wasn’t, which means he watched Star Wars first. Bullshit. Star Trek should be at the top of your list. For anything. He received some bad intel on that one.
Guardians of the Galaxy, Volume 1
Funny thing about the scene immediately following the title card. It shows a picture of space, and then you get text that indicates the current year of 26 years later. I did some quick math in my head from when the opening scene took place (1988) and realized we were seeing 2014, but there was a spaceship. On my first viewing, because I had just seen a realistic opening scene from 1988, for just a moment, my brain farted and thought, “There aren’t spaceships in 2014.” In fairness to me, at the time I was suffering from a severe B12 deficiency.
This movie was the best one to watch looking backwards from Endgame. For example, on Morag, I kept looking for Nebula and War Machine in the background. 🙂
Great soundtrack, which matched the fact that this was a different sort of MCU movie than we’d seen to date.
“They got my dick message!”
A dance off to save the universe. 🙂
Dancing Baby Groot!
I guess I should admit this as well. I was very critical of Marvel for choosing the Guardians of the Galaxy for a movie. I had never heard of them, and movies need to appeal to more than just the base (i.e., comic book readers). I thought there was no way they were going to do well with an obscure and ridiculous group. A talking racoon? A tree that can say only “I am Groot”? But it wasn’t just good. It wasn’t just commercially successful. It was a great idea in the grand scheme of things. As I said, it was a different sort of MCU movie, and it represented a welcome break from all the heavy-handedness of the other movies. Despite being so comedic, it still introduced an infinity stone in the context of a severe threat to the galaxy. Mea culpa, and bravo, Marvel.
Guardians of the Galaxy, Volume 2
“You expect me to fight this interdimensional creature with a sword?”
[Proceeds to strike the killing blow against the interdimensional creature with a sword.]
I already discussed Nebula’s transformation and how it led to my favorite bit of acting in the entire MCU. (I provided a fuller commentary here.) That began near the end of this movie, but the movie sure didn’t start that way. (Actually, it begins rather subtly when Quill, Gamora, and Drax are boarding Ego’s ship.) This is why I infer what I do from Nebula’s admission at the end of GotG2.
As I’m watching this, I’m beginning to think that these are the best acted movies of the bunch. Really. Maybe it’s just because I like that it’s more comedic than the others.
I really relate to Drax. I need to learn to lie effectively, but in many cases, the thought of lying doesn’t even occur to me. Worst. Lawyer. Ever. I also really relate to the importance given to the family you choose.
“It’s not ripe.”
Rocket gets mad that Quill calls him a raccoon, but that’s so much more accurate than “fox,” “rat,” “rabbit,” or “triangle-faced monkey.” He shouldn’t be so offended.
Thor remains my favorite MCU character, so I’m good with the fact that we’ll see Love and Thunder before Guardians of the Galaxy, Vol. 3, but I really want to see them both ASAP. Personally, I prefer movies where there’s a small set of primary characters. This is why I prefer Star Trek’s Original Series to all the others. That said, I think the Guardians series pulled off ensemble movies better than I’ve ever seen, in no small part because the characters believably showed more emotional and moral growth than any other characters in the MCU. That required sold writing and acting, and all parties delivered.
Why would an ordinary human try to fist-fight Thor? Just give up.
Is Sokovia an English-speaking nation? Google says no, so why is the Iron Legion telling everyone to leave in English.
“It was a good talk.”
“No, it wasn’t.”
I love that this was Hawkeye’s movie. The family was a great touch. Also, he had some great lines. For example,
“The city is flying and we’re fighting an army of robots. And I have a bow and arrow. Nothing makes sense.”
“Nobody would know. Nobody. ‘The last I saw him, Ultron was sitting on him. Uh… yeah, he’ll be missed. That quick little bastard. I miss him already…’”
I loved Vision’s “birth.” He was as confused as Ultron was at his own birth but got over it much faster. And of course, there’s also this.
Some foreshadowing. Vision saves Wanda, and by Endgame, they’re romantically coupled. Despite how pissed Hawkeye was with the Scarlet Witch, those two characters formed a minor bond by the end of this movie. One of the final scenes in Endgame was Scarlet Witch and Hawkeye consoling each other. In the penultimate scene, Tony mentions building a farm for Pepper, which is what he does by Endgame. I love the connections. You can’t build such strong connections within the context of a single movie without it seeming rushed (see, e.g., Anakin and Padme’s relationship in Attack of the Clones).
There always must be a death in order to raise the stakes, but I wish Quicksilver had lived to be in other movies. Rumor has it that WandaVision will have Wanda bringing back the Vision. Maybe she’ll bring back Quicksilver as well.
Another favorite moment of mine from the MCU occurs in this movie. “Oh, for God’s sake!” James Spader stole this show.
“But if you put the hammer in an elevator….”
“Elevator’s not worthy.”
Ant-Man
This certainly cleansed the palate. Like both Guardians of the Galaxy volumes, this was the occasional higher-comedy movie that keeps things from getting too heavy-handed. Who better than Paul Rudd to play Scott Lang?
I’ve always loved Garrett Morris. I’m always happy to see him in a movie or TV show, even if it’s just a cameo.
Michael Pena should face a long jail sentence. He stole this movie.
At one point, Hank Pym criticizes the Avengers for “dropping a city out of the sky,” referencing the events of Avengers: Age of Ultron. This is a familiar trope that I absolutely hate: Criticizing the good guys for not saving the world in the most convenient way possible. Anyone with an IQ over 40 knows that Ultron tried to drop a city out of the sky, not the Avengers. Ultron was a fairly competent enemy, so it was able to do a lot of damage before the Avengers could save the world. It makes no sense to blame the Avengers for that. (Maybe just Stark and Banner.)
Side Note
It’s easy to blow off the MCU as just a bunch of action movies or, even worse, superhero movies, but that’s enormously unfair. Marvel has done something remarkable, the likes of which I’ve never seen. It’s probably best to express my current thought by example, so consider Iron Man 2. Taken in isolation, it’s my least favorite Marvel movie. Also, Pepper Potts is my least favorite protagonist. Your mileage may vary; not the point. I nevertheless enjoyed Iron Man 2. It was important in the grand scheme of things, and it’s impossible for me to watch Tony and Pepper’s relationship start without gaining an appreciation for how much was lost near the end of Endgame. It’s all connected in a way that, as I said, I’ve never seen before. Moreover, any one of these films could stand on its own. You absolutely can’t say that with Lord of the Rings, the Hobbit Series, or Star Wars. Only the first Star Wars (A New Hope) could truly stand on its own, but even so, you’re still left wondering what happened to Vader? The bad guy shouldn’t survive unless there’s a sequel, right? Marvel did something incredible with the MCU, and I look forward to what’s next.
And then there’s those moments of acting and story that are remarkable, which makes it even better. I don’t understand Scorsese’s, Coppola’s, or @KesselJunkie’s 🙂 hate. It’s been a lot of fun re-watching these.
What’s Next?
Phase 3 is up (less Guardians of the Galaxy, Volume 2 and Captain Marvel, which have already been discussed).
In an earlier post, I pointed out a few things about the Marvel Cinematic Universe (“MCU”) that I really enjoyed. I don’t think the MCU gets the credit it deserves. Sure, everyone likes the sound and visuals, but no one expects these films to win acting or directing Oscars. I’m not sure that’s fair, but I digress. Since that post, I’ve started watching the entire MCU in movie-chronological order (Captain America, Captain Marvel, Iron Man, etc.) and will continue through the entire MCU that’s on Disney+ or otherwise available to me. This probably excludes the Spider Man movies and the Incredible Hulk.
There’s been so much ink on these topics that it’s rather pointless to try to leave an impression. These will be short observations of the things that either I liked the most about them or suspect many people didn’t really notice. I’m going to avoid most of my major dislikes. There’s no sense in raining on anyone’s parade (including my own). In case you have the time, I found it fun watching these movies knowing where these characters wound up.
Spoiler alert, I guess?
Captain America
In my last post, I spoke about the music. I love the music in this movie. I also loved Captain America’s team, the Howling Commandos. It’s a shame that, by design, they’ll get no more movies. I don’t think they could head up an entire (commercially successful) movie on their own, and their story with Captain America is done.
Captain Marvel
Like everyone else, I loved the Stan Lee tribute and his cameo.
I love that they made the Skrulls sympathetic. It was an interesting twist even for an MCU fan with no appreciation of the comic books, though I know that it was a twist for those that do. It also made for a good story, and I’m happy that the Skrulls are going to continue to play a role in the MCU (see Spider Man: Far from Home).
Iron Man
Some time ago, I read an article pointing out that the entire twist in Iron Man was given away in the opening scene. Knowing that the average American doesn’t speak Urdu, the scene showed Tony’s captors giving their demands in that language. As a result, many people overseas had the movie ruined for them. Duh.
Most interesting is how well this movie has aged despite being the first MCU film. The only thing tough to watch with this movie is the complete disregard for the laws of physics. But hey, you must suspend your disbelief in order to watch a superhero movie.
Iron Man 2
This is my least favorite MCU movie, but all its faults get a pass because it’s part of the larger story. I liked Howard speaking directly to Tony in the video. Tony’s realization that he was, in some sense, wrong about his father was handled well. I also loved Pepper and Tony’s “married couple” fight towards the end when Pepper learned Tony was dying. This despite Pepper Potts being the most annoying protagonist in the MCU.
Thor
When I was a kid, I wasn’t into comic books, but I was very much into mythology. The Norse legends were my favorite, so it shouldn’t surprise you to know that Thor is my favorite Marvel character. Origin stories are always tough, but I still love this movie. Maybe it’s my bias, but with Marvel going cosmic, perhaps this is the second most important movie in the first couple phases (next to Iron Man). Though Thor should be a redhead (damn it!), I thought the character was well-treated. At the risk of getting ahead of myself, his development through all three solo movies and the Avengers movies led him from a spoiled brat to the strongest Avenger, and with Ragnarök he finally became the near-invincible, dim-witted character I know from mythology (more on that later). It had to start somewhere, and this was a good start. A lot of this comes from Chris Hemsworth’s performance, which was stellar throughout. I hope he plays Thor forever.
And is there a better villain than Tom Hiddleston’s Loki? I also like the fact that Loki was a frost giant, which is consistent with his character in mythology. I did find it weird that his father was Laufey. In mythology, his mother was Laufey, and his father was Farbauti (though there are sources that don’t attach Loki to either).
Moving onto the movie itself, I do have a couple of issues. First, it seemed odd that Odin was ready to hand over the throne to such a dipshit, but it did make Thor’s banishment more profound. Second, why didn’t Heimdall get punished for helping Thor go to Jotunheim? Third: “Oh. My. God.” Worst. MCU. Line. Ever. Fourth: “Son of Cole.” Favorite. MCU. Line. Ever.
As for the music, it was appropriately majestic considering that the movie was dealing with royalty.
The Avengers
This was also an important movie in the MCU, as it was the first ensemble movie. Thor wasn’t nearly as powerful as he should have been, but he needed to be weak enough so that he didn’t trivialize the plot.
Shawarma. I know it has a lot of competition, but it remains my favorite end-credits scene in any movie.
And then there’s this guy, the biggest hero in the movie without a superpower to speak of.
One criticism: As soon as the nuke hit the mother ship, all the Chitauri dropped dead, as did all the “whale ships.” The entire enemy force just collapsed. I know this dead horse has been soundly beaten, but I have different questions. Why was there still a rush to shut the portal? The threat was gone. Why couldn’t they give Stark as much time as he needed to fall back to Earth? Why couldn’t Thor fly through the portal, attempt to find Stark, and bring him back? The answer, of course, is “drama.”
What’s Next?
That’s it for now. When I have some time, I’ll be moving on to Phase 2, which includes (in order) Iron Man 3, Thor: The Dark World, Captain America: the Winter Soldier (my favorite MCU film; expect a long discussion), both Guardians of the Galaxy movies, Avengers: Age of Ultron, and Ant-Man. GotG2 isn’t actually Phase 2, but I’m watching these using in-movie chronology, so watching in phases isn’t quite going to work.
Play What You Want 