Perfect Albums

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This post is a bit convoluted because it’s dealing with two related topics that each deserve their own post, but I’m lazy, so you’re getting one that’s probably going to just as long as the two posts would be collectively if written separately.

Perhaps I’m not as clever as I think I am.

Topic One

About 5 years ago, I published a post about an apparent consensus among 80s music professionals that Boston’s first, and self-titled, album and Def Leppard’s Pyromania were perfect albums.

Topic Two

I love listening to entire albums at once. By doing so, you see where a band is in their current development as artists. Listen to more than one, and you see their evolution (for better or worse). Additionally, concept albums can be fascinating even in pure isolation. Finally, if you’re in the mood for Maiden, all you want to hear is Maiden (or whatever band is infecting your brain at the time. If you’re

The Convoluted Mess

As of late, I’ve been listening to entire albums on my commutes to and from work, inspired in no small part by several recent deaths of musicians that meant a lot to me. On my worst day, my commute is 25 minutes, so longer albums are spread among a few back and forths. I began to think about perfect albums. Boston and Pyromania may have been consensus “perfect” albums to a particular set of people at a particular point in time, but whether an album is “perfect” is obviously subjective. So, my list will differ from yours (perhaps drastically), but the theme will remain relevant. I should also add that the implied definition of “perfect album” is that 1) there were no bad songs, and 2) the album was ground-breaking or stupendous in its artistry. While that definition may make for some interesting discussions, I want to use a definition that has more practical value, and also opens up the door to a larger number of albums, thus encouraging even more of those interesting discussions. Nevertheless, the definition should still meet the commonly understood meaning of “perfect.”

An album is perfect if there isn’t a single song on the album that you want to skip when listening to the album, regardless of whether even a single one of those songs is what you consider “great.”

To help appreciate the subtle shift in new definition, my favorite Night Ranger album is Seven Wishes because in the aggregate, that album has their best collection of music, but it’s not a perfect album. I’ll skip a couple of songs on that album that I don’t like. On the other hand, I never have any desire to skip a single song on their Big Life album. Big Life is perfect by this definition, but it’s still not a desert island necessity. If given a choice between the two albums, I’ll take the imperfect Seven Wishes and spend my remaining days marooned on that desert island listening to only part of it.

I mentioned above that I may want to listen to an entire album simply to hear where a bad was at the time, but if I’m listening for nothing but pure entertainment value, I’ll skip through the stinkers.

This definition certainly opens up the door to more perfect albums, but it’s still a very high standard to meet. Many albums come very close, but if you think it through, they fall short. Perhaps the best example of that is True Blue by Madonna. Yesterday, I listened to that album (minus one song) for the second time in less than a week. It’s so good that I had to hear it again, but I never liked, La Isla Bonita. It just doesn’t do it for me. The same can be said for Madonna’s Like a Virgin. It has my favorite Madonna song, Material Girl, but I find myself skipping a few songs.

I just want to say why Material Girl is my favorite Madonna song. It’s a bouncy, ditzy, simplistic song with a horrible message. Though the music video shows that the message is being delivered sarcastically, it’s still just silly, bubble gum pop. But somehow, within that context, when that chorus kicks in, it drives. How does she pull that off? You have to respect that.

Sticking with 80s pop for a little while longer, I love the Outfield’s first album, Play Deep, but Nervous Alibi sounds like a song that they added to the end of the album just to make sure side one and side two were about the same length. Switching to some harder stuff but staying in the 80s, I feel the same way about Inside on Van Halen’s 5150. 5150 is one of my favorite 80s albums, but it ain’t perfect. Inside is boring, repetitive, and clearly a song for them, not me. There’s nothing wrong with that, but I’m going to skip it every time. My favorite Cars album is imperfect. Obviously, my favorite album of all time, Duke by Genesis, is perfect no matter the definition you use, but Genesis’s self-titled album from 1983 falls short for the opposite reason as Play Deep and 5150: it’s first song, Mama. Though very popular even among merely casual Genesis fans, I never liked it. Every other song on that album receives my full attention, but it’s not perfect.

It seems almost unfair.

Bands with Multiple Perfect Albums

Not many artists have perfect albums, and even fewer have multiple perfect albums. Being that Rush and Fleetwood Mac (with Stevie and Lindsey) are my favorite bands of all time, they obviously have several perfect albums. In fact, it’d take far less time to tell you which of their albums are not perfect, so let’s skip them. There are a couple of artists that are high on my list of favorite bands, and they fall into this category. I think that Iron Maiden’s Number of the Beast, Powerslave, and Seventh Son of a Seventh Son are perfect. Piece of Mind and Senjutsu are close, but no cigar.

Ozzy has two: Blizzard of Oz and The Ultimate Sin. As with Play Deep and 5150, many albums fall short of perfect because of the last song on the album. In sharp contrast, The Ultimate Sin ends powerfully with Shot in the Dark. It’s almost daring you to call it imperfect, then says, “Sike!”

No More Tears is oh so close, but it’s ultimately imperfect.

Supertramp’s Breakfast in America is perfect. Billy Joel’s Glass Houses and Yes’s 90125 are perfect, though not their best albums overall. Jefferson Airplane/Starship is one of my favorite bands, but they don’t have a perfect album, and that bugs me. I feel like I failed them.

Overall, I have a small amount of fun revisiting albums with this question in mind. Maybe you will too.

Or not, losers.

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Genesis is in Danger! @PhilCollinsFeed @tonybanksmusic @officialmatm @genesis_band @StarTrek #music #StarTrek #Genesis

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Sundays now are lazy days for me. I either post something silly or other people’s work. Usually both. Today, it’s about a recent conversation. Strangely, a coworker asked me just this past week whether I enjoyed the Genesis concert from 11/18/2021. I told him . . . yeah.

But as you know, I also love Star Trek.

A perfect mashup.

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My Lifetime List of Concerts (updated 8/14/2025) @PhilCollinsFeed @tonybanksmusic @officialmatm @genesis_band @billyjoel @jimmybuffett @davematthewsbnd @DavidLeeRoth @sammyhagar @IronMaiden @JWatsonRanger @pinkfloyd @GreatWhiteRocks @38SpecialMedia @Wolf_Trap @DougWimbish #concert #music

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This post was inspired by this tweet.

I’m constantly listening to music, and yet I’ve never really enjoyed going to concerts. I love it when a bar has a live band, but I don’t buy tickets and go to concerts. It’s just never been my thing, except when it’s critical that I see a band live. I never saw my two favorite bands, Rush and Fleetwood Mac, in concert, and with Peart dead and Buckingham probably out for good, I never will. (EDIT, 7/29/2023: Well, shit.) That’s a shame, but here are the concerts that I’ve seen. All of them were must-sees for me.

1. October 10, 1986: Billy Joel, Capital Centre, Landover, MD. The Bridge tour. My first concert was for what was at the time my favorite artist. I saw this with my sister (foreshadowing!).

2. August 9, 1987: Night Ranger/Great White, Merriweather Post Pavilion, Columbia, MD. I was there the night before for Howie Mandel, then I came back the next day for this concert, which was also my first date (you know, with a girl). I chose Night Ranger over Chicago because I really wanted to see the Outfield (though I did, and still, looooove Night Ranger). Unfortunately, the Outfield cancelled and were replaced by Frehley’s Comet, who also cancelled, leaving me with Great White. I didn’t appreciate Great White then as much as I do now. Still a great show.

3. December 13, 1987: Yes, Capital Centre, Landover, MD. This was the Big Generator tour. Earlier in the week, I was on the University of Maryland’s radio station (my cousin knew the DJ well) hyping the show.  

4. June 1, 1988: Pink Floyd, R.F.K. Stadium, Washington, DC. A Momentary Lapse of Reason tour. A holographic dogfight? Yeah, I had to see that, and I had to see it outdoors. Surprisingly, this was only the second best visual concert I ever saw. The best was . . .

5. August 8, 1988: Iron Maiden, Capital Centre, Landover, MD. Seventh Son of a Seventh Son tour. It was the most impressive visual show I’ve ever seen, and the music was fantastic, and I was on the floor (10th row, IIRC). One of my strongest memory relates to the concert t-shirt I bought there. As I was leaving the show, someone told me that I was wearing it backwards. I wore that damn thing backwards the entire night. I’m such a dipshit.

6. August 7, 1989: Mike and the Mechanics/The Outfield, Merriweather Post Pavilion, Columbia, MD. Vindication! I finally saw the Outfield! Oh, and MatM was pretty good too. I especially remember how much better All I Need is a Miracle is live. Unfortunately, there’s a weird and tragic memory attached to this concert relating to the first time I had ever really experienced death. This gets a bit convoluted, but bear with me. I never liked the Outfield song, 61 Seconds. So, every time the cassette tape reached that song, I flipped it, and it placed the tape exactly at the start of All the Love, which was a huge hit for them. As a result, I never heard Mystery Man until the concert. I loved the song, but for whatever reason took notice of the repeated, stressed use of the word, “goodbye,” in the song. It turns out, a friend (18 years old) was killed in a car accident that morning. That messed me up for about a week.

7. August 26, 1992: Bruce Springsteen, Capital Centre, Landover, MD. Springsteen is really good, but for whatever reason, this concert was just meh to me. In fact, I’ve said elsewhere that, prior to Genesis the other day, I had seen only 11 concerts. This is one of the ones I forgot because it had little impact on me. The other was . . .

8. August 11, 1995: Jimmy Buffet, Nissan Pavilion, Bristow, Virginia. This should have been my answer to the “worst concert” question from the tweet, but I didn’t recall the memory quickly enough. Buffett thought he was in the deep south, and almost all his songs were country music. I wasn’t a fan of it. He also played his biggest hits — Fins, Margaritaville, etc. — in the middle of the set rather than as encores. It was a rather strange choice. I still enjoyed the show because, well, it’s Jimmy Fucking Buffett.

9. June 12, 1999: Guinness Fleadh (Chicago: Van Morrison, Hootie and the Blowfish, Steve Earle, Black 47, Elvis Costello et al.), Chicago Motor Speedway, Chicago, IL. This was amazing. There was a ton of variety in the music played. I went because my late cousin, Ann Marie, came down from Madison, WI for the show and asked me to go with her. Elvis Costello was a huge disappointment. He played every song by himself on an acoustic guitar and spent more time complaining about modern music than he did playing. He was a buzzkill. Van Morrison and Black 47 (who I had seen in a bar about 5 years earlier) killed it.

10. June 30, 2000: Dave Matthews Band, Soldier Field, Chicago, IL. This was an incredible show. You have to like his music, of course, but they’re remarkable musicians. Also, Al Green showed up and sang with the band! For this one, I had a regular seat, but Alissa snuck me onto the field.

11. August 8, 2002: Sammy Hagar/David Lee Roth, Nissan Pavilion, Bristow, Virginia. The place was surprisingly empty, but that allowed me to enjoy the show more than otherwise. (I really don’t like going to concerts.) David Lee Roth spent most of his set hitting on a particular woman in the front row. Ummm . . . the years had not been kind to her, but she was giving him the pop he wanted, so he maintained focus on her the entire show. We were all hoping that Michael Anthony would join Sammy for his set. He had done that at a few shows, but we weren’t among the lucky ones.

12. August 14, 2006: Billy Joel, Verizon Center, Washington, DC. My only repeat concert, I saw this with my sister (again) and her adult son. We were behind the stage, so we saw the TV screen that provided Joel the lyrics so he didn’t have to remember them. Look, the guy had a lot of material going back over three decades. I don’t blame him. He played everything everyone wanted to hear. I missed Allentown due to a bathroom break, but my sister had it worse. She missed her favorite Joel song, Pressure, during hers.

13. July 30, 2017: .38 Special, Wolftrap, Vienna, VA. .38 Special was actually the opening act, and I left after their set. I was more interested in seeing the new Game of Thrones episode than I was sticking around. I saw what I wanted to see. The parking at Wolftrap sucks. Otherwise, it’s a good venue.

14. November 18, 2021: Genesis, Capital One Arena, Washington, DC. I’ve said enough about this already. Here’s the opening:

15. August 5, 2022: Omega Concern (n/k/a the Rush Experience), Tally Ho Theater, Leesburg, VA. This was their first concert together.

16. July 28, 2023: Living Colour, Tally Ho Theater, Leesburg, VA. These guys are insanely good, and the show was fantastic. I’m so glad I saw them. Here’s a video from the show.

And here’s a tweet that was retweeted by the band’s official Twitter handle and liked by bassist Doug Wimbish, who we got to speak to (briefly) after the show.

We also got to thank Vernon Reid, but he was occupied with other fans, so we let him be. He most certainly did not snub us. He was just busy showing everyone as much appreciation as he could given how my attention he generated.

17. May 16, 2025: Night Ranger, Hollywood Casino at Penn National Race Course, Charles Town, WV. This is now only the second time I’ve seen a band more than once. It’s the day before my birthday, and I wanted to do something cool. What’s cooler than Night Ranger?

On our way to Origins

Unfortunately, the show was somewhat disappointing. First off, Jeff Watson can’t be replaced. Second, they played only one song off of Big Life. Third, Kelly Keagy no longer sings; he shouts. It was tough to listen to him yell some of the most subtle and emotionally impactful lyrics Night Ranger ever produced, especially my favorite song by them, Sentimental Street.

I was far more interested then watching the concert than recording it, so you won’t get full songs here.

Still, I don’t regret seeing the concert. The songs are still the songs I’ve always loved, and I can assure you that Jack Blades hasn’t lost a step as singer, bassist, and showman. So, if you see them, lower your expectations a tad, and you’ll be fine.

18. August 13, 2025: Toto, Christopher Cross, and Men at Work, Jiffy Lube Live, Bristow, VA. One day after visiting Kings Dominion for the first time in over 30 years (loved it), I went back to what used to be called the Nissan Pavilion for the first time in 23 years (see above). This was a solid show, and considering that every artist I’m interested in seeing is charging as much as $120 per ticket, it’s amazing I saw three such artists for $31. Before I share some videos, here’s a disturbing image from the men’s room.

What happened that made this sign necess . . . oh, damn.

Now for a few videos. Here’s Men at Work playing my favorite song of theirs, It’s a Mistake.

And here’s Christopher Cross playing my favorite song of his, and, IMHO, the greatest pop song ever written.

And lastly, here are the last two songs of Toto’s set, which were fittingly Hold the Line and Africa. Christopher Cross and his band joined them for Africa. Oddly, Colin Hay did not. In all seriousness, I’ve never seen marijuana in person during my entire life, but by the time this concert ended, I once again reeked of it.

I’ll continue to add more concerts as I see them.

But I really don’t like attending concerts. 🙂

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Genesis, Capital One Arena, 11/18/2021 @PhilCollinsFeed @tonybanksmusic @officialmatm @genesis_band #music

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With recent events sending me into a tailspin, I needed a distraction. Coincidentally, I got one. After 53 years, I finally got to see one of my favorite rock bands, Genesis. I took only two videos, and they’ll leave you wanting more. Sorry, but I went there to listen and watch, not to videotape.

As I’ve told you, while Genesis isn’t my favorite band of all time, their album, Duke, is my favorite album. The concert began with some of that album as follows . . . .

I took this video because I liked that they were displaying the spines of cassette tapes for all of their albums.

One of the songs didn’t serve as a distraction, but rather a reminder, but that’s not a bad thing. I don’t think I want to see some more concerts, but unfortunately none of the bands I’d want to see are currently on tour.

Only my 12th concert.

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Concerts, Concerts, Concerts @LBuckingham @PhilCollinsFeed @tonybanksmusic @officialmatm @genesis_band @Tromboneshorty @VerticalHorizon @Wolf_Trap @thebirchmere @TallyHoTheater #concert #music #Genesis

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I’ve been to only 11 concerts in my life (as in buying a ticket to see a concert, as opposed to live music in bars, which I’ve done a lot). Why? Because I don’t like going, and I go only when going is really important. Needless to say, I’m pumped about seeing Genesis later this year. While not my favorite band, my favorite album of all time is their 1980 effort, Duke.

With the pandemic winding down, Wolf Trap and many other local venues have announced concerts again, and I’m so desperate to go out and do things with people (that isn’t work) that I may just double my entire concert-going experience this year alone. Among the local shows are Blue Oyster Cult, Black Sabbitch, Air Supply, Trombone Shorty, Toad the Wet Sprocket, Ann Wilson, Harry Connick Jr., Abba, Joan Jett, Three Dog Night, Bog Bad Voodoo Daddy, Bob Mould, Indigo Girls, and Train (with Vertical Horizon). I doubt I’ll see all of these shows, but if I did, that would more than double my lifetime concerts. Lindsey Buckingham is touring, but I’ll be in Las Vegas while he’s here. We’ll see how the summer shakes out, but I’m bound to see some of these.

But I really don’t like attending concerts. 🙂

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My Five Favorite Albums . . . Really Five This Time @rushtheband @StevieNicks @LBuckingham @MickFleetwood @billyjoel @IronMaiden @PhilCollinsFeed @tonybanksmusic @officialmatm #music #Rush #FleetwoodMac #IronMaiden #BillyJoel #Genesis

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I’ve provided my favorite movies, bands, and songs, and now we reach the last in this series: My favorite five albums. This should be the easiest of the posts, so I shouldn’t be such a coward this time. You’ll get your five. Again, however, I’m going to give you my favorite albums by the bands I mentioned previously, but my absolute favorite album of all time isn’t from any of them. Despite my methodology, though, this could very well represent my actual, favorite five albums.

Grace Under Pressure, Rush

R.I.P., Professor.

This is an unusual choice for Rush fans, but in discussing it online with several other fans, I’m definitely not alone. I’m not going to go into this in detail, because it’s a personal matter. I’m simply going to make this vague statement: There was a moment in time when I truly became an independent person. For better or worse, this was a significant moment and a significant development, and Grace Under Pressure was part of my life during that moment of clarity. It’s tough to separate this album from that.

Rumors, Fleetwood Mac

If you’ve read the previous two posts, you knew this was coming. I was raised on this album. It belonged to my older brother, but I could listen to it whenever I wanted, and he bought it at a time when I finally had a choice of what music I heard. I had my own radio, so I could listen to which songs I heard on the radio, and from 1977 forward, I slowly started my modest collection of albums so I could listen to the music I wanted to hear when I wanted to hear it. Despite it not being mine, Rumors was the start of that.

Powerslave, Iron Maiden

As with GUP above, I think I’m making a choice that isn’t very popular among fans of the band. Yes, my favorite Iron Maiden song is on this album, but as with much of our attachment to art, this is about more than the art itself. This is about nostalgia. This was my first Iron Maiden album, and the music on it is solid from start to finish. I’m also a huge fan of the instrumental, Losfer Words, as well as the title track. I’ve spent many hours jamming to these songs on my guitar or bass (though I’ll never win an award for my playing).

The Stranger, Billy Joel

This album combines the positive qualities I’ve referenced throughout this series of posts. While the music is all from a specific genre, it’s diverse within that genre. Scenes from an Italian Restaurant is epic. It’s like an Iron Maiden or Rush song in that it has multiple movements, all lyrically tied together, yet clearly distinct from one another musically, producing one hell of an effect. The band has enough members in it to fully fill out the music. The instrumentation doesn’t include merely the traditional guitar, bass, keyboard, and drum set collection, but adds woodwinds and other percussion. Hell, there’s even an accordion in there. Joel is a native New Yorker. He grew up in the ultimate melting pot. This influenced how he collected personnel and wrote his music, and the Stranger is probably the best example of that from his discography. As far as I’m concerned, this was one of my favorite artists at his absolute peak.

My Favorite Album? Drum Roll, Please. Duke, Genesis

Once again, I admit that this is all subjective, but there’s a pseudo-objective reason why Duke is my favorite album. As Duke was being written, you could still say Genesis was going through a transitional phase after the departure of Peter Gabriel. This was their third album after Gabriel left, and second after Steve Hackett left, so Phil Collins, Mike Rutherford, and Tony Banks were still trying to figure out what they wanted to do, even having considered for a time writing only instrumentals going forward. After finally settling on six songs that comprised the Story of Albert, the band realized they needed more music to fill out the album. Each of the members wrote two more songs. The result was remarkable.

Because the earlier six songs were telling a common story, Duke was strongly coherent. The later six songs mixed things up a bit to keep the album from being monotonous, but those later six songs were still connected to the earlier six, both lyrically and musically. In other words, you had a strongly coherent album of spectacular songs with just enough variety to prevent you from getting bored. The songs themselves represented a stunning bridge between progressive rock and popular music.

Of course, you must like this kind of music for any of this to matter, but that’s why I admit that it’s still a subjective question. In fact, many Genesis fans hate Duke because it tries to be both things, and to them Duke represents to worst of both worlds. Obviously, I believe it represents the best of both worlds. I’ve occasionally said that I’d be happy to pay full price for a concert ticket where Genesis got back together and just played Duke from start to finish. I’d need nothing else.

Subjectively speaking, Duke is my favorite album of all time. YMMV.

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