Good Watch: Challenger @Netflix #GoodWatch

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Certain moments in history define a decade, such as John F. Kennedy getting shot and 9-11. Almost everyone remembers where they were when these events happened, or at least when they heard about them.

In 1986, I was a high school senior. I had transferred from a private (Catholic) high school to a public one, Walter Johnson, for my senior year. (I had to pay for my high school tuition, and knowing that I had to pay for college, needed a financial break.) I entered 5th period Chemistry class, and the teacher said, “The Challenger vaporized on launch.”

“Wasn’t that the one with a teacher on it?” asked a more dimwitted classmate.

“Yep. I don’t see how anyone could have survived.”

In 6th period architectural drawing class, the teacher brought in a TV, and we watched the coverage. I remember exactly how I felt. Challenger on Netflix brought all of that back to me.

The four-episode limited series covers the country’s excitement over the space shuttle program generally, and the Challenger mission in particular. It was the first time an “ordinary” citizen, in this case a teacher, was going into space. The thought around the country was that this was the first step towards space travel becoming an ordinary event for ordinary people. Everyone was in for one hell of a rude awakening.

I enjoyed this show. As always, YMMV.

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Good Watch: The Trial of the Chicago 7 @SachaBaronCohen @hitRECordJoe @netflix #GoodWatch

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I hate courtroom dramas. While I’m not a litigator, I can spot the nonsense when I see it, and legal dramas are always about “drama” first and “legal” last. The same is true for any industry. Some liberties were taken with the story, but based on a little research, this movie largely gets it right. And that story is frustrating. From Wikipedia:

Based on the story of the Chicago Seven, a group of eight defendants charged by the federal government with conspiracy in 1969 and 1970, inciting to riot, and other charges related to anti-Vietnam War and countercultural protests that took place in Chicago, Illinois, on the occasion of the 1968 Democratic National Convention.

The trial was a mess. The judge (ironically) showed nothing but contempt for the defense. All of the charges, including the numerous contempt charges, were overturned on appeal. The Seventh Circuit ordered a new trial, which the Attorney General declined to pursue.

Sacha Baron Cohen was awesome. Joseph Gordon-Levitt was awesome. Yahya Abdul-Mateen II was awesome. Mark Rylance was awesome. Frank Langella was awesome.

The Trial of the Chicago 7 is streaming on Netflix. There’s no reason not to watch this movie. As always, YMMV.

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Stellar Watch: Viewing Notes for Star Trek: Discovery, Season 3, Episode 1 @CBSAllAccess #StarTrek #DISCO

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I’m excited to watch the season premiere of Star Trek Discovery tonight. Why? Because the alternative is a town hall with either Biden or Trump (written on 10/15/2020). Plus, I love Star Trek. This is, after all, why I bought a subscription to CBS All Access. I don’t plan on doing viewing notes for every episode; just this one.

Burnham arrives in the future. This is something every space show gets wrong. If you choose a random point in the universe, the overwhelming odds are that it’ll be empty. Yet here she is, showing up in a mess of junk and running directly into a ship.

Gee. It’s a good thing Burnham landed on a class M planet. What are the odds? See above.

Book really can’t fight. Give me the first punch, and you’re going to sleep. Plus, phasers have greater range than knives. It’s not an even trade to separate. She’s still a threat, and you’re no longer one. Dipshit.

The Burn!

A dilithium recrystallizer?

Oh, wait. Nevermind.

In other news, my spell check doesn’t recognize “dilithium” or “recrystallizer.”

I just saw Morn!

Yep. That’s Morn (you know what I mean).

Amazing that the animal’s goo is everywhere but on Michael’s face.

The red-leaved trees are an obvious homage to the opening scene of Star Trek Into Darkness. That movie deserves no references.

Why is everyone whispering? Speak up. I can’t make out what you’re saying.

Overall, this is a very interesting take on the Star Trek universe. I’m eager to see where this season goes.

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Spooky Watch: The Invisible Man 2020 (and How Dungeons & Dragons Almost Ruined It) @hbomax #GoodWatch #DnD

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It’s October, so all of my streaming services are suggesting horror (or horror-adjacent). I’m not a fan of the genre, or at least not of slasher films or any film relying on stupid behavior to advance the plot. Also, while I’m more than willing to suspend disbelief, I require something … anything … to provide a basis for that suspension. I don’t get that from most horror movies.

That said, I’ve had a recent string of fairly good luck with the genre, and the 2020 reboot(?) of the Invisible Man continues that trend. It’s spooky and scary in a way that preys on my own fears. Mild spoilers ahead. I don’t need people snooping on me, and the technology at the center of this movie (currently being researched in the real world) takes that to another level. It can also be used to frame you for a crime. Also spooky. The only thing missing was the use of Deep Fake to have the main character destroyed by cancel culture. That would have been the scariest thing of all, but maybe they didn’t include it to avoid an NC-17 rating. 🙂

So, how did Dungeons & Dragons almost ruin it? It took away from, dare I say, the believability of this film even after you suspend your disbelief in the underlying technology. The technology makes you invisible. Okay, I can accept that. However, every edition of D&D has taught us (you know, the nerds) that invisibility definitely does not hide the sounds you make, and it doesn’t give you superhuman strength. The villain was far too quiet and far too strong. The technology consists of a ton of cameras. There’s no noise dampening apparent from its design, and if that’s what they were going with, they should have justified it within the script by both an association with someone well-versed in that technology and something apparent in the design. Instead, presumably for dramatic effect, they actually made the technology loud when the main character first discovers it.

But I know this is just me, so even I just let that go. Accordingly, with only a couple of exceptions, stupidity isn’t necessary to advance the plot, and there’s only one instance that I noticed where the villain (sort of) appears to be in two places at the same time. Also, once an invisible person grabs you, it becomes a grappling match, and you’re not at nearly as much of a disadvantage as a fist fight. I seem to be talking myself out of liking this movie, but I still liked it. I guess I’m just a sucker.

The misdirection about 20 minutes before the end of the movie was pretty good even though I saw it coming, and the ending was satisfying if not realistic. (C’mon. The guy’s a cop.)

There are no mid-credits or after-credits scenes. You’re welcome. As always, YMMV.

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Formulaic Watch: Hubie Halloween @Netflix #GoodWatch

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It’s really fashionable to hate on Adam Sandler nowadays. Everyone loves to criticize what everyone likes, which makes no sense until you realize people always love to complain, and the squeaky wheels tend to get the grease. With that, I’m going to complain.

This one was not for me at all. The story was completely unoriginal, and Sandler’s main character is the mentally challenged goofball with a speech impediment that almost everyone in his hometown loves to bully. One woman is romantically interested in him, but he doesn’t act on it because he’s too nervous. A few of the kids don’t like seeing him bullied because they’re “good guys.” Because it’s a Halloween movie, there’s something scary at the center of the plot. We’re supposed to cheer when the bullies are harmed and when the loveable characters get their predictable, happy endings. Yeah, nothing new going on here, and the execution is rather week despite a solid cast.

But hey, if campy and formulaic is your thing, then you’re going to have a different reaction, so as always, YMMV.

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Good Watch: Schitt’s Creek @danjlevy @Realeugenelevy @annefrances @emilyhampshire @sarahlevy_ @DustinWMilligan @SchittsCreek #GoodWatch #pandemic #SouthPark

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All six seasons of Schitt’s Creek are now on Netflix. Apparently, despite flying under the radar for its first four seasons, this show did well at the 2019 Emmys and absolutely cleaned house 2020. I can explain why.

The show has been hit or miss. Very uneven. It had times when it was brilliant and times when it fell flat, often in close proximity. However, one thing I’ve often said about the show is that they knew how to wrap up a season, bringing all the story lines together in fun(ny) and satisfying ways. All shows do that, but Schitt’s Creek is one of the best at it. So, each season finale was brilliant. Looking at the bigger picture, season six had the same effect, wrapping up the story of the Rose family with 14 solid episodes that collectively were head and shoulders above the prior seasons.

The cast had a lot to do with this. It includes two comedy legends, Eugene Levy and Catherine O’Hara, and one person who should’ve been, Chris Elliott. However, by season six, Eugene’s real-life and in-character son, Daniel, really stole the show. I’m sure Eugene is more than happy to have been upstaged by his son. The other cast members? Perhaps not so much. 🙂 But most of them did a great job.

The only thing I didn’t like was that Moira (Catherine O’Hara) didn’t grow. She stayed the same, conceited, spoiled brat she was from the start. The purpose was to provide comedy relief and remind us where the show started. Ultimately, that annoyed me a bit, but it was easy to ignore.

This was a really good show and ended at precisely the correct time. As always, YMMV.

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Shark Jumping Watch: The South Park Pandemic Special @SouthPark #GoodWatch #pandemic #SouthPark

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I haven’t been watching South Park lately. Considering how much I love the show and how much I’m streaming, I can’t explain why. I just haven’t. Then I saw someone on Facebook say that he was purposefully avoiding the pandemic special (why?). I had no idea it existed, and now that I do, I decided to watch it.

I never thought I’d say this, but South Park has jumped the shark. I used to laugh out loud watching that show. I’m 100% okay with over-the-top humor, but this special just wasn’t funny. The only good commentary was on a topic other than the pandemic.

As always, YMMV.

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“We Know Already” Watch: The Social Dilemma @netflix @kesseljunkie #GoodWatch

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I want to say that this was a waste of time, but I can’t. It’s too important not to be given an occasional reminder.

This 94-minute documentary (with occasional, annoying dramatizations) is about how social media is impacting our lives. Yeah, we all know it, but we can’t help but succumb to it. And that’s point #1. It resembles an addiction, but it’s really about preying on our very nature.

Point #2 is that it’s taken the internet and made it even more divisive. It’s not that we haven’t had serious disagreements with each other. Anyone that’s lived outside their bubble knows that. It’s that we’re now being exposed to those differing viewpoints seemingly continuously, and in a way that makes the speakers feel as if they’re anonymous, even when they clearly aren’t. In other words, we’re hearing a lot more about the way people really feel about issues, and we often disagree.

Kessel Junkie and I discussed this a little bit in the comments on his blog. Trigger warning: He hates the Goonies.

Speaking of “disagree,” Facebook issued a weak response.

I think it’s healthy to be reminded of these effects every now and then, and 94 minutes isn’t a lot of time to invest. As always, YMMV.

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Re-envisioned Watch: Blumhouse’s Fantasy Island Remake @Fantasy_Island @blumhouse @lucyhale @MaggieQ @PortiaDd @HiRyanHansen @STARZ #GoodWatch #FantasyIsland #Blumhouse

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I generally hate horror movies, but I liked this one.

I’ve had a decent string of luck on horror movies lately (with one noticeable exception). It’s a genre I never particularly liked. The writing is lazy, having the plot moved along by enormously stupid actions of the characters, which to some extent lessens the impact of the villain. I also don’t like it when a character with no supernatural abilities exhibits unrealistic resilience. Tell me the bad guy is a vampire, and I’ll suspend disbelief and watch it, especially if you give me anything at all to help with that suspension. Tell me he’s just really crazy, and it’ll bug me when he’s stabbed in the neck and keeps going. It’s so easy to write around this nonsense, but horror writers simply don’t.

Fantasy Island is the kind of horror movie I liked. It doesn’t suffer from the above, and the script neatly ties everything competing story lines together. Besides, Michael Pena can do no wrong. Also, the last line in the movie is something we should have all seen coming, but I didn’t. 🙂

As always, YMMV.

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Sadly, Jimmy O. Yang recently deleted his Twitter account. I assume he’s another casualty of social media bullshit.

Boring Watch: Raised by Wolves @hbomax #GoodWatch

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Normally I like science fiction. These are not normal times.

Don’t get me wrong. I don’t equate this show with the horrors of 2020; I just thought it was a funny line. Raised by Wolves just bored me. It comes across as a show made by people that think they’re owed allegiance to their “masterpiece” because they take it seriously in an artsy-fartsy kind of way. Every episode I watched felt like people were whining in hushed tones, passively-aggressively obliging me to cheer them up. I wasn’t able to make it through episode 7 and don’t care how it ends.

My opinion isn’t a popular one, so as always, YMMV.

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